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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The narrative of Captain Coignet 1776-1850 is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon's Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight.
This is a bold, painstakingly researched and wide-ranging assessment of the British Cheer in the Napoleonic era. Reference to the Cheer in accounts of the time is virtually ubiquitous and repeatedly the claim was made for cheering as an integral part of British offensive operations. However, more recent historians have tended to overlook this evidence. Based upon a vast range of contemporary sources, this book suggests that the Cheer wielded genuine power as a true 'weapon of war'. This book first surveys the history of acclamations in battle worldwide and British battle-cries from all periods, before addressing the question of what the British Cheer actually sounded like. Issues of acoustics, physics and the psychology of battlefield morale are considered, along with commentaries from significant military scholars throughout history. Examination of the Napoleonic-era Cheer then reveals the practically invincible 'recipe' of volley-cheer-charge that propelled the British Army to victory upon victory. Comparison is drawn with French and other national patterns of vocalizing, along with analysis of those occasions when the Cheer might be suppressed. Finally, the attitude of the Duke of Wellington towards cheering is reconsidered, with surprising results. This study encompasses a vast canvas of place and time in pursuit of the elusive yet galvanizing Cheer: from the Mahratta wars in India, through campaigns in Egypt, the Mediterranean, Flanders, the Caribbean and South America, as well as the war of 1812. The Peninsular and Waterloo campaigns feature prominently as the Cheer is heard thrillingly from Vimeiro to Talavera, Salamanca to Vitoria, Orthez to Toulouse and the shocking siege of Badajoz to the charge of the Scots Greys on the ridge of Mont Saint Jean. Anyone interested in the wars of Revolutionary France and Napoleon, the British army, the career of the Duke of Wellington, or indeed the wider questions of the psychological motivations of combat will find this book illuminating and thought-provoking.