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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
This narrative history explores the emergence of one of the most influential Nationalist movements of modern Europe. It explains how and why the movement united the far right with the far left in a militant campaign to wrest control of France from the moderate republicans who were attempting to stabilize the country after a century of political volatility. The agitation groups, propaganda machines, street-fighting gangs, and political hustlers, who made up the Nationalists, all campaigned for one end: to overthrow the Third Republic. The eruption of the Dreyfus Affair (1894-1899) provided the Nationalists with a convenient target for their assaults: the "Dreyfusard" defenders of a wrongly convicted Jewish army captain, Alfred Dreyfus. This work, based on original archival research in France, argues that the Nationalists posed a real and dangerous threat that dissipated only when their goals were adopted by more moderate competing groups.
Leading international historians examine the impact of nationhood and nationalism on French life. World-renowned contributors (many publishing for the first time in English), include Eugene Weber, Zeev Sternill, Pierre Sorlin and Jean-Claude Allain.
In The Lost History of 1914, Jack Beatty offers a highly original view of World War I, testing against fresh evidence the long-dominant assumption that it was inevitable. "Most books set in 1914 map the path leading to war," Beatty writes. "This one maps the multiple paths that led away from it." Chronicling largely forgotten events faced by each of the belligerent countries in the months before the war started in August, Beatty shows how any one of them-a possible military coup in Germany; an imminent civil war in Britain; the murder trial of the wife of the likely next premier of France, who sought détente with Germany-might have derailed the war or brought it to a different end. In Beatty's hands, these stories open into epiphanies of national character, and offer dramatic portraits of the year's major actors-Kaiser Wilhelm, Tsar Nicholas II , Woodrow Wilson, along with forgotten or overlooked characters such as Pancho Villa, Rasputin, and Herbert Hoover. Europe's ruling classes, Beatty shows, were so haunted by fear of those below that they mistook democratization for revolution, and were tempted to "escape forward" into war to head it off. Beatty's powerful rendering of the combat between August 1914 and January 1915 which killed more than one million men, restores lost history, revealing how trench warfare, long depicted as death's victory, was actually a life-saving strategy. Beatty's deeply insightful book-as elegantly written as it is thought-provoking and probing-lights a lost world about to blow itself up in what George Kennan called "the seminal catastrophe of the twentieth century." It also arms readers against narratives of historical inevitability in today's world.
In Heroes and Legends of Fin-de-Siècle France Venita Datta examines representations of fictional and real heroes in the boulevard theater and mass press during the fin de siècle (1880–1914), illuminating the role of gender in the construction of national identity during this formative period of French history. The popularity of the heroic cult at this time was in part the result of defeat in the Franco-Prussian War in 1870, as well as a reaction to changing gender roles and collective guilt about the egoism and selfishness of modern consumer culture. The author analyzes representations of historical figures in the theater, focusing on Cyrano de Bergerac, Napoleon and Joan of Arc, and examines the press coverage of heroes and anti-heroes in the Bazar de la Charité fire of 1897 and the Ullmo spy case of 1907.
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French Sociology offers a uniquely comprehensive view of the oldest and still one of the most vibrant national traditions in sociology. Johan Heilbron covers the development of sociology in France from its beginnings in the early nineteenth century through the discipline’s expansion in the late twentieth century, tracing the careers of figures from Auguste Comte to Pierre Bourdieu. Presenting fresh interpretations of how renowned thinkers such as Émile Durkheim and his collaborators defined the contours and content of the discipline and contributed to intellectual renewals in a wide range of other human sciences, Heilbron’s sophisticated book is both an innovative sociological study and a major reference work in the history of the social sciences. Heilbron recounts the halting process by which sociology evolved from a new and improbable science into a legitimate academic discipline. Having entered the academic field at the end of the nineteenth century, sociology developed along two separate tracks: one in the Faculty of Letters, engendering an enduring dependence on philosophy and the humanities, the other in research institutes outside of the university, in which sociology evolved within and across more specialized research areas. Distinguishing different dynamics and various cycles of change, Heilbron portrays the ways in which individuals and groups maneuvered within this changing structure, seizing opportunities as they arose. French Sociology vividly depicts the promises and pitfalls of a discipline that up to this day remains one of the most interdisciplinary endeavors among the human sciences in France.
From the ideas of Clausewitz to contemporary doctrines of containment and cold war, this is a definitive history of modern military thought. A one-volume collection of Azar Gat's acclaimed trilogy, it traces the quest for a general theory of war from its origins in the Enlightenment.Beginning with a provocative critique of Clausewitz's classic work On War, the author unravels the endemic difficulties in Clausewitz's work that have baffled scholars for so long, clearly explaining the development of his ideas against the background of the Napoleonic revolution in war and theRomantic critique of the Enlightenment. He continues the story through the strategic ideas of the Prussian-German military school during the nineteenth century, the factors that shaped the 'cult of the offensive' in the French Army before the First World War, and the competing doctrines whichdominated naval warfare during the ages of sail and steam. In the final part of the trilogy, he shows how theories of mechanized war emerged throughout the industrial world in the first decades of the twentieth century and explains why their leading exponents were associated with fascism.Drastically re-evaluating B.H. Liddell Hart's contribution to strategic theory, the author argues that in the wake of the trauma of the First World War, and in response to the Axis challenge, Liddell Hart developed the doctrine of containment and cold war long before the advent of nuclear weapons.He reveals Liddell Hart as a pioneer of the modern western liberal way in warfare which is still with us today.
From the counter-reformation through the twentieth century, the notion of sacrifice has played a key role in French culture and nationalist politics. Ivan Strenski traces the history of sacrificial thought in France, starting from its origins in Roman Catholic theology. Throughout, he highlights not just the dominant discourse on sacrifice but also the many competing conceptions that contested it. Strenski suggests that the annihilating spirituality rooted in the Catholic model of Eucharistic sacrifice persuaded the judges in the Dreyfus Case to overlook or play down his possible innocence because a scapegoat was needed to expiate the sins of France and save its army from disgrace. Strenski also suggests that the French army's strategy in World War I, French fascism, and debates over public education and civic morals during the Third Republic all owe much to Catholic theology of sacrifice and Protestant reinterpretations of it. Pointing out that every major theorist of sacrifice is French, including Bataille, Durkheim, Girard, Hubert, and Mauss, Strenski argues that we cannot fully understand their work without first taking into account the deep roots of sacrificial thought in French history.