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While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.
What does it mean when we call a music genre like country "authentic" or "pure", or, in contrast, "commercial"? By examining the dramatic changes that occurred in country music in the 1950s and '60s, Joli Jensen explores why the concept of authenticity in country music is so crucial to so many of its fans. Anyone interested in the ways that popular culture has been shaped in response to changing times will find Jensen's incisive interpretations instructive. 20 illustrations.
"Voices of the Country" presents interviews with innovative musicians, producers, and songwriters who shaped the last fifty years of country music. From Eddy Arnold's new, smoother approach to song delivery to Loretta Lynn's take-no-prisoners feminism, these people opened new vistas in country music - and American culture. Streissguth is a sensitive and knowledgeable interviewer: he gets beyond the standard publicity tales to the heart of the real voice - and real experiences - of these important figures.
An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century. In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt. In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music. Praise for The Bakersfield Sound “A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews “This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus
Two twentysomethings struggle to let go of their idea of a perfect world on and off the ice in this emotional third book in the Nashville Sound series. Ambitious, smart, and straightlaced, Nashville Sound forward Jarrett MacPherson is determined to walk in the footsteps of his All-American hockey-playing grandfather. He prides himself on doing the right thing above all, with ethics so sharp they could cut the heart out of a saint. Hard-working Merry Sweet toils by day in a paper shop and coffee bar in Sound Town and at night at the arena, cleaning, selling concessions, and taking tickets. Jarrett notices and admires Merry’s determination and believes her when she says she needs money for law school, even offering to help solve her financial problems. When she refuses him, his esteem for her only grows. But when the public catches wind of their budding relationship, a surprising secret from Merry’s past comes to light. Now, Jarrett must decide if he’ll let his image take precedence over his heart and cost him the chance at something perfectly real. Sensuality Level: Sensual
That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan's magnum opus, Blonde on Blonde, not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock's first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders chronicles the road that took Dylan from New York to Nashville in search of "that thin, wild mercury sound." As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Blonde sessions, where the voice of a generation was backed by musicians of the highest order.
Journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. Originally published in 1970, The Nashville Sound reveals this fascinating moment in country music history.
The "Nashville Cats" were a group of session musicians who bounced from studio to studio along Nashville's "Music Row," providing the instrumental backing tracks for countless recordings in the mid-20th century. Including music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy, these versatile Cats not only established the city as a well-known hub for recording popular music, but also defined the era of country music known as the "Nashville Sound."Drawing upon a rich array of previously unexplored primary sources and original oral histories, Nashville Cats: Record Production in Music City, 1945-1975 is the first account of the role that these musicians, along with recording engineers and record producers, played in shaping the sounds of country music during one of its most definitive periods. This era produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. The Nashville Sound attracted musicians like Bob Dylan and Leonard Cohen to the city's studios, and marked the establishment of a recording industry that has come to define the city of Nashville in the national and international consciousness. Author Travis D. Stimeling explores how the Nashville system came to be, how musicians functioned within it, and how the desires of an ever-growing and diversifying audience affected record production practices. Through interviews with key players of the period and close analysis of hit songs, Nashville Cats provides an exciting look into this prolific era of music history.
