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In myth, author Puhvel argues, a human group expresses the thought patterns by which it formulates self-cognition and self-realization, attains self-knowledge and self-confidence, explains its own sources and sometimes tries to chart its destinies. Here, Puhvel unravels the prehistoric origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared prehistorical religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes give life to the book as both a general introduction and a detailed reference.--From publisher description.
This volume is the exposition of a method for studying and comparing cultures, myths, and other social aspects of a society. Originally published in 2002, it contains an expanded treatment as well as several refinements, along with examples of the application of the method.
This collection, first published in 1992, offers critical-interpretive essays on various aspects of the work of Joseph Campbell (1904-1987), one of a very few international experts on myth. Joseph Campbell examines myths and mythologies from a comparative point of view, and he stresses those similarities among myths the world over as they suggest an existing, transcendent unity of all humankind. His interpretations foster an openness, even a generous appreciation of, all myths; and he attempts to generate a broad, sympathetic understanding of the role of these ‘stories’ in human history, in our present-day lives, and in the possibilities of our future.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
“Unusually accessible and useful . . . An eye-opener to readers into the universality and importance of myth in human history and culture.”—William E. Paden, Chair, Department of Religion, University of Vermont For as long as human beings have had language, they have had myths. Mythology is our earliest form of literary expression and the foundation of all history and morality. Now, in Parallel Myths, classical scholar J. F. Bierlein gathers the key myths from all of the world's major traditions and reveals their common themes, images, and meanings. Parallel Myths introduces us to the star players in the world's great myths—not only the twelve Olympians of Greek mythology, but the stern Norse Pantheon, the mysterious gods of India, the Egyptian Ennead, and the powerful deities of Native Americans, the Chinese, and the various cultures of Africa and Oceania. Juxtaposing the most potent stories and symbols from each tradition, Bierlein explores the parallels in such key topics as creation myths, flood myths, tales of love, morality myths, underworld myths, and visions of the Apocalypse. Drawing on the work of Joseph Campbell, Mircea Eliade, Carl Jung, Karl Jaspers, Claude Lévi-Strauss, and others, Bierlein also contemplates what myths mean, how to identify and interpret the parallels in myths, and how mythology has influenced twentieth-century psychology, philosophy, anthropology, and literary studies. “A first-class introduction to mythology . . . Written with great clarity and sensitivity.”—John G. Selby, Associate Professor, Roanoke College
The first thorough assessment of the field of comparative religion in forty years, this groundbreaking volume surmounts the seemingly intractable division between postmodern scholars who reject the comparative endeavor and those who affirm it. The contributors demonstrate that a broader vision of religion, involving different scales of comparison for different purposes, is both justifiable and necessary. A Magic Still Dwells brings together leading historians of religions from a wide range of backgrounds and vantage points, and draws from traditions as diverse as Indo-European mythology, ancient Greek religion, Judaism, Buddhism, Ndembu ritual, and the spectrum of religions practiced in America. The contributors take seriously the postmodern critique, explain its impact on their work, uphold or reject various premises, and in several cases demonstrate new comparative approaches. Together, the essays represent a state-of-the-art assessment of current issues in the comparative study of religion.
This highly original study in comparative mythology interprets the Greek myths in the light of the mythologies of other Indo-European cultures: Indian, Celtic, Scandinavian, Roman, Greek, Iranian and Ossetian. Julian Baldick uses a modified version of the schema proposed by the French theorist Dumezil - little known and often misunderstood in the Anglo-Saxon world - to consider the profound connections between such works as the Iliad, the Odyssey, the great Indian epics - the Ramayana and the Mahabharata, the Iranian Book of Kings and the Scandinavian Ynglingasaga. The book includes a long critical exposition of the discipline of comparative mythology from its eighteenth-century origins to the revival of the discipline by Dumezil and his followers from 1938 to the present. Also reassessing the profound critique of Dumezil which linked him with far-right ideology, Baldick's book is an important new contribution to work on comparative mythology.