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Disaster befalls the malicious family of the Nabob, while the worthy farmer's family are liberally rewarded, thus illustrating the maxim "virtue is more estimable than wealth."
Review- Dusk, Dawn and Liberation By Peter J. Armstrong “I had spent some time in Bangladesh, but knew little about the country’s tortured, difficult birth, until I read this book. It is an extraordinary story, told in a balanced, impartial way, in spite of the terrible things done to those who wished only to speak their own language, in their own country, and who wished to be masters of their own destiny. In the matter-of-fact way the story unfolds, there is a tone of understatement which actually brings home the horror of that time in a vivid way. The direct and literal translation of some conversations from Bengali reminds one of Hemingway’s literal translations of Spanish conversations, which serves to bring one more closely into a different world - a world of pain, suffering and ultimately, deliverance. I look forward to more of this writer’s work.” By Blue Ink review It is a novel of hope as well, finding beauty in the wake of incredible horror; Ahmed’s ambitious novel is a story of healing and humanity triumphing over retribution and despair. It will leave readers feeling empathy for the Bangladeshi people’s suffering on their path toward independence. By KIRKUS Review This work of historical fiction chronicles the events that led to East Pakistan declaring its independence of what is now Bangladesh. This history informs the escalation of the conflict into a prolonged campaign of violence by the state military against East Pakistan’s Bengali and Hindu populations. Ahmed shifts the narrative between various characters on both sides of the divide . Ahmed is well-versed in the politics and history of his subject matter.
Reprint of the original, first published in 1874.
"Splendid…[Darnton gives] us vivid, hard-won detail, illuminating narrative, and subtle, original insight." —Timothy Garton Ash, New York Review of Books With his uncanny ability to spark life in the past, Robert Darnton re-creates three historical worlds in which censorship shaped literary expression in distinctive ways. In eighteenth-century France, censors, authors, and booksellers collaborated in making literature by navigating the intricate culture of royal privilege. Even as the king's censors outlawed works by Voltaire, Rousseau, and other celebrated Enlightenment writers, the head censor himself incubated Diderot’s great Encyclopedie by hiding the banned project’s papers in his Paris townhouse. Relationships at court trumped principle in the Old Regime. Shaken by the Sepoy uprising in 1857, the British Raj undertook a vast surveillance of every aspect of Indian life, including its literary output. Years later the outrage stirred by the British partition of Bengal led the Raj to put this knowledge to use. Seeking to suppress Indian publications that it deemed seditious, the British held hearings in which literary criticism led to prison sentences. Their efforts to meld imperial power and liberal principle fed a growing Indian opposition. In Communist East Germany, censorship was a component of the party program to engineer society. Behind the unmarked office doors of Ninety Clara-Zetkin Street in East Berlin, censors developed annual plans for literature in negotiation with high party officials and prominent writers. A system so pervasive that it lodged inside the authors’ heads as self-censorship, it left visible scars in the nation’s literature. By rooting censorship in the particulars of history, Darnton's revealing study enables us to think more clearly about efforts to control expression past and present.
Includes: A history of British India, monthly chronicles of Asian events, accounts, travel literature, general essays, reviews of books on Asia, political analyses, poetry, and letters from readers.