You've heard them on the radio, listened to them on repeat for days, and sang along at the top of your lungs—but have you ever wondered about the real stories behind all your favorite country songs? Nashville Songwriter gives readers the first completely authorized collection of the true stories that inspired hits by the biggest multi-platinum country superstars of the last half century—recounted by the songwriters themselves. Award-winning music biographer Jake Brown gives readers an unprecedented, intimate glimpse inside the world of country music songwriting. Featuring exclusive commentary from country superstars and chapter-length interviews with today's biggest hit-writers on Music Row, this book chronicles the stories behind smash hits such as: Willie Nelson's "Always on My Mind" Tim McGraw's "Live Like You Were Dying," "Southern Voice," and "Real Good Man" George Jones's "Tennessee Whiskey" Carrie Underwood's "Jesus Take the Wheel" and "Cowboy Casanova" Brooks & Dunn's "Ain't Nothing 'Bout You" Lady Antebellum's "We Owned the Night" and "Just a Kiss" Brad Paisley's "Mud on the Tires," "We Danced," and "I'm Still a Guy" Luke Bryan's "Play It Again," "Crash My Party," and "That's My Kind of Night" The Oak Ridge Boys's "American Made" George Strait's "Ocean Front Property" and "The Best Day," Rascal Flatts's "Fast Cars and Freedom," and "Take Me There" Kenny Chesney's "Living in Fast Forward" and "When the Sun Goes Down" Ricochet's "Daddy's Money" Montgomery Gentry's "If You Ever Stop Loving Me" The Crickets's "I Fought the Law" Tom T. Hall's "A Week in a County Jail" and "That Song Is Driving Me Crazy" Trace Adkins's "You're Gonna Miss This" David Lee Murphy's "Dust on the Bottle" Jason Aldean's "Big Green Tractor" and "Fly Over States" And many more top country hits over the past 40 years!
Whisperin' Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill Anderson, one of the most prolific songwriters in the history of country music. Mega country music hits like "City Lights," (Ray Price), "Tips Of My Fingers," (Roy Clark, Eddy Arnold, Steve Wariner), "Once A Day," (Connie Smith), "Saginaw, Michigan," (Lefty Frizzell), and many more flowed from his pen, making him one of the most decorated songwriters in music history. But the iconic singer, songwriter, performer, and TV host came to a point in his career where he questioned if what he had to say mattered anymore. Music Row had changed, a new generation of artists and songwriters had transformed the genre, and the Country Music Hall of Fame member and fifty-year Grand Ole Opry star was no longer relevant. By 1990, he wasn't writing anymore. Bad investments left him teetering at bankruptcy's edge. His marriage was falling apart. And in Nashville, a music town where youth often carries the day, he was a museum piece--only seen as a nostalgia act, waving from the stage of the Grand Ole Opry. Anderson was only in his fifties when he assumed he had climbed all the mountains he was intended to scale. But in those moments plagued with self-doubt, little did he know, his most rewarding climb lie ahead. A follow-up to his 1989 autobiography, this honest and revealing book tells the story of a man with an unprecedented gift, holding on to it in order to share it. Known as "Whisperin' Bill" to generations of fans for his soft vocalizations and spoken lyrics, Anderson is the only songwriter in country music history to have a song on the charts in each of the past seven consecutive decades. He has celebrated chart-topping success as a recording artist with eighty charting singles and thirty-seven Top Ten country hits, including "Still," "8 x 10," "I Love You Drops," and "Mama Sang A Song." A six-time Song of the Year Award-winner and BMI Icon Award recipient, Anderson has taken home many CMA and ACM Award trophies and garnered multiple GRAMMY nominations. His knack for the spoken word has also made him a successful television host, having starred on "The Bill Anderson Show," "Opry Backstage," "Country's Family Reunion," and others. Moreover, his multi-faceted success extends far beyond the country format with artists like James Brown, Aretha Franklin, Dean Martin, and Elvis Costello recording his songs. Today, thanks to the support of musical peers and a few famous friends who believed in him, Anderson continues to forge the path of lyrical integrity in music, harnessing his ability to craft a song that tells a familiar story, grabs you by the heart and moves you. Modern day examples include "Whiskey Lullaby" (Brad Paisley and Allison Krauss), "Give It Away" (George Strait), "A Lot of Things Different" (Kenny Chesney), and "Which Bridge to Cross" (Vince Gill). A product of a long-gone Nashville, Anderson worked to reinvent himself, and this biography documents Anderson's fifty-plus-year career--a career he once thought unattainable. Richly illustrated with black-and-white photos of Anderson interacting with the superstars of American music, including such legends as Patsy Cline, Vince Gill, and Steve Wariner, this book highlights Anderson's trajectory in the business and his influence on the past, present, and future of this dynamic genre.