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Addis Ababa is a sprawling melting pot of cultures where rich and poor live side by side in relative harmony—until they don't. Maaza Mengiste’s story “Dust, Ash, Flight” has won the 2021 Edgar Award for Best Short Story, presented by the Mystery Writers of America “Several of the 14 stories here, most of them striking and accomplished, involve post-revolution loss, guilt and revenge. Some are surreal—fitting for a culture where, as Mengiste writes in her introduction, ‘there are men who live in the mountains of Ethiopia and can turn into hyenas.'” —Washington Post Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Maaza Mengiste, Adam Reta, Mahtem Shiferraw, Linda Yohannes, Sulaiman Addonia, Meron Hadero, Mikael Awake, Lelissa Girma, Rebecca Fisseha, Solomon Hailemariam, Girma T. Fantaye, Teferi Nigussie Tafa, Hannah Giorgis, and Bewketu Seyoum.
Addis Ababa: the new flower of Africa, is a coffee table book about Addis Ababa, and the tourist attractions of Ethiopia.
Nowhere in Africa is urban development occurring as rapidly as in Ethiopia’s capital city, Addis Ababa, at the present moment. During the last decade and a half, massive construction projects in housing, commercial buildings and infrastructure have transformed the landscape of the city, creating a social experiment that has never been replicated on such a massive scale in Africa. This volume, written by Ethiopian and Finnish experts in urban planning, architecture, geography, and ethnology, documents for the first time Addis Ababa’s process of radical transformation. It asks how the city’s poorest residents are affected by the current urban renewal, and identifies the most important challenges facing the city’s residents as a result. Its conclusions focus on three issues: the livelihoods of low-income residents, their participation in the development of the city, and their social networks of support. This volume also traces out the organic forms of the city’s development. Unlike cities in many other African countries, Addis Ababa emerged with only the thinnest traces of a brief colonial legacy: only five years under Italian occupation in the mid-20th century. The city’s development has eluded many planners and has produced unique indigenous forms of urban living. The book records the current spatial relationships and older architectural forms in the old inner city currently slated for demolition. Numerous maps and illustrations are included to help readers visualize the topics discussed in the volume. The volume will be of interest to anyone interested in Addis Ababa’s history and character, as well as policymakers, urban planners, architects, human geographers, ethnographers and researchers of urban poverty and urban informality.
This powerful book gives readers a chance to experience Ethiopia through the personal experience of a writer who is both Ethiopian and American. It takes readers beyond headlines and stereotypes to a deeper understanding of the country. This is an absorbing account of the author's return trip to Ethiopia as an adult, having left the country in exile with her family at age 11. She profiles relatives and friends who have remained in Ethiopia, and she writes movingly about Ethiopia's recent past and its ancient history. She offers a clear-eyed analysis of the state of the country today, and her keen observations and personal experience will resonate with readers. This is a unique glimpse into a fascinating African country by a talented writer.
This thesis traces aspects of the political, economic and religious history of Addis Ababa from 1886 to 1910. It is based largely on documentary material, both Ethiopian and European, but also depends on oral information. As a city it was unique in Africa because of the absence of an imposed European direction of its development and as a result it grew ad hoc, influenced by both Ethiopian and foreign concepts of an urban community. From the beginnings Emperor Menilek completely dominated the political and administrative machinery of the capital, but during his illnesses many of his responsibilities were, perforce, delegated to his closest associates who exercised their powers largely through the organisation of the Imperial Palace. The bureaucracy became increasingly civilian in its personnel, rather than military, especially after the Battle of Adwa. Furthermore, since Addis Ababa was also the capital of the empire, the city and its administrators played not only a local but also an imperial role. The economic influence of the capital was even more pronounced, where again the Emperor was more important than any other individual in the land and under his watchful eye foreigners dominated the import and export trade, while Christians wrested the overall control of trade in the Empire from the Muslims. Yet evangelically, the church was rarely very energetic in the capital although its influence was pervasive. While many historians have seen Menilek's reign as a period of significant innovation and modernisation, this thesis regards that as an exaggerated claim. For, when closely examined, the modernisation of even the capital was never very impressive, although it was the acknowledged centre of foreign influence. Nonetheless, the capital did show itself to be the main point for the diffusion of the few modernisations that were introduced into the country from the 1880s to 1910.
In February 1937, following an abortive attack by a handful of insurgents on Mussolini's High Command in Italian-occupied Ethiopia, 'repression squads' of armed Blackshirts and Fascist civilians were unleashed on the defenseless residents of Addis Ababa. In three terror-filled days and nights of arson, murder and looting, thousands of innocent and unsuspecting men, women and children were roasted alive, shot, bludgeoned, stabbed to death, or blown to pieces with hand-grenades. Meanwhile the notorious Viceroy Rodolfo Graziani, infamous for his atrocities in Libya, took the opportunity to add to the carnage by eliminating the intelligentsia and nobility of the ancient Ethiopian empire in a pogrom that swept across the land. In a richly illustrated and ground-breaking work backed up by meticulous and scholarly research, Ian Campbell reconstructs and analyses one of Fascist Italy's least known atrocities, which he estimates eliminated 19-20 per cent of the capital's population. He exposes the hitherto little known cover-up conducted at the highest levels of the British government, which enabled the facts of one of the most hideous civilian massacres of all time to be concealed, and the perpetrators to walk free.
If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.
This publication is centred around twelve manifesto points towards a people-centred urbanism and an architecture of belonging in times of rapid global urbanisation. Based on the authors? eleven year research experience, the book draws conclusions from Addis Ababa, the capital of Ethiopia, as its case study. It contains essays on the historic development and the current housing situation of the city by local experts and numerous project examples. Addressing policy makers, architects and urban planners alike, the manifesto gives a series of clues and guidelines for a sustainable urbanisation of contemporary African metropolis.