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Alternately unsettling and affirming, devastating and delicious, The Nearest Exit May Be Behind You, is a new collection of essays on gender and identity by S. Bear Bergman that is irrevocably honest and endlessly illuminating. With humour and grace, these essays deal with issues from women's spaces to the old boys' network, from gay male bathhouses to lesbian potlucks, from being a child to preparing to have one; throughout, S. Bear Bergman shows us there are things you learn when you're visibly different from those around youaaC--/whether it's being transgressively gendered or readably queer. As a transmasculine person, Bergman keeps readers breathless and rapt in the freakshow tent long after the midway has gone dark, when the good hooch gets passed around and the best stories get told. Ze offers unique perspectives on issues that challenge, complicate, and confound the official stories about how gender and sexuality work.
As an author, educator, and public speaker, S. Bear Bergman has documented his experience as, among other things, a trans parent, with wit and aplomb. He also writes the advice column “Ask Bear,” in which he answers crucial questions about how best to make our collective way through the world. Featuring disarming illustrations by Saul Freedman-Lawson, Special Topics in Being a Human elaborates on “Ask Bear”’s premise: a gentle, witty, and insightful book of practical advice for the modern age. It offers Dad advice and Jewish bubbe wisdom, all filtered through a queer lens, to help you navigate some of the complexities of life—from how to make big decisions or make a good apology, to how to get someone’s new name and pronouns right as quickly as possible, to how to gracefully navigate a breakup. With warmth and candor, Special Topics in Being a Human calls out social inequities and injustices in traditional advice-giving, validates your feelings, asks a lot of questions, and tries to help you be your best possible self with kindness, compassion, and humor. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Butch is a Noun, the first book by activist, gender-jammer, and performer S. Bear Bergman,won wide acclaim when published by Suspect Thoughts in 2006: a funny, insightful, and purposely unsettling manifesto on what it meansto be butch (and not). In thirty-four deeply personal essays, Bear makes butchness accessibleto those who are new to the concept, and makesgender outlaws of all stripes feel as though theyhave come home. From girls' clothes to men'shaircuts, from walking with girls to hangingwith young men, Butch is a Nounchronicles the perplexities, dangers, and pleasures of living lifeoutside the gender binary.This new edition includes a new introduction by the author.
Milo Weaver has nowhere to turn but back to the CIA in this brilliant follow-up to the New York Times bestselling espionage novel The Tourist.
Set amid the world's international airports and glamorous (and sometimes not so glamorous) hotels, the bestselling author of The Copenhagen Affair, brings you story about what it really means for professional (but still human!) women to tackle the corporate world, scale the leadership ladder, and lean in to the lives they've always wanted, and truly deserve-"Up in the Air" meets "9 to 5" for today's Pantsuit Nation. Asmi knows that CPH (Copenhagen, Denmark) is the best airport to shop for clothes, and ATH (Athens, Greece) the best for shoes. The best Zara store is in BCN (Barcelona, Spain). The best airport to buy whiskey at is ARN (Stockholm, Sweden). Airplanes, airports, and hotel lobby bars make Asmi feel just as much at home as her apartment in Laguna Beach does. A marketing director in a biotech company, Asmi rose through the corporate ranks and never really took the time to think about couplehood. She has good friends, a terrific sister who lives close by, and a married on-again, off-again lover in Paris she sees while she travels around the world for work. As Asmi reaches the big 4-0 and contemplates making some life choices; her boss announces he is retiring, and she is suddenly thrown into a corporate Hunger Games against her nemesis Scott Beauregard III to win a promotion. Worried that her inability to commit to a real relationship with a man is a personality flaw and afraid that she's unqualified for the job she desperately wants, Asmi must learn to lean in to have the career and life she wants and deserves, without worrying about what society expects from her.
