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Verse work, portion of a Hindu mythological text, with English translation, glorifying Nepal.
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
Stupa and Swastika examines urban structures in the city of Patan, a UNESCO World Heritage Site in Nepal's Kathmandu Valley. The religious architecture and overall design of the city illustrate the connection between Buddhist symbolism and South Asian concepts of urban design in the Indus Valley, and suggest links with Southeast Asia. -- Back cover.
The Lawudo Lama presents two life stories along with an extended introduction laying out their social and cultural context. It takes place in the Mount Everest region of Nepal, the home of the famous Sherpa guides, where the people practice Tibetan Buddhism and revere the local lamas and yogis. The stories are centered in Lawudo, a small village in the Khumbu region, and the central figure is the renowned Lawudo Lama. The first Lawudo Lama portrayed, Lama Kunzang Yeshe (1864-1946), was a yogi of the Nyingma lineage who spent much of his life meditating in a cave near Lawudo, and his life is reconstructed through meticulous research of written and oral histories. The second story is of Kunzang Yeshe's reincarnation, a monk of the Gelug lineage known as Lama Zopa Rinpoche, whose story is given in a first-person narrative. Lama Zopa is well known in the West as the author of several books and as the Spritual Director of the Foundation for the Preservation of the Mahayana Tradition (FPMT), which has more than 100 affiliate Buddhist centers worldwide. Lama Zopa Rinpoche travels and teaches extensively to large audiences and has thousands of students. The Lawudo Lama will appeal to travelers to Nepal, to Buddhist practitioners, and to scholars trying to understand the culture of the region. It is well documented, and is accompanied by more than 125 color and black and white photos, drawings, lineage charts, and maps.
Tibet’s Mount Kailas is one of the world’s great pilgrimage centres, renowned as an ancient sacred site that embodies a universal sacrality. But Kailas Histories: Renunciate Traditions and the Construction of Himalayan Sacred Geography demonstrates that this understanding is a recent construction by British colonial, Hindu modernist, and New Age interests. Using multiple sources, including fieldwork, Alex McKay describes how the early Indic vision of a heavenly mountain named Kailas became identified with actual mountains. He emphasises renunciate agency in demonstrating how local beliefs were subsumed as Kailas developed within Hindu, Buddhist, and Bön traditions, how five mountains in the Indian Himalayan are also named Kailas, and how Kailas sacred geography constructions and a sacred Ganges source region were related.