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A stylized noir retelling of Snow White set against the backdrop of Depression-era Manhattan.
Challenged with circling the world solo at the end of the 19th century, three very different adventurers--avid bicyclist Thomas Stevens, fearless reporter Nellie Bly and retired sea captain Joshua Slocum--embark on epic journeys. By a Scott O'Dell Award-winning graphic novelist.
In 1913, before there is a rumor of war in Europe, Matthias Wrenn and Con Hatchel, lifelong friends from Ballyrannel in the Irish midlands, decide to see the world at the expense of the king of England and join the British army. A year later, while en route to India, their troop ship is recalled and they soon find themselves in the European slaughterhouse that was World War I. As stretcher bearers, the two men witness all too closely the horrors of the battlefield and the trenches, the savagery, and the unconscionable waste of human life on fields made liquid by “the blood and guts of boy soldiers” at the Somme, Ypres, and Passchendaele. Meanwhile, back home in Ireland, Con’s sister and Matthias’s lover, Kitty Hatchel, yearns for their safe return and reminds them of their carefree childhood on the banks of the local canal, as well as their hopes for the future. Brilliantly and movingly narrated by a chorus of voices from the community — Matt, Con, Kitty, and others — The Canal Bridge tells the story of how the young men take Ballyrannel to war with them, and how the war comes back home when hostilities end in Europe. The Ireland the friends left in 1913 no longer exists, for the political landscape has been transformed by the Rising against the British in 1916. It is now a land riven with sectarian tensions and bloodshed from which there is no escape. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
The beloved Pulitzer Prize-winning novel, basis of the film starring Jack Nicholson and Meryl Streep. Francis Phelan, ex-big-leaguer, part-time gravedigger, full-time bum with the gift of gab, is back in town. He left Albany twenty-two years earlier after he dropped his infant son accidentally, and the boy died. Now he's on the way back to the wife and home he abandoned, haunted at every corner by the ghosts of his violent life. Francis; his wino ladyfriend of nine years, Helen; and his stumblebum pal, Rudy, shuffle their ragtag way through the city's bleakest streets, surviving on gumption, muscatel, and black wit. estiny is not their business. 'The premise of Ironweed was so unpromising, that in marketing terms the writer still to this day finds it funny: the story of a bunch of itinerant alcoholics, knocking around Kennedy's hometown, falling out, having visions, trying to pass for sober to cadge a bed for the night in the homeless shelter.' Guardian 'But for all the rich variety of prose and event, from hallucination to bedrock realism to slapstick and to blessed quotidian peace, ''Ironweed'' is more austere than its predecessors. It is more fierce, but also more forgiving.' Quoted from the classic New York Times review of Ironweed, which made it an overnight sensation.
From its attention-grabbing first sentence, The Cuts that Cure is a truly extraordinary novel as Arthur Herbert- a surgeon himself- shows why he is one of the most exciting new voices in the suspense genre. “A tale of intrigue and suspense, with a villain that will keep you awake. A page turner you don't want to miss!” —NYT Bestseller Nick Russell Alex Brantley is a surgeon whose desperation to start a new life outside of medicine leads him to settle in a sleepy Texas town close to the Mexican border, a town that has a dark side. Its secrets and his own past catch up with him as traits he thought he'd buried in the deserts on the frontiers of the border rise up again to haunt him. To the citizens of Three Rivers, Henry Wallis appears to be a normal Texas teenager: a lean, quiet kid from a good family whose life seems to center around running cross-country, his first girlfriend, and Friday night football. That Henry is a cultivated illusion, however, a disguise he wears to conceal his demons. Both meticulous and brutally cruel, he manages to hide his sadistic indulgences from the world, but with that success, his impulses grow stronger until one day when a vagrant is found murdered. When Alex and Henry's paths cross, it starts a domino effect which leads to mangled lives and chilling choices made in the shadows along la frontera, where everything is negotiable. A “dark and deeply chilling novel” with “memorable characters and vivid descriptions.” —Joel Shulkin, MD, author of Adverse Effects
“You don’t have to be Irish to cherish this literary gift—just being human and curious and from a family will suffice.” —Malachy McCourt, New York Times bestselling author of A Monk Swimming In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn’t Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. Tom Phelan, who was born and raised in County Laois in the Irish midlands, spent his formative years working with his wise and demanding father as he sought to wrest a livelihood from a farm that was often wet, muddy, and back-breaking. It was a time before rural electrification, the telephone, and indoor plumbing; a time when the main modes of travel were bicycle and animal cart; a time when small farmers struggled to survive and turkey eggs were hatched in the kitchen cupboard; a time when the Church exerted enormous control over Ireland. We Were Rich and We Didn’t Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life’s adversities.