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After 40 years of activists working to reduce sexual violence on college campuses, in 2014, the new Campus Anti-Rape Movement (CARM) finally put this issue on the national policy agenda. President Barack Obama credited “an inspiring wave of student-led activism” for catapulting campus rape into public consciousness. This book positions the new CARM within a long history of anti-sexual violence activism in the U.S. The authors describe the major events of this new movement and how it coalesced. The authors also analyze the new CARM through a social movement lens, and examine the role of new laws and social media in facilitating movement successes. The book argues that the new CARM laid the groundwork for the emergence of #MeToo, the highest profile campaign against sexual harassment/violence to date in U.S. history.
Public thinking about sexual assault over the last two decades has changed dramatically for the better. Activists in rape crisis centers can claim a feminist success story, but not always as they would choose. Through her study of six rape crisis centers in Los Angeles, Nancy Matthews shows how the State has influenced rape crisis work by supporting the therapeutic aspects of the anti-rape movement's agenda, and pushing feminist rape crisis centers towards conventional frameworks of social service provision, while ignoring the feminist political agenda of transforming gender relations and preventing rape.
DIVDIVSusan Brownmiller’s groundbreaking bestseller uncovers the culture of violence against women with a devastating exploration of the history of rape—now with a new preface by the author exposing the undercurrents of rape still present today/divDIV Rape, as author Susan Brownmiller proves in her startling and important book, is not about sex but about power, fear, and subjugation. For thousands of years, it has been viewed as an acceptable “spoil of war,” used as a weapon by invading armies to crush the will of the conquered. The act of rape against women has long been cloaked in lies and false justifications./divDIV It is ignored, tolerated, even encouraged by governments and military leaders, misunderstood by police and security organizations, freely employed by domineering husbands and lovers, downplayed by medical and legal professionals more inclined to “blame the victim,” and, perhaps most shockingly, accepted in supposedly civilized societies worldwide, including the United States./divDIV Against Our Will is a classic work that has been widely credited with changing prevailing attitudes about violence against women by awakening the public to the true and continuing tragedy of rape around the globe and throughout the ages./divDIV Selected by the New York Times Book Review as an Outstanding Book of the Year and included among the New York Public Library’s Books of the Century, Against Our Will remains an essential work of sociological and historical importance./divDIV/div/div
An examination of the history, development, and impact of the feminist anti-rape movement.
Public thinking about sexual assault over the last two decades has changed dramatically for the better. Activists in rape crisis centers can claim a feminist success story, but not always as they would choose. Through her study of six rape crisis centers in Los Angeles, Nancy Matthews shows how the State has influenced rape crisis work by supporting the therapeutic aspects of the anti-rape movement's agenda, and pushing feminist rape crisis centers towards conventional frameworks of social service provision, while ignoring the feminist political agenda of transforming gender relations and preventing rape.
The ebook edition of this title is Open Access, thanks to Knowledge Unlatched funding, and freely available to read online. This book examines the nature, use and scope of online spaces for anti-rape activism, offering a critical commentary on its limitations and potentials.
This dissertation looks at representations of rape, its aftermath, and rape culture in performance(s) within the campus anti-rape movement in the United States. I analyze three types of performance: protests, performance art, and interactive prevention plays. I argue for the importance of studying such representations, in part, because sexual assault—and the perception of sexual assault—is, and has been, a continuing problem in U.S. culture. Throughout the dissertation my analysis not only considers how and in what ways these representations understand concepts of rape culture but also the current paradigm of rape in which they were created and performed. I draw conclusions about the ways these representations affect the national imaginary about sexual assault, rape culture, victim-survivors, and rapists. As such, this work contributes to the field of rape studies, sociology, and performance studies. By situating this dissertation among and between these fields I demonstrate how a consideration of representations of sexual assault can contribute to our understanding of rape, the sociology of sexual violence, and social movements. The introduction provides a brief overview of the anti-rape movement. I argue for a turn away from the wave metaphor to categorize different periods of the feminist movement in order to better track the dis/continuities within the anti-rape movement since the late 1960s. Chapter one examines campus anti-rape protests as performances. I use a performance studies lens to read the ways these protests represent the movement’s demands for change from university administration, federal policy, and rape culture. The next chapter focuses on performance art by individual artists and artist-survivors as acts to raise awareness as well as process their experiences with sexual assault. The third chapter analyzes interactive prevention plays for the ways they provide undergraduate students with opportunities to develop empathy for victim-survivors, rehearse bystander intervention, and practice verbally negotiating consent. I argue these prevention plays point to a shift in the anti-rape movement from a fear-based rhetoric to a pro-consent discourse
The uproar over "legitimate rape" during the 2012 U.S. elections confirms that rape remains a word in flux, subject to political power and social privilege. Redefining Rape describes the forces that have shaped the meaning of sexual violence in the U.S., through the experiences of accusers, assailants, and advocates for change.
From 1950 to 1980, activists in the black freedom and women's liberation movements mounted significant campaigns in response to the injustices of rape. These activists challenged the dominant legal and social discourses of the day and redefined the political agenda on sexual violence for over three decades. How activists framed sexual violence--as either racial injustice, gender injustice, or both--was based in their respective frameworks of oppression. The dominant discourse of the black freedom movement constructed rape primarily as the product of racism and white supremacy, whereas the dominant discourse of women's liberation constructed rape as the result of sexism and male supremacy. In The Injustices of Rape, Catherine O. Jacquet is the first to examine these two movement responses together, explaining when and why they were in conflict, when and why they converged, and how activists both upheld and challenged them. Throughout, she uses the history of antirape activism to reveal the difficulty of challenging deeply ingrained racist and sexist ideologies, the unevenness of reform, and the necessity of an intersectional analysis to combat social injustice.
This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.