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This volume is a multi-disciplinary study of the Neapolitan tradition of nineteenth-century song or “Canzona napoletana.” It is based on primary (original music manuscripts) and secondary (correspondence, diaries, and varied historical materials) sources recovered from Neapolitan archives, libraries, and private collections. The book takes as its focus the figure of Guillaume Cottrau (1797-1847), a musician and publisher who left a significant breadth of original songs and arrangements issued in the song collection and series entitled Passatempi musicali. Cottrau was a cultural auteur, who integrated his diverse activities as editor, folklorist, and patron of salon music and musicians (including the commissioning of original works and adaptations) to establish a tradition of Neapolitan song. This repertory was disseminated throughout Europe and ultimately the United States to great acclaim through the publication of the Passatempi musicali. The songs presented in the Passatempi musicali remain within the international repertory affiliated with Neapolitan song, including “Fenesta vascia,” “Lo guarracino,” “Cannetella,” and many others. They are, moreover, closely linked to the historical, cultural and linguistic identity of Naples and the Neapolitan diaspora. This volume is the first of its kind in the English language and offers original, unpublished research about the endeavors of Cottrau, the contemporary cultural environs, the artists and their music that established the international fame of the Neapolitan canzona.
This collection examines the history of the Canzona Napoletana and its emergence as a leading genre of popular music in the early nineteenth century. Featuring original research by leading scholars in the fields of ethnomusicology, historical musicology, and theater, this is the first collection of essays in the English language to address the topic.
With its roots in one of the most well known and long-lasting healing rituals to be found in Europe, the tarantula's dance has now become a popular music and dance craze. In this book the author examines the history and evolution of the ritual.
An “entertaining and informative” comprehensive guide to 240 classical composers and their music—from the medieval era to the modern age (Library Journal). Music, according to Aaron Copland, can thrive only if there are “gifted listeners.” But today’s listeners must choose between classical and rock, opera and rap, and the choices can seem overwhelming at times. In The Essential Canon of Classical Music, David Dubal comes to the aid of the struggling listener and provides a cultural-literacy handbook for classical music. Dubal identifies the 240 composers whose works are most important to an understanding of classical music and offers a comprehensive, chronological guide to their lives and works. He has searched beyond the traditional canon to introduce readers to little—known works by some of the most revered names in classical music—Bach, Haydn, Mozart, Schubert—as well as to the major works of lesser-known composers. In a spirited and opinionated voice, Dubal seeks to rid us of the notion of “masterpieces” and instead to foster a new generation of master listeners. The result is an uncommon collection of the wonders classical music has to offer.
This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.
Hold On World revisits Lennon and Ono's love affair and startling collaborations. John Lennon's Plastic Ono Band was arguably the most emotionally honest album ever made. It wasn't merely another record but more like a sonic exorcism, a spiritual, public bloodletting. Lennon's album drove a stake through the heart of the Beatles' myth while confronting everything else in John's life, from Dylan to God to his glorified status as a "Working Class Hero." Determined to rid himself of past traumas—abandonment by his father and the death of his mother, Julia—Lennon wrote the most powerful song cycle of his career, confronting fear, disappointment, and illusion, all the while espousing his love for Yoko Ono. Released simultaneously, Ono's album Yoko Ono/Plastic Ono Band is emotionally raw and challenging. It inspired bands like the B-52s and Yo La Tengo to employ pure sound, whether shrieking vocals or guitar feedback, to express their deepest feelings.
Led by the iconic frontman Robert Smith, the Cure remain one of the most beloved and influential bands in the history of alternative rock. Thanks in part to classic singles like "Just Like Heaven," "Boys Don't Cry," "Lovesong," "In Between Days," and many others, the Cure have sold millions of records worldwide and have performed in front of countless fans in every corner of the globe. Albums like Disintegration, Kiss Me, Kiss Me, Kiss Me, and The Head on the Door are universally hailed as landmarks of the genre. For the first time, The Cure FAQ covers the band's forty-plus year career while offering fresh insight into each song in the Cure's vast canon. Each album is dissected and reviewed with candid commentary and extensive research. With their March 2019 entry into the Rock and Roll Hall of Fame firmly establishing the Cure's place in the musical stratosphere, the timing for a career overview is perfect and The Cure FAQ delivers.
Ushering in a new era of confessional music that spoke openly about experiences of trauma, depression, and self-loathing, Nine Inch Nails' seminal album, The Downward Spiral, changed popular music forever—bringing transgressive themes of heresy, S&M, and body horror to the masses and taking music technology to its limits. Released in 1994, the album resonated across a generation, combining elements of metal, industrial, synth-pop, and ambient electronica, and going on to sell over four million copies. Now, Into the Never explores the creation and cultural impact of The Downward Spiral, one of the most influential and artistically significant albums of the twentieth century. Inspired by David Bowie's Low and Pink Floyd's The Wall, the album recounts one man's disintegration as he descends into nihilism and nothingness. Blurring the lines between autobiography and concept album, creation and decay, it is also the story of Trent Reznor (who is Nine Inch Nails) as he pushed himself to the edge of the abyss, trapped in a cycle of addiction and self-destruction. The Downward Spiral also presents a reflection of America and a wider culture of violence, connecting the Columbine High School shooting, the infamous Manson family murders, and the aftermath of Vietnam and the Gulf War. Featuring new interviews with collaborators and artists inspired by the album, Into the Never sets The Downward Spiral in the context of music of the era and brings the story up to date, from Reznor's recovery to his reinvention as an Oscar-winning soundtrack artist.