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Eva Traube Abrams, a semiretired librarian in Florida, is at the returns desk one morning when her eyes lock on to a photograph in a newspaper nearby. She freezes; it's an image of a book she hasn't seen in sixty-five years--a book she recognizes as the Book of Lost Names. The accompanying article describes the looting of libraries across Europe by the Nazis during World War II--an experience Eva remembers all too well. As a graduate student in 1942, Eva was forced to flee Paris after the arrest of her father, a Polish Jew. Finding refuge in a small mountain town in the Free Zone, she begins forging identity documents for Jewish children fleeing to neutral Switzerland. But erasing people comes with a price, and along with a mysterious, handsome forger named Rémy, Eva decides she must find a way to preserve the real names of the children who are too young to remember who they really are. The records they keep in the Book of Last Names will become even more vital when the Resistance cell they work with is betrayed and Rémy disappears. As the Germans close in, Eva records a last, vital message in the book. Decades later, does she have the strength to seek out its answer--and help reunite those lost during the war?
Remember that the dream of one is the dream of everyone. Ernest is searching for a place where he can live beyond his past. His family has returned to Puerto Rico, and Ernest remains in the States, desiring only distance from his memories of childhood displacement and work, his parentsÕ tumultuous relationship, and his own love for Magdalene. Magdalene, too, looks to move beyond her memories as she follows ErnestÕs family home, seeking resolution to her motherÕs hurtful secrets, her fatherÕs unknown identity, and her love for Ernest. As Ernest moves through the fields of Michigan, as Magdalene traverses the jungles of Puerto Rico and the shores of the Caribbean, they discover that their dreams and identities are linked within the framework of their families and their pasts. Together, Ernest and Magdalene must come to terms with the secrets and mistakes made by the previous generation, the histories of disloyalty and abandonment, of secrecy and sorrow. Their struggles take place in a region of lost names, where loves and memories are banished and found. Fred Arroyo writes a story in two voices, following Ernest and Magdalene by turns in prose that is elegant and lyrical. His words evoke another world lush with the scent of salt spray, the taste of mangoes, and the rush of leaves, alive with characters whose ardors and pathos are achingly real. Arroyo explores the ebb and flow between past and present and themes that are enduring. Ultimately, Ernest and Magdalene must live with more than their memories; they must rediscover the intimacies of the region of lost names.
An all-new illustrated poetry collection from the bestselling author of yesterday i was the moon, New Names for Lost Things combines Noor Unnahar’s powerful poetic voice and her signature collage-style visual art for a book of highly personal reflections on loss, inheritance, and what is left behind on the nonlinear path to becoming who you are meant to be.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this riveting series opener, a telepathic girl must figure out why she is the key to her brand-new world before the wrong person finds the answer first. Twelve-year-old Sophie has never quite fit into her life. She’s skipped multiple grades and doesn’t really connect with the older kids at school, but she’s not comfortable with her family, either. The reason? Sophie’s a Telepath, someone who can read minds. No one knows her secret—at least, that’s what she thinks… But the day Sophie meets Fitz, a mysterious (and adorable) boy, she learns she’s not alone. He’s a Telepath too, and it turns out the reason she has never felt at home is that, well…she isn’t. Fitz opens Sophie’s eyes to a shocking truth, and she is forced to leave behind her family for a new life in a place that is vastly different from what she has ever known. But Sophie still has secrets, and they’re buried deep in her memory for good reason: The answers are dangerous and in high-demand. What is her true identity, and why was she hidden among humans? The truth could mean life or death—and time is running out.
Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" (Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works. "The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."--Chicago Sun-Times "DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--Village Voice Literary Supplement "DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--New York Times
The author of the “engrossing” (People) international bestseller The Room on Rue Amélie returns with a moving story set amid the champagne vineyards of France during the darkest days of World War II, perfect for fans of Heather Morris’s The Tattooist of Auschwitz. Champagne, 1940: Inès has just married Michel, the owner of storied champagne house Maison Chauveau, when the Germans invade. As the danger mounts, Michel turns his back on his marriage to begin hiding munitions for the Résistance. Inès fears they’ll be exposed, but for Céline, the French-Jewish wife of Chauveau’s chef de cave, the risk is even greater—rumors abound of Jews being shipped east to an unspeakable fate. When Céline recklessly follows her heart in one desperate bid for happiness, and Inès makes a dangerous mistake with a Nazi collaborator, they risk the lives of those they love—and the vineyard that ties them together. New York, 2019: Recently divorced, Liv Kent is at rock bottom when her feisty, eccentric French grandmother shows up unannounced, insisting on a trip to France. But the older woman has an ulterior motive—and a tragic, decades-old story to share. When past and present finally collide, Liv finds herself on a road to salvation that leads right to the caves of the Maison Chauveau.
