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Poets Karla K. Morton and Alan Birkelbach began this journey to celebrate our national parks' one hundredth anniversary, but for these two poets the sojourns quickly became something greater than that. In their words, "As humans we have this tendency to look at a piece of land and see real estate. [But] when concrete covers all our natural spaces, not only do we lose earth's creatures, we also lose the great teacher of our souls. You cannot sit beneath trees taller than the Statue of Liberty, or gaze upon vistas untouched since their creation, without feeling the awe and wonder of what the natural world has to offer. You cannot experience such beauty without being wholly changed. Our great-great-great-grandchildren deserve these untouched gifts." This journey, illustrated with gorgeous color photos of all of America's grand national parks, is a feast for the eyes and heart. In the end, it is a plea for us to save these wonders for all future generations.
America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them. From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that illuminate the unique grandeur of each place while delving into what it means to shape a landscape with its own evolutionary history into something of our own making. Part memoir, part natural history, and part social critique, The Hour of Land is a meditation and a manifesto on why wild lands matter to the soul of America.
Wilderness in National Parks casts light on the complicated relationship between the National Park Service and its policy goals of wilderness preservation and recreation. By examining the overlapping and sometimes contradictory responsibilities of the park service and the national wilderness preservation system, John C. Miles finds the National Park Service still struggling to deal with an idea that lies at the core of its mission and yet complicates that mission, nearly one hundred years into its existence. The National Park Service's ambivalence about wilderness is traced from its beginning to the turn of the twenty-first century. The Service is charged with managing more wilderness acreage than any government agency in the world and, in its early years, frequently favored development over preservation. The public has perceived national parks as permanently protected wilderness resources, but in reality this public confidence rests on shaky ground. Miles shows how changing conceptions of wilderness affected park management over the years, with a focus on the tension between the goals of providing recreational spaces for the American people and leaving lands pristine and undeveloped for future generations.
Two men played a crucial role in the creation and early history of the National Park Service: Stephen T. Mather, a public relations genius of sweeping vision, and Horace M. Albright, an able lawyer and administrator who helped transform that vision into reality. In Creating the National Park Service, Albright and his daughter, Marian Albright Schenck, reveal the previously untold story of the critical "missing years" in the history of the service. During this period, 1917 and 1918, Mather's problems with manic depression were kept hidden from public view, and Albright, his able and devoted assistant, served as acting director and assumed Mather's responsibilities. Albright played a decisive part in the passage of the National Park Service Organic Act of 1916; the formulation of principles and policies for management of the parks; the defense of the parks against exploitation by ranchers, lumber companies, and mining interests during World War I; and other issues crucial to the future of the fledgling park system. This authoritative behind-the-scenes history sheds light on the early days of the most popular of all federal agencies while painting a vivid picture of American life in the early twentieth century.
In this lavishly illustrated book well-known environmental historian Alfred Runte, a prominent figure on the Ken Burns documentary The National Parks: America's Best Idea, tells the highly engaging story of the development of our national parks, from the first national park, Yellowstone, to the more recent decision to set aside vast tracts of Alaska for preservation.
Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork depicted religious figures and encouraged the beholders' communion with them.Describing how these artists drew on their religious beliefs and practices, as well as how beholders looked to art to provide a transcendent experience, Schwain explores how a modern conception of faith as an individual relationship with the divine facilitated this sanctified relationship between art and viewer. This stress on the interior and subjective experience of religion accentuated the artist's efforts to engage beholders personally with works of art; how better to fix the viewer's attention than to hold out the promise of salvation? Schwain shows that while these new visual practices emphasized individual encounters with art objects, they also carried profound social implications. By negotiating changes in religious belief--by aestheticizing faith in a new, particularly American manner--these practices contributed to evolving debates about art, ethnicity, sexuality, and gender.
Pays tribute to the landscape, diversity of species, and spirit found in American national parks.
Richard Grusin's innovative study investigates how the establishment of national parks participated in the production of American national identity after the Civil War. The creation of America's national parks is usually seen as an uncomplicated act of environmental preservation. Grusin argues, instead, that parks must be understood as complex cultural technologies for the reproduction of nature as landscape art. He explores the origins of America's three major parks - Yosemite, Yellowstone, and Grand Canyon--in relation to other forms of landscape representation including photography, mapping, travel writing and fiction.
Carefully researched and fully documented, Independence chronicles the history of the "cradle of liberty" that is Independence National Historical Park, the historical site most closely connected with the nation's founding. Constance M. Greiff illustrates how the park was shaped by national events and conditions in Philadelphia, change and growth within the National Park Service, and the interpersonal and political struggles among the key people involved in the park's development. She traces the process by which the participants arrived at the ideas underpinning the park's creation and development, conflicting views about the purpose and scope of the park, and the resolution of those conflicts.