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Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.
Historian, visual artist and poet rolled into one, Mihku Paul tells lively stories of Maliseet heroes throughout the millennia; vividly maps a territory encompassing old canoe routes and aunties' work tables; and sings in every register from the mythic to the modern. This beautiful chapbook lights up the Native presence that has always permeated Maine and the Maritimes. Paul joins the ranks of other important Wabanaki poets--Alice Azure, Carol Bachofner, Joseph Bruchac, Carol Dana, and Cheryl Savageau--dedicated to preserving and updating their literary traditions. - Siobhan Senier, University of New Hampshire
A collection of contemporary poetry by Native Americans.
Selected for the Notable Social Studies 2022 List Named to ALA Notable Children's Books 2022 In this Own Voices Native American picture book story, a modern Wabanaki girl is excited to accompany her grandmother for the first time to harvest sweetgrass for basket making. Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.
The story of Maine's Native people, with many generous voices sharing their stories, hopes, and fears.
Documents the generations of Native peoples who for twelve millennia have moved through and eventually settled along the rocky coast, rivers, lakes, valleys, and mountains of a region now known as Maine.
The story of those who inhabited coastal Maine thousands of years before the French arrived, and how their lives changed at the dawn of the seventeenth century. In 1604, when Frenchmen landed on Saint Croix Island, they were far from the first people to walk along its shores. For thousands of years, Etchemins—whose descendants were members of the Wabanaki Confederacy—had lived, loved and labored in Down East Maine. Bound together with neighboring people, all of whom relied heavily on canoes for transportation, trade, and survival, each group still maintained its own unique cultures and customs. After the French arrived, though, these indigenous people faced unspeakable hardships, from “the Great Dying,” when disease killed up to ninety percent of coastal populations, to centuries of discrimination. Yet they never abandoned Ketakamigwa, their homeland. In this book, anthropologist William Haviland relates the challenging history endured by the natives of the Down East coast and how they have maintained their way of life over the past four hundred years. Includes illustrations
A self-proclaimed “vessel in which stories are told from time immemorial,” poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century—a perspective that is fresh, vibrant, and rarely seen in contemporary poetics. Fearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. “It takes all of us seeing, hearing, touching, tasting, and smelling to be one,” she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body. The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa. Okpik’s descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.