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The royal Parisian botanical garden, the Jardin du Roi, was a jewel in the crown of the French Old Regime, praised by both rulers and scientific practitioners. Yet unlike many such institutions, the Jardin not only survived the French Revolution but by 1800 had become the world's leading public establishment of natural history: the Muséum d'Histoire Naturelle. E. C. Spary traces the scientific, administrative, and political strategies that enabled the foundation of the Muséum, arguing that agriculture and animal breeding rank alongside classification and collections in explaining why natural history was important for French rulers. But the Muséum's success was also a consequence of its employees' Revolutionary rhetoric: by displaying the natural order, they suggested, the institution could assist in fashioning a self-educating, self-policing Republican people. Natural history was presented as an indispensable source of national prosperity and individual virtue. Spary's fascinating account opens a new chapter in the history of France, science, and the Enlightenment.
"Published for the Paul Mellon Centre for Studies in British Art by Yale University Press."
In the mode of her bestseller A Natural History of the Senses, Diane Ackerman celebrates the sensory pleasures of her garden through the seasons. Whether she is deadheading flowers or glorying in the profusion of roses, offering sugar water to a hummingbird or studying the slug, she welcomes the unexpected drama and extravagance as well as the sanctuary her garden offers. Written in sensuous, lyrical prose, Cultivating Delight is a hymn to nature and to the pleasure we take in it.
From the golden age in English history to today s gardeners and designers, this volume recognizes women s contributions to gardening in Britain and around the worldspanning more than four centuries. Despite growing vegetables for their kitchens, tending herbs for their medicine cupboards, and teaching other women about the craft before agricultural schools officially existed, women have been mere footnotes in the horticultural annals for specimens collected abroad. These pioneers influence on the style of gardens in the present day is illustrated here in a style both accessible and scholarly. Presenting a rare bouquet, this collection shares the stories of more than 200 women who have been involved withgarden design, plant collecting, flower arranging, botanical art, garden writing, and education."
An in-depth look at the 61 different species of phlox (Høstfloks).
“A beautifully illustrated reference book covers the origins, ecology and history of popular garden plants.” —Shelf Awareness The oldest rose fossil was found in Colorado and dates to 35 million years ago. Marigolds, infamous for their ability to self-seed, are named for an Etruscan god who sprang from a ploughed field. And daffodils—an icon of spring—were introduced to Britain by the Romans more than 2,000 years ago. Every garden plant has an origination story, and Garden Flora, by noted garden designer Noel Kingsbury, shares them in a beautifully compelling way. This lushly illustrated survey of 133 of the most commonly grown plants explains where each plant came from and the journey it took into home gardens. Kingsbury tells intriguing tales of the most important plant hunters, breeders, and gardeners throughout history, and explores the unexpected ways plants have been used. Richly illustrated with an eclectic mix of new and historical photos, botanical art, and vintage seed packets and catalogs, Garden Flora is a must-have reference for every gardener and plant lover.
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
For seventy years, The Natural Gardens of North Carolina has been a must-read volume for anyone interested in wildflowers, native plants, ecology, or conservation in the state. This handsome revised edition features new line drawings and color photographs, an appendix that updates the botanical nomenclature, an introduction that focuses on B. W. Wells and his passion for the state's landscape, and an afterword that discusses the continuing relevance of Wells's ideas. One of the first scientists to write and lecture about ecology, Wells introduced North Carolinians to the extraordinary tapestry of "natural gardens," or plant communities, within the state's borders back in 1932. His purpose was to help readers understand a plant within its community--a pioneering concept at the time--and to promote conservation. Moving from the Atlantic coast westward, Wells identifies eleven major natural gardens: the sand dune community, salt marsh, freshwater marsh, swamp forest, aquatic vegetation, evergreen shrub bog (or pocosin), grass-sedge bog (or savanna), sandhill, old-field community, upland forest, and high mountain spruce-fir forest. He devotes the first part of his book to a general account of the vegetation and habitats of each community and then identifies and describes the wildflowers found there.
Enhanced by 140 images, a documentary chronicle of Chicago's parks profiles thirty-one of the city's finest spaces--both contemporary and historical-along with detailed vignettes and captions to trace their development.