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Begleiten Sie den Autor auf einer faszinierenden Reise durch Savannah, die Hauptstadt Georgias, mit seiner reichen Historie. Sie erfahren alles Wissenswerte zu Geschichte, Architektur und Kultur - von der Zeit des Gründers James Edward Oglethorpe über die Restaurierungswelle in den 50er Jahren bis zur Gegenwart. Mit über 200 Photos und vielen Adressen.
The Southern tradition of beautiful architecture is epitomized in Savannah, Georgia, a city beloved for its historic buildings and cultural landmarks. The National Trust Guide to Savannah takes readers on a unique architectural, historical, and cultural journey through this city's breathtaking squares and neighborhoods. Highlights the city's diverse architectural styles, from Colonial, Federal, and Greek Revival periods to the Italianate, Gothic, and Eclectic. Also covers Savannah's surrounding areas, including the plantations of Chatham County, river villages, and the Sea Islands. Illustrated with over 200 historic and contemporary photographs.--From publisher description.
National Trust guides are the most in-depth guides available to the history and architecture of U.S. cities. From famous landmarks to back alleys, they take you on exciting journeys through America's cultural, historical, and architectural treasures. The complete guide to the history and architecture of San Francisco Part history, part travel guide, this unique book introduces you to the colorful past and diverse traditions that have shaped the fascinating city of San Francisco. From the arrival of the Spanish in the late eighteenth century to the growth of today's vibrant metropolis, you'll discover the links between the rich history and architectural heritage of one of America's most beloved cities. Follow the book's outstanding walking tours as you explore the remnants of the Gold Rush era city and the early neighborhoods of Telegraph Hill, Chinatown, and South of Market. You'll also enjoy the beautiful Beaux-Arts mansions of Pacific Heights, the striking Queen Anne residences of Haight-Ashbury, the converted warehouses of the Multi-Media Gulch, and much more. 20 detailed neighborhood walking tours and easy-to-follow maps Colorful stories behind the city's best known landmarks 200 vintage and contemporary photographs
The definitive guide to America's historic inns and small hotels The National Trust Guide to Historic Bed & Breakfasts, Inns, and Small Hotels is the essential guide to the landmark accommodations that are part of America's diverse heritage. From the gold-rush era City Hotel in Columbia, California, to the site of the first baseball game at the Ängelholm in Cooperstown, New York, you will be transported around the country and back in time with this cross-section of historic lodgings. In this new edition, the National Trust has expanded its frontiers to include 100 additional entries. You'll find over 700 historic inns and small hotels selected on the basis of age and architectural integrity. You'll discover that each inn, whether a Hawaii pineapple plantation, a colonial tavern, or a Great Lakes lighthouse, evokes a particular era and region of American life. Anyone interested in architectural preservation will enjoy the fascinating descriptions of the buildings' architects and residents.
In 1979, a small art college with 71 students opened its doors in a renovated 19th-century building in the urban heart of colonial Savannah, Georgia. One of the most historic cities on the eastern seaboard, Savannah is noted for its architectural treasures, urban forest and verdant squares, and for the unique 1733 city plan designed by General Oglethorpe. The campus fabric of the Savannah College of Art and Design (SCAD) grew from the Romanesque revival Savannah Volunteer Guards Armory, designed by Boston architect William Gibbons Preston in 1892, to comprise some 60 rehabilitated historic structures situated within four historic districts. Currently, more than 6,200 students pursue their dreams in this wonderful setting.
An epic iv volume history : a city & people that forged a living link between America, past & present.
The house, throughout history, in every place in the world, has been built to provide shelter from the elements. The dwellings that have resulted are as different as the people that have built them, the social norms that prevailed at the time and place in which they were built and the natural environment that they adapted to. Studying them now in a comprehensive way allows us to understand the social, political, economic and religious conditions that existed for their inhabitants. They are a three-dimensional record of culture. Twenty-four pages of color images, along with black and white images through three volumes, illustrate the homes of people throughout the world. The volumes cover ancient times to the late Middle Ages, the Renaissance to the Industrial Revolution, and the Post-Industrial Revolution to the Present.
John Herndon “Johnny” Mercer (1909–76) remained in the forefront of American popular music from the 1930s through the 1960s, writing over a thousand songs, collaborating with all the great popular composers and jazz musicians of his day, working in Hollywood and on Broadway, and as cofounder of Capitol Records, helping to promote the careers of Nat “King” Cole, Margaret Whiting, Peggy Lee, and many other singers. Mercer’s songs—sung by Bing Crosby, Billie Holiday, Judy Garland, Frank Sinatra, Ella Fitzgerald, Tony Bennett, Lena Horne, and scores of other performers—are canonical parts of the great American songbook. Four of his songs received Academy Awards: “Moon River,” “Days of Wine and Roses,” “On the Atchison, Topeka, and the Santa Fe,” and “In the Cool, Cool, Cool of the Evening.” Mercer standards such as “Hooray for Hollywood” and “You Must Have Been a Beautiful Baby” remain in the popular imagination. Exhaustively researched, Glenn T. Eskew’s biography improves upon earlier popular treatments of the Savannah, Georgia–born songwriter to produce a sophisticated, insightful, evenhanded examination of one of America’s most popular and successful chart-toppers. Johnny Mercer: Southern Songwriter for the World provides a compelling chronological narrative that places Mercer within a larger framework of diaspora entertainers who spread a southern multiracial culture across the nation and around the world. Eskew contends that Mercer and much of his music remained rooted in his native South, being deeply influenced by the folk music of coastal Georgia and the blues and jazz recordings made by black and white musicians. At Capitol Records, Mercer helped redirect American popular music by commodifying these formerly distinctive regional sounds into popular music. When rock ’n’ roll diminished opportunities at home, Mercer looked abroad, collaborating with international composers to create transnational songs. At heart, Eskew says, Mercer was a jazz musician rather than a Tin Pan Alley lyricist, and the interpenetration of jazz and popular song that he created expressed elements of his southern heritage that made his work distinctive and consistently kept his music before an approving audience.
The author lovingly reconstructs the journey of eighteenth-century naturalist William Bartram, retracing his painstaking survey of the flora, fauna, and cultures of the American Southeast. (Travel)
Savannah’s Midnight Hour argues that Savannah’s development is best understood within the larger history of municipal finance, public policy, and judicial readjustment in an urbanizing nation. In providing such context, Lisa Denmark adds constructive complexity to the conventional Old South/New South dichotomous narrative, in which the politics of slavery, secession, Civil War, and Reconstruction dominate the analysis of economic development. Denmark shows us that Savannah’s fiscal experience in the antebellum and postbellum years, while exhibiting some distinctively southern characteristics, also echoes a larger national experience. Her broad account of municipal decision making about improvement investment throughout the nineteenth century offers a more nuanced look at the continuity and change of policies in this pivotal urban setting. Beginning in the 1820s and continuing into the 1870s, Savannah’s resourceful government leaders acted enthusiastically and aggressively to establish transportation links and to construct a modern infrastructure. Taking the long view of financial risk, the city/municipal government invested in an ever-widening array of projects—canals, railroads, harbor improvement, drainage— because of their potential to stimulate the city’s economy. Denmark examines how this ideology of over-optimistic risk-taking, rooted firmly in the antebellum period, persisted after the Civil War and eventually brought the city to the brink of bankruptcy. The struggle to strike the right balance between using public policy and public money to promote economic development while, at the same time, trying to maintain a sound fiscal footing is a question governments still struggle with today.