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Ultimately, as Ralph Lutts demonstrates in The Nature Fakers, the dialogue resulted in a new standard of accuracy for the responsible nature writer and reflected a new way of thinking about moral responsibilities to wildlife.
At the beginning of the twentieth century, the wild animal story emerged in Canadian literature as a distinct genre, in which animals pursue their own interests—survival for themselves, their offspring, and perhaps a mate, or the pure pleasure of their wildness. Bringing together some of the most celebrated wild animal stories, Ralph H. Lutts places them firmly in the context of heated controversies about animal intelligence and purposeful behavior. Widely regarded as entertaining and educational, the early stories—by Charles G. D. Roberts, Ernest Thompson Seton, John Muir, Jack London and others—had an avid readership among adults and children. But some naturalists and at least one hunter—Theodore Roosevelt—discredited these writers as "nature fakers," accusing them of falsely portraying animal behavior. The stories and commentaries collected here span the twentieth century. As present day animal behaviorists, psychologists, and the public attempt to sort out the meaning of what animals do and our obligations to them, Ralph Lutts maps some of the prominent features of our cultural landscape. Tales include: • The Springfield Fox by Ernest Thompson Seton • The Sounding of the Call by Jack London • Stickeen by John Muir • Journey to the Sea by Rachel Carson Other selections include esssays by Theoore Roosevelt, John Burroughs, Margaret Atwood, and Ralph H. Lutts. postamble();
This study situates John Burroughs, together with John Muir and Theodore Roosevelt, as one of a trinity of thinkers who, between the Civil War and World War I, defined and secured a place for nature in mainstream American culture. Though not as well known today, Burroughs was the most popular American nature writer of his time. Prolific and consistent, he published scores of essays in influential large-circulation magazines and was often compared to Thoreau. Unlike Thoreau, however, whose reputation grew posthumously, Burroughs wasa celebrity during his lifetime: he wrote more than thirty books, enjoyed a continual high level of visibility, and saw his work taught widely in public schools. James Perrin Warren shows how Burroughs helped guide urban and suburban middle-class readers “back to nature” during a time of intense industrialization and urbanization. Warren discusses Burroughs’s connections not only to Muir and Roosevelt but also to his forebears Emerson, Thoreau, and Whitman. By tracing the complex philosophical, creative, and temperamental lineage of these six giants, Warren shows how, in their friendships and rivalries, Burroughs, Muir, and Roosevelt made the high literary romanticism of Emerson, Thoreau, and Whitman relevant to late-nineteenth- and early-twentieth-century Americans. At the same time, Warren offers insights into the rise of the nature essay as a genre, the role of popular magazines as shapers and conveyors of public values, and the dynamism of place in terms of such opposed concepts as retreat and engagement, nature and culture, and wilderness and civilization. Because Warren draws on Burroughs’s personal, critical, and philosophical writings as well as his better-known narrative essays, readers will come away with a more informed sense of Burroughs as a literary naturalist and a major early practitioner of ecocriticism. John Burroughs and the Place of Nature helps extend the map of America’s cultural landscape during the period 1870-1920 by recovering an unfairly neglected practitioner of one of his era’s most effective forces for change: nature writing.
America's first Green president, Theodore Roosevelt's credentials as both naturalist and writer are as impressive as they are deep, emblematic of the twenty-sixth President's unprecedented breadth and energy. While Roosevelt authored policies that grew the public domain by a remarkable 230 million acres, he likewise penned over thirty-five books and an estimated 150,000 letters, many concerning the natural world. In between drafts both personal and political, scientific and sentimental, he quadrupled existing forest reserves while creating the nation's first fifty wildlife refuges and eighteen national monuments, among them the Grand Canyon, and five national parks, headlined by Yosemite. And Roosevelt was far more than a policy wonk and political do-gooder. John Muir, by his own admission, "fairly fell in love with him." John Burroughs wrote that Roosevelt "probably knew tenfold more natural history than all the presidents who preceded him." And the Smithsonian's Edmund Heller dubbed him the "foremost field naturalist of our time." In addition to creating more than 150,000 new acres of national forest, Roosevelt made a new vogue of sportsmanship, famously refusing to shoot a lame bear in Mississippi and inspiring, thereof, an American icon and ecological fetish all at once: the Teddy Bear. Indeed, Roosevelt's Green undertakings produced a truly living legacy-one whose everlasting qualities he took robust pleasure in. Naturalist William Finley once suggested to TR that the President's environmental prescience would serve as "one of the greatest memorials to [his] farsightedness," to which Roosevelt replied, "Bully. I had rather have it than a hundred stone monuments." In fact, Roosevelt would have both-a lasting reputation for environmental protection and timeless stone monuments at Mount Rushmore and elsewhere built to honor his dramatic public policy initiatives. This book will be a critical resource for all those in American history (particularly presidential history), environmental history, environmental studies, nature studies, place studies, Agrarian studies, conservation studies, fish and wildlife biology/management, and ecology.