In The Tourist, Olen Steinhauer—twice nominated for the Edgar Award—tackles an intricate story of betrayal and manipulation, loyalty and risk, in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's most touted luminaries. “Here’s the best spy novel I’ve ever read that wasn’t written by John le Carré.” —Stephen King, Entertainment Weekly In Olen Steinhauer's explosive New York Times bestseller, Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a "tourist" for the CIA—an undercover agent with no home, no identity—and working a desk at the CIA's New York headquarters. But staying retired from the field becomes impossible when the arrest of a long-sought-after assassin sets off an investigation into one of Milo's oldest colleagues and friends. With new layers of intrigue being exposed in his old cases, he has no choice but to go back undercover and find out who's been pulling the strings once and for all. *BONUS CONTENT: This edition of The Tourist includes a new introduction from the author and a discussion guide
In the tradition of Miriam Toews's A Complicated Kindness, Mona Awad's 13 Ways of Looking at a Fat Girl, and Marjorie Celona's Y, and set against the shadow of the Vietnam War and the changing social mores of 1970s America, a sharply comic novel that follows the tumultuous coming of age of both a mother and daughter, at a time when womanhood itself was coming of age. We're all just one bad decision away from disaster. For as long as 14-year-old Robin Fisher can remember, she has lived by her insurance salesman father's credo, happy to live the American Dream and catalogue everyday calamities under "Bad Things that Happen to Other People." But life in 1970s Golden, California, doesn't prove so golden after her father deserts the family, setting in motion a series of events that results in Robin accidentally setting fire to an abandoned party house. Seemingly overnight, she discovers that earthquakes or the possibility of electrocution are nothing compared to the hazards of high school or coming home to a family that is suddenly one member short. As Robin struggles to keep an eye on her fixation with Bic lighters and her newly independent mother's own growing pains, she is drawn into the orbit of Carol "Jesus Freak" Closter, a vulnerable yet charismatic classmate whose friendship will challenge Robin in ways she could never have imagined. When Carol finally crosses a dangerous line, it's Robin who must make a heartbreaking decision of her own. Hilarious, insightful, and deeply moving, Please Proceed to the Nearest Exit illuminates those unforgettable moments in life when everything changes, whether we want it to or not.
S. Bear Bergman is an acclaimed writer and lecturer on trans issues. In hir third essay collection, Bear tackles the concept of the "modern family" as the trans parent of a young son; in Bear's extended family "orchard," drag sisters, sperm-donor parents, and other relations provide more branches of love and support than a mere family tree. Defiantly queer yet full of tenderness and hilarity, Bear's book redefines the notion of what family is and can be. S. Bear Bergman's previous books are The Nearest Exit May Be Behind You, Butch is a Noun, and Gender Outlaws: The Next Generation.
Praise for Jamaal May: "Linguistically acrobatic [and] beautifully crafted. . . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel."—Publishers Weekly Following Jamaal May's award-winning debut collection, Hum (2013), these new poems explore parallel landscapes of the poet's interior and an insidious American condition. Using dark humor that helps illuminate the pains of maturity and loss of imagination, May uncovers language like a skilled architect—digging up bones of the past to expose what lies beneath the surface of the fragile human condition. From: "Ask Where I've Been": Ask about the tornado of fists. The blows landed. If you can watch it all—the spit and blood frozen against snow, you can probably tell I am the too-narrow road winding out of a crooked city built of laughter, abandon, feathers and drums. Ask only if you can watch streetlights bow, bridges arc, and power lines sag, and still believe what matters most is not where I bend but where I am growing. Jamaal May is a poet, editor, and filmmaker from Detroit, Michigan, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, the Believer, NER, and the Kenyon Review. May has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.
FINALIST FOR THE BOOKER PRIZE & WINNER OF THE L.A. TIMES BOOK PRIZE FOR FICTION and THE ASPEN WORDS LITERARY PRIZE “It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… At once terrifying and … oddly hopeful.” —Ayelet Waldman, The New York Times Book Review “Moving, audacious, and indelibly human.” —Entertainment Weekly, “A” rating The New York Times bestselling novel: an astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands, from the author of The Reluctant Fundamentalist and the forthcoming The Last White Man. In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . . Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.