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Why is God's beauty often absent from our theology? Rarely do theologians take up the theme of God's beauty—even more rarely do they consider how God's beauty should shape the task of theology itself. But the psalmist says that the heart of the believer's desire is to behold the beauty of the Lord. In The Beauty of the Lord, Jonathan King restores aesthetics as not merely a valid lens for theological reflection, but an essential one. Jesus, our incarnate Redeemer, displays the Triune God's beauty in his actions and person, from creation to final consummation. How can and should theology better reflect this unveiled beauty? The Beauty of the Lord is a renewal of a truly aesthetic theology and a properly theological aesthetics.
The God of the Bible is a God of Love. But He is also a God of judgment. If this were not true, there would be no difference between right and wrong, good and bad. He is also a God of sevens: seven days in a week, seven seals, seven vials, seven bowls, seven sevens in prophecy, and so on. Many Christians believe that there is only one judgment, but Scripture speaks of seven judgments and each of these involves a distinct group and occurs at a different time. This book explores each of those judgments, establishing as closely as possible a timeline for their occurrences, as well as a description of who is being judged and the criteria and consequences of that judgment. Scriptural references are provided throughout to support the author's description of each judgment.
Is there such a thing as natural knowledge of God? C. Stephen Evans presents the case for understanding theistic arguments as expressions of natural signs in order to gain a new perspective both on their strengths and weaknesses. Three classical, much-discussed theistic arguments - cosmological, teleological, and moral - are examined for the natural signs they embody. At the heart of this book lie several relatively simple ideas. One is that if there is a God of the kind accepted by Christians, Jews, and Muslims, then it is likely that a 'natural' knowledge of God is possible. Another is that this knowledge will have two characteristics: it will be both widely available to humans and yet easy to resist. If these principles are right, a new perspective on many of the classical arguments for God's existence becomes possible. We understand why these arguments have for many people a continued appeal but also why they do not constitute conclusive 'proofs' that settle the debate once and for all. Touching on the interplay between these ideas and contemporary scientific theories about the origins of religious belief, particularly the role of natural selection in predisposing humans to form beliefs in God or gods, Evans concludes that these scientific accounts of religious belief are fully consistent, even supportive, of the truth of religious convictions.
Recent discoveries in physics, cosmology, and biochemistry have captured the public imagination and made the Design Argument - the theory that God created the world according to a specific plan - the object of renewed scientific and philosophical interest. This accessible but serious introduction to the design problem brings together new perspectives from prominent scientists and philosophers including Paul Davies, Richard Swinburne, Sir Martin Rees, Michael Behe, Elliot Sober and Peter van Inwagen. It probes the relationship between modern science and religious belief, considering their points of conflict and their many points of similarity. Is the real God of creationism the 'master clockmaker' who sets the world's mechanism on a perfectly enduring course, or a miraculous presence who continually intervenes in and alters the world we know? Are science and faith, or evolution and creation, really in conflict at all? Expanding the parameters of a lively and urgent debate, God and Design considers how perennial questions of origin continue to fascinate and disturb us.