A collection of essays by noted naturalist John Burroughs in which he contemplates a wide array of topics including farming, religion, and conservation. A departure from previous John Burroughs anthologies, this volume celebrates the surprising range of his writing to include religion, philosophy, conservation, and farming. In doing so, it emphasizes the process of the literary naturalist, specifically the lively connection the author makes between perceiving nature and how perception permeates all aspects of life experiences
Nature has perfected the art of deception. Thousands of creatures all over the world - including butterflies, moths, fish, birds, insects and snakes - have honed and practised camouflage over hundreds of millions of years. Imitating other animals or their surroundings, nature's fakers use mimicry to protect themselves, to attract and repel, to bluff and warn, to forage and to hide. The advantages of mimicry are obvious - but how does 'blind' nature do it? And how has humanity learnt to profit from nature's ploys? "Dazzled and Deceived" tells the unique and fascinating story of mimicry and camouflage in science, art, warfare and the natural world. Discovered in the 1850s by the young English naturalists Henry Walter Bates and Alfred Russel Wallace in the Amazonian rainforest, the phenomenon of mimicry was seized upon as the first independent validation of Darwin's theory of natural selection. But mimicry and camouflage also created a huge impact outside the laboratory walls. Peter Forbes' cultural history links mimicry and camouflage to art, literature, military tactics and medical cures across the twentieth century, and charts its intricate involvement with the dispute between evolution and creationism.
A Natural History of Nature Writing is a penetrating overview of the origins and development of a uniquely American literature. Essayist and poet Frank Stewart describes in rich and compelling prose the lives and works of the most prominent American nature writers of the19th and 20th centuries, including: Henry D. Thoreau, the father of American nature writing. John Burroughs, a schoolteacher and failed businessman who found his calling as a writer and elevated the nature essay to a loved and respected literary form. John Muir, founder of Sierra Club, who celebrated the wilderness of the Far West as few before him had. Aldo Leopold, a Forest Service employee and scholar who extended our moral responsibility to include all animals and plants. Rachel Carson, a scientist who raised the consciousness of the nation by revealing the catastrophic effects of human intervention on the Earth's living systems. Edward Abbey, an outspoken activist who charted the boundaries of ecological responsibility and pushed these boundaries to political extremes. Stewart highlights the controversies ignited by the powerful and eloquent prose of these and other writers with their expansive – and often strongly political – points of view. Combining a deeply-felt sense of wonder at the beauty surrounding us with a rare ability to capture and explain the meaning of that beauty, nature writers have had a profound effect on American culture and politics. A Natural History of Nature Writing is an insightful examination of an important body of American literature.
From the author of The Best Laid Plans comes another fresh voiced, hilarious rom-com perfect for fans of You Have a Match and The Rest of the Story. Penny Harris just ruined her life. As one of the most popular girls in school, she's used to being invited to every party, is dating the Jordan Parker, and can't wait to rule senior year with her best friend, Olivia. But when Penny wakes up on Jordan's lawn the morning after his first-day-of-summer bash, she knows something went horribly wrong the night before. She kissed Kai Tanaka. Kai, her longtime nemesis. Kai, Olivia's boyfriend. Penny can't figure out what could have inspired her to do it--she loves Jordan and she would never hurt Olivia--but one thing's for sure: freshly dumped, and out a best friend, the idyllic summer she pictured is over. And despite the fact that Jordan seems to be seeking comfort (and a whole lot more) in Olivia, all Penny can think about is winning him back. Kai wants to save his relationship too, so they come up with a plan: convince their friends that they really do have feelings for each other. After all, everyone forgives a good love story, and maybe seeing Penny and Kai together will make Jordan and Olivia change their minds. But as summer heats up, so does Penny and Kai's "relationship," and Penny starts to question whether she's truly faking it with Kai, if he's really as terrible as she always thought he was, and if the life she's fighting so hard to get back is the one she really wants.
Sunday Times Bestseller‘A paradigm-smashing chronicle of joyous entanglement’ Charles Foster Waterstones Non-Fiction Book of the Month (September) Are trees social beings? How do trees live? Do they feel pain or have awareness of their surroundings?