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The N.P. Goulandris Collection of Early Cycladic art is the most notable in private hands and is unrivaled by any museum outside Greece. It contains over 200 objects, including many fine Cycladic figurines, as well as marble vessels, pottery and metalwork. The first Cycladic figurines acquired by travelers in Greece in the nineteenth century were described as 'rude','grotesque' and 'barbaric'. Yet now they are admired all over the world. They are the earliest sculptures from Greek Iands, but their simple form and purity of line speak directly to the modern eye. The introductory chapters by Professors, Renfrew and Doumas survey the historical and cultural background to the Collection, and discuss styles, materials and techniques. A short essay by Dr. P. Getz-Preziosi introduces a sculptor who created masterpieces over four thousand years ago. Three of his finest works are in the Collection and he is now known as the Goulandris Master. Christos Doumas is Professor of Archaeology at the University of Athens. He has worked in the Cyclades for many years, and has had a long and close association with the Goulandris Collection, which he was the first to catalogue in 1968.
The sculpture of the early bronze age Cyclades has been systematically studied since the time of Christos Tsountas at the end of the 19th century. But that study has been hampered by the circumstance that so many of the subsequent finds come from unauthorized excavations, where the archaeological context was irretrievably lost. Largely for that reason there are still many problems surrounding the chronology, the function and the meaning of Early Cycladic sculpture. This lavishly illustrated and comprehensive reassessment sets out to rectify that situation by publishing finds which have been recovered in controlled excavations in recent years, as well as earlier finds for which better documentation can now be provided. Using the material from recent excavation projects, and drawing on the papers presented at a symposium held in Athens in 2014, it is possible now to undertake a fresh overview of the entire body of sculpture from the Cycladic islands which has been found in secure archaeological contexts. Beginning with early examples from Neolithic settlement sites and extending into a consideration of material found in later contexts, the 35 chapters are divided into sections which examine sculpture from settlements, cemeteries and the sanctuary at Kavos, concluding with