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This new collection of essays, contributed by scholars and former Panthers, is a ground-breaking work that offers thought-provoking and pertinent observations about the many facets of the Party. By placing the perspectives of participants and scholars side by side, Dr. Jones presents an insider view and initiates a vital dialogue that is absent from most historical studies.
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The award-winning Revisioning American History series continues with this “groundbreaking new history of Black women in the United States” (Ibram X. Kendi)—the perfect companion to An Indigenous People’s History of the United States and An African American and Latinx History of the United States. An empowering and intersectional history that centers the stories of African American women across 400+ years, showing how they are—and have always been—instrumental in shaping our country. In centering Black women’s stories, two award-winning historians seek both to empower African American women and to show their allies that Black women’s unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today. A Black Women’s History of the United States reaches far beyond a single narrative to showcase Black women’s lives in all their fraught complexities. Berry and Gross prioritize many voices: enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. The result is a starting point for exploring Black women’s history and a testament to the beauty, richness, rhythm, tragedy, heartbreak, rage, and enduring love that abounds in the spirit of Black women in communities throughout the nation.
Excerpt from The Negro in American History: Men and Women Eminent in the Evolution of the American of African Descent It is not my purpose to write a history of the United States nor of any period of that history. The Negro is so interwoven with the growth and development of the American Nation that a history of him as an important element, during little more than a century of which he has been a factor, becomes a task of peculiar difficulty. In the few pages that follow, mine is a much more simple and humble task - to indicate some of the more important points of the contact of the Nation and the Negro; to tell how the former in its evolution has been affected by the presence and the status of the latter; and to trace the transformation of the bondman and savage stolen from Africa to his freedom and citizenship in the United States, and to his recognition as such in the fundamental law, and by an increasing public sentiment of the country. The rise to eminence of representative men and women in both Church and State, as educators, statesmen, artists, and men of aft airs, will be cited for the emulation of our youth who are so liable from the scant mention of such men and women in the histories which they study and the books they read, to conclude that only the lowest and most menial avenues of service are open to them. Well nigh ten years ago Mrs. Charles Bartlett Dykes, formerly of the Leland-Stanford, Jr., University, while an instructor in a Summer School at the Hampton N. & A. Institute, gave this result of studies made with six hundred colored pupils in certain near-by primary schools. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.