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The Napoleon of Notting Hill is a futuristic novel set in London in 1984. Chesterton envisions neither great technological leaps nor totalitarian suppression. Instead, England is ruled by a series of randomly selected Kings, because people have become entirely indifferent. The joker Auberon Quin is crowned and he instates elaborate costumes for every sector of London. All the city's provosts are bored with the idea except for the earnest young Adam Wayne - the Napoleon of Notting Hill.
Can you trust yourself when you don't know who you are? In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies. But he has still to face the greatest terror that the Council has: a man named Sunday, whose true nature is worse than Syme could ever have imagined ...
Shrewd and punctilious, with an intuitive awareness of the dark secrets of human nature gained in the confessional, Father Brown is well equipped to uncover the startling truth wherever murder, mayhem and mystery stalk society.
Known primarily for his non-fiction, G. K. Chesterton also wrote fiction. The Napoleon of Notting Hill and The Man Who was Thursday are two of his best-loved novels. The Napoleon of Notting Hill In Chesterton’s first novel, he conjures up a London neighborhood that has become an independent city, fond of pageantry and traditional ways, isolated by high walls from the rest of the world. When its rights and autonomy are threatened by modernizing neighbors, war breaks out. It is a war fought not with astounding new weapons, but with swords and battle-axes, and it is waged for a cause in which the author deeply believed. The Man Who was Thursday In Chesterton’s most famous novel, Detective Syme is determined to discover everything about a club of anarchists, so he decides to infiltrate the resistance group and then he unwittingly, and unwillingly, gets caught up suddenly and finds himself elected to their council!
Light-hearted work introduces Innocent Smith, a bubbly, eccentric gentleman of questionable character, into the lives of a group of young disillusioned people -- and the result is inspired, high-spirited nonsense.
G. K. Chesterton, London and Modernity is the first book to explore the persistent theme of the city in Chesterton's writing. Situating him in relation to both Victorian and Modernist literary paradigms, the book explores a range of theoretical and methodological approaches to address the way his imaginative investments and political interventions conceive urban modernity and the central figure of London. While Chesterton's work has often been valued for its wit and whimsy, this book argues that he is also a distinctive urban commentator, whose sophistication has been underappreciated in comparison to more canonical contemporaries. With chapters written by leading scholars in the field of 20th-century literature, the book also provides fresh readings and suggests new contexts for central texts such as The Man Who Was Thursday, The Napoleon of Notting Hill and the Father Brown stories. It also discusses lesser-known works, such as Manalive and The Club of Queer Trades, drawing out their significance for scholars interested in urban representation and practice in the first three decades of the 20th century.
G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.
The Man Who Knew Too Much and Other Stories (1922) is a book of detective stories by English writer GK Chesterton, published in 1922 by Cassell and Company in the United Kingdom, and Harper Brothers in the United States. The book contains eight connected short stories about "The Man Who Knew Too Much", and additional unconnected stories featuring separate heroes / detectives. The United States edition contained one of these additional stories: "The Trees of Pride", while the United Kingdom edition contained "Trees of Pride" and three more, shorter stories: "The Garden of Smoke", "The Five of Swords" and "The Tower of Treason".
The complete adventures of the well-loved clerical sleuth, collected in one brilliant volume. Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself. This complete edition brings together all of the Father Brown stories, including two not previously available in Penguin: 'The Donnington Affair', in which Chesterton rises to the challenge of solving a murder-mystery half written by someone else (Max Pemberton), and 'The Mask of Midas', which was found in Chesterton's papers after his death. It also includes an introduction and notes by Michael D. Hurley. G.K. Chesteron was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best-known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much(1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. Michael D. Hurley is a Lecturer in English at the University of Cambridge, and a Fellow of St Catharine's College. He has written widely on English literature from the nineteenth century to the present day, with an emphasis on poetry and poetics. His book on G. K. Chesterton was published in 2011.