“One of the best collections I’ve ever read. Every single story is a standout.”—Roxane Gay WINNER OF THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE STORY PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Refinery29 • BookRiot “Fuses science, myth, and imagination into a dark and gorgeous series of questions about our current predicaments.”­—Anthony Doerr, author of All the Light We Cannot See A dystopian tale about genetically modified septuplets who are struck by a mysterious illness; a love story about a man bewitched by a mermaid; a stirring imagining of the lives of Nigerian schoolgirls in the aftermath of a Boko Haram kidnapping. The stories in All the Names They Used for God break down genre barriers—from science fiction to American Gothic to magical realism to horror—and are united by each character’s brutal struggle with fate. Like many of us, the characters in this collection are in pursuit of the sublime. Along the way, they must navigate the borderland between salvation and destruction. NAMED A MUST-READ BOOK BY Harper’s Bazaar • Entertainment Weekly • AM New York • Reading Women AND A TOP READ BY Elle • Fast Company • The Christian Science Monitor • Bustle • Shondaland • Popsugar • Refinery29 • Bookish • Newsday • The Millions • Asian American Writers’ Workshop • HelloGiggles “Strange and wonderful . . . delightfully unexpected.”—The New York Times Book Review “Completing one [story] is like having lived an entire life, and then being born, breathless, into another.”—Carmen Maria Machado “Captivating.”—NPR “Gripping.”—Los Angeles Review of Books “[A] remarkable debut . . . Sachdeva is seemingly fearless and her talent limitless.”—AM New York “This phenomenal debut short-story collection is filled with stories that bring the otherworldly to life and examine the strangeness of humanity.”—Bustle “So rich they read like dreams . . . They are enormous stories, not in length but in ambition, each an entirely new, unsparing world. Beautiful, draining—and entirely unforgettable.”—Kirkus Reviews (starred review)
INTERNATIONAL BESTSELLER ● From the bestselling author of New Day Dawning comes a touching novella of the unrelenting force of love, the power of healing, and the invincible desire to dream ● Inspired by the lives of two World War II survivors In their early teens, two girls were forced to sit next to each other in school. Although they were complete opposites-one a social butterfly and the other a withdrawn bookworm-they soon realized that they shared similar hopes and dreams. Over time, against all expectations, they became best friends. Until the war broke out. Now, each was thrown into opposite sides of the conflict. And mistakes were made-unforgivable mistakes, that would shape both their futures. How could their friendship endure? BASED ON A REMARKABLE TRUE STORY, with an appendix including authentic WWII photographs and documents. "Wonderful... A wry, sharply observed tale of both heroism and coming-of-age-story during one of the darkest times in humanity." "Compulsively readable... In this 200-page novella Kis-Lev proves to be yet again a distinctively contemporary literary voice." "Biting, brilliant exploration of a female friendship. And though The Two Marias focuses on young women, readers need be neither young nor female in order to enjoy it..." * * * * BOOK EXCERPT (c) All rights reserved. Reprinted by permission: PROLOGUE Maria stood at the train station. It was spring, finally. The war was now over. How long she had been waiting for this moment! Her hands fidgeted on her purse. She bit her lip. She missed her friend so intensely. And now she was finally coming. The poor girl... Who could have imagined that things would turn out this way... Maria took a deep breath and bit her lips again. She shook her head disapprovingly at herself. "You should stop this!" she thought, "It's not ladylike biting your lips like that!" She folded her hands together. "Oh God, bring her here already!" * At the same time, on the train entering the country, a young woman sat looking through the window. The war was over. And now she could finally return to her beloved city. To her beloved city square, to the famous fountain in front of the city hall. To the many doves there. To the sound of the trams driving slowly on the old streets. To the theatre. To the ballet. But more than anything, she could finally return to Maria. The train stopped at the border. She sat up as the border police officers passed in the aisle. She smiled at the officer and handed him her identification papers. Before the war, one ID was enough. But nowadays, one had to carry multiple forms of identification. The officer looked at the photo and then at her, "Maria?" She nodded, her face revealing nothing. "Date of birth?" "January 22nd," she said calmly, "1920." "What was the purpose of your stay abroad?" She paused. * * * * END OF EXCERPT (To read further click on the book cover, where you can read more using the Look Inside Feature!)
The gripping true story of a life-long forger working for the French Resistance and clandestine organizations, told to his daughter.