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An insightful exploration and moving meditation on identity, art, and belonging from one of the most celebrated writers of the last decade. What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us. In this groundbreaking, reflective, and erudite book, two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan illuminates myriad varieties of Black experience in global culture and history. Edugyan combines storytelling with analyses of contemporary events and her own personal story in this dazzling first major work of non-fiction.
Nine-year-old Dylan helps his parents run a failing petrol station in a small Welsh town and becomes a reluctant robber when he discovers some treasures being stored in a local abandoned mine.
In 17th century Rome, where women are expected to be chaste and yet are viewed as prey by powerful men, the extraordinary painter Artemisia Gentileschi fends off constant sexual advances as she works to become one of the greatest painters of her generation. Frustrated by the hypocritical social mores of her day, Gentileschi releases her anguish through her paintings and, against all odds, becomes a groundbreaking artist. Meticulously rendered in ballpoint pen, this gripping graphic biography serves as an art history lesson and a coming-of-age story. Resonant in the #MeToo era, I Know What I Amhighlights a fierce artist who stood up to a shameful social status quo.
"The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)
This volume brings together the exceptional collection of paintings found in The National Gallery, London - one of the world's major repositories of paintings and perhaps the most significant in terms and variety and entirety since all the main European schools of painting are represented. Works featured in the book include masterpieces by Titian, Rubens, Rembrandt, Botticelli, Poussin, van Dyck, Vermeer, Manet, Constable, Degas, Seurat, van Gogh, Monet, Caravaggio, Goya and many, many others. In addition to holdings in Flemish art and the largest collection of Velazquez outside of Spain, the gallery also houses one of the finest collections of British art including Hogarth, Gainsborough, Stubbs, Constable and Turner. The works featured in this collection represent the pivot points around which the entire world of European painting from the Middle Ages through the nineteenth century rotates. Sumptuously illustrated with 600 colour plates, PAINTINGS IN THE NATIONAL GALLERY is an invaluable resource for scholars and art lovers alike.
A celebration of one of the most important groups of Renaissance paintings
An engaging and accessible account of how sin has been depicted in European art for centuries The depiction of sin has been fundamental to European visual culture for hundreds of years, especially--but not only--in Christian art. Addressing the mutable and often ambiguous representation of sin, this book highlights its theological underpinnings, cultural afterlife, and contradictory and controversial aspects from the 15th to the 21st century. Drawing on paintings from the National Gallery and elsewhere, including pictures by Cranach, Gossaert, and Velázquez, as well as contemporary art and sculpture, the author explores complex theological ideas--Original Sin, the Immaculate Conception, and confession, for example--that show familiar human behavior through moralizing or seductive images; in the process, Sin shows how art can blur the boundaries between our modern categories, religious and secular.