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Fascinating collectors open their homes to reveal the weird and wonderful world of natural objects. From the nineteenth century’s cabinets of curiosity to today’s interest in sustainable de´cor, obsessive collectors of natural objects have long filled their homes with their finds—everything from fossils and feathers to seeds and dried flowers. This book offers a glimpse inside twenty homes of the most interesting and creative contemporary collectors, revealing the stories behind their collections and how they celebrate their love of nature in their everyday spaces. People have always collected mementos from the natural world: amateur and professional naturalists of the eighteenth and nineteenth centuries, foragers, beachcombers, and taxidermists today. A new generation of naturalists are using their collections to craft creative careers and decorate their homes with their finds. From a German manor filled with antique taxidermy to the Paris apartment of a sculptor working with feathers and an Italian beachside retreat that showcases foraged shells and pebbles, this book provides a wealth of inspiration for celebrating the beauty of the world around us. Full of practical tips on everything from curating a shelf of objects to intricately decorating walls and surfaces with ecological finds, this volume offers plenty of ideas readers can apply in their own homes. With our ever-increasing interest in finding new ways to reconnect with nature and sustainability, this is inspirational reading for all those who want to bring the outdoors in.
The last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.
Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic realist fiction can be produced also at what is usually considered to be the cultural centre without forfeiting the mode's postcolonial attitude and aims. A close analysis of works by Angela Carter, Salman Rushdie, Jeanette Winterson, Robert Nye and others reveals how the techniques of magic realism generate a complex critique of the West's rational-empirical worldview from within a Western context itself. Understanding magic realism as a fictional analogue of anthropology and sociology, Lies that Tell the Truth reads the mode as a frequently humorous but at the same time critical investigation into people's attempts to make sense of their world. By laying bare the manifold strategies employed to make meaning, magic realist fiction indicates that knowledge and reality cannot be reduced to hard facts, but that people's dreams and fears, ideas, stories and beliefs must equally be taken into account.