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With a new chapter in the history of baseball currently being written in Washington, DC, every fan ought to know about history of baseball in the nation s capital. This book examines the unique relationship between presidents and baseball, the long and intense rivalry of the congressional baseball, and the Washington Senators."
Anthropologist Ann Anagnost explores the fashioning and refashioning of modern Chinese subjectivity as it relates to the body of the nation. Using interviews and participant observation as well as close readings of official documents and propaganda materials, and popular media, Anagnost notes discontinuities in the nation's self-description--as though redefined at critical junctures in recent history. Photos.
For Peter Fox, being a bowling alley proprietor was a calling. Right from the beginning, the Upstate New York village of Koopersville embraced Peter's glistening new bowling alley with its modern automatic pinsetters, and Koopersville Bowl quickly became the heart and soul of the village. Peter's dream business opened in 1962, and year after year, the bowling alley was the place where the trials and tribulations of growing up in a small New England town were transformed into the dreams and hopes of the future. Anything was possible at Koopersville Bowl. But one day Peter Fox died, and the village stopped breathing. The moral fabric of the entire community broke, yet Peter's extended family tried to adjust to their loss. As Peter's eldest son, Paul Fox knew it was his duty to help his mother carry on; what's more, it was what his father would have wanted. And that's exactly what he did. Even so, sometimes unexpected things do happen. In the game of bowling there is only one way to salvage your score, and that is to throw strikes. Perfect games are hard to come by. But in life, as Paul soon finds out, there are always new beginnings, new games to be played, and old memories that can never be taken away.
In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill.
With forty-two extensively annotated maps, this atlas offers novel insights into the history and mechanics of how Central Europe’s languages have been made, unmade, and deployed for political action. The innovative combination of linguistics, history, and cartography makes a wealth of hard-to-reach knowledge readily available to both specialist and general readers. It combines information on languages, dialects, alphabets, religions, mass violence, or migrations over an extended period of time. The story first focuses on Central Europe’s dialect continua, the emergence of states, and the spread of writing technology from the tenth century onward. Most maps concentrate on the last two centuries. The main storyline opens with the emergence of the Western European concept of the nation, in accord with which the ethnolinguistic nation-states of Italy and Germany were founded. In the Central European view, a “proper” nation is none other than the speech community of a single language. The Atlas aspires to help users make the intellectual leap of perceiving languages as products of human history and part of culture. Like states, nations, universities, towns, associations, art, beauty, religions, injustice, or atheism—languages are artefacts invented and shaped by individuals and their groups.