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This is a new release of the original 1924 edition.
Molly Ijames delivers a compelling setting of this timeless hymn with a creative accompaniment that helps us visualize the sunrise. This anthem is one constant crescendo and closes with the amazing cry, "May Jesus Christ be praised!"
First published in 1920, this classic has been a standard in Baptist churches for many years.This revised edition includes 50 spirituals, an updated index, and the original black cover.
This hymnal contains a wide variety of songs for use in Baptist worship services. The songs are organized by theme and include traditional hymns as well as more contemporary selections. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Primitive Baptist singing traditions in the South. "This collection of essays, best described as an extended set of liner notes to its accompanying compact disc, frames its topic with deceptive modesty. Benjamin Lloyd (1804-60) was a Primitive Baptist preacher, who in 1841 published some 535 hymn texts under the title Primitive Hymns. Lloyd's Hymnal (as it is often called now) has been a small but consistent seller ever since, finding wide use among Primitive Baptists throughout the South. The CD [as well as the book appropriately uses Lloyd's as a point of reference from which to navigate the varied landscape of folk worship in the South. Those who find beauty in the music and worship of the southern folk will be overwhelmed by the sounds and the spiritual intensity; those who grapple with the tangled biracial culture of the South will find a key to understanding the devotion of southerners, black and white, to this small book." -- The Alabama Review
Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
The Complete Book of Hymns brings to life the stories behind more than 600 hymns and worship songs. With background on the composer, the inspiration behind the lyrics, scriptural references for devotional consideration, and a sampling of the song lyrics, this book brings forth the message of these great songs of the faith like never before!