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The year is 1905 and King Edward VII has invited himself and his mistress to a shooting weekend with the Dilbernes. Now Isobel, the Countess, must turn a run-down mansion into a palace fit for a king. Just as well the family fortunes have been restored, but money can't solve everything... not even a kidnapping. The servants refuse to condone the King's morals; Isobel's daughter, Lady Rosina – now widowed and wealthy – insists on publishing a scandalous book, and the mis-spent pasts of Viscount Arthur and his Irish-American wife Minnie rear up to blacken the family name. When fate deals a hand in the middle of the shooting party, Isobel must consider not only her leading position in Society, but her entire future. Fay Weldon brings an aristocratic Edwardian household to fabulous, vibrant life in this gorgeously witty tale of manners and morals, commoners and countesses, from one of Britain's best loved authors.
"England, 1903. Lord Robert and Lady Isobel Dilberne and the entire grand estate, with its hundred rooms, are busy planning for a visit from Edward VII and Queen Alexandra just a few months a way. Preparations are elaborate and exhaustive: the menus and fashions must be just so, and so must James, the new heir and son of Arthur Dilberne and Chicago heiress, Minnie O'Brien. But there are problems. Little James is being reared to Lady Isobel's tastes, not Minnie's. And Mrs. O'Brien is visiting from America and causing trouble. Meanwhile, the Dilbernes' niece, Adela, is back and stirring up hysteria in the servants' hall by claiming the house is cursed. The royal visit is imperiled, but so are the Dilberne finances once more. His Lordship is under tremendous stress, and the pecking order will soon be upset as everything at Dilberne Court changes. The New Countess is the final novel in Fay Weldon's exciting trilogy that began with Habits of the House and Long Live the King. The bestselling novelist and award-winning writer of the pilot episode of the original Upstairs Downstairs lifts the curtain on British society, upstairs and downstairs, under one roof"--Provided by publisher.
Was the “Blood Countess” history’s first and perhaps worst female serial killer? Or did her accusers create a violent fiction in order to remove this beautiful, intelligent, ambitious foe from the male-dominated world of Hungarian politics? In 1611, Countess Erzsébet Báthory, a powerful Hungarian noblewoman, stood helpless as masons walled her inside her castle tower, dooming her to spend her final years in solitary confinement. Her crime: the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries. In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.
England, 1582 ELLIE - Lady Eleanor Rodriguez of San Jaime - is in possession of a gold-seeking father, a worthless title and a feisty spirit that captivates the elite of the Queen's court, and none other than the handsome new Earl of Dorset . . . WILLIAM LACEY has inherited his father's title and his financial ruin. Now the Earl must seek a wealthy heiress and restore his family's fortune. But Will's head has been turned by the gorgeous Ellie, yet their union can never be. Will is destined to marry a worthy Lady so the only question is - which one . . . ?
Lady May is back. And so is the scandal that sent her tumbling from her position as the toast of London, when her husband, the Earl of Maybury, was killed in a duel. Even a year of mourning hasn't quieted the rumors of her infidelity. Georgia Maybury is determined to regain her position in the beau monde, but a scarred ex-naval officer threatens her plans...
The real-life inspiration and setting for the Emmy Award-winning Downton Abbey, Lady Almina and the Real Downton Abbey tells the story behind Highclere Castle and the life of one of its most famous inhabitants, Lady Almina, the 5th Countess of Carnarvon. Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war. Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home. Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman. This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.
After leaving the army and falling out with his family, the Honorable Catesby Burgoyne is drowning his sorrows when he comes across a woman being attacked by thugs. A fight is just what he needs, but little does he realize the lady he rescues will change his life. For Prudence Youlgrave is not just the victim of ruffians. Her life has been made a shambles by her selfish brother and brutish fiancé. But she has a bold and courageous spirit Catesby can’t resist, and before he knows it, he finds he has rescued her again by marrying her himself. A reckless adventurer may be forgiven for such an impulse. But when Catesby’s older brother suddenly dies, he finds himself Earl of Malzard, and Prudence is suddenly a most unlikely countess. Neither she nor Catesby are prepared to face the shock of his family. Still almost strangers, they have no one to turn to but each other, and it is in each other’s arms that they find a love neither ever expected. "Another jewel in Beverley’s heavily decorated crown."—The Romance Reader "A delightful blend of wit, intrigue, and emotional victories."—The State (Columbia, SC)
A “brilliant” novel of Elizabeth Bathory, the notorious sixteenth-century Hungarian aristocrat who bathed in the blood of virgins (St. Petersburg Times). Turmoil reigns in post-Soviet Hungary when journalist Drake Bathory-Kereshtur returns from America to grapple with his family history. He’s haunted by the legacy of his ancestor, the notorious sixteenth-century Countess Elizabeth Bathory, who is said to have murdered more than 650 young virgins and bathed in their blood to preserve her youth. Interweaving past and present, The Blood Countess tells the stories of Elizabeth’s debauched and murderous reign and Drake’s fascination with the eternal clashes of faith and power, violence and beauty. Codrescu traces the captivating origins of the countess’s obsessions in tandem with the emerging political fervor of the reporter, building the narratives into an unforgettable, bloody crescendo. Taut and intense, The Blood Countess is a riveting novel that deftly straddles the genres of historical fiction, thriller, horror, and family drama.
Katherine Sedley lived by her own rules and loved who she pleased- until she became the infamous mistress of King James II... London, 1675: Born to wealth and privilege, Katherine is introduced to the decadent court of King Charles II, and quickly becomes a favorite from the palace to the bawdy playhouses. She gleefully snubs respectable marriage to become the Duke of York's mistress. But Katherine's life of carefree pleasure ends when Charles II dies, and her lover becomes King James II. Suddenly she is cast into a tangle of political intrigue, religious dissent, and ever-shifting alliances, where a wrong step can mean treason, exile, or death at the executioner's block. As the risks rise, Katherine is forced to make the most perilous of choices: to remain loyal to the king, or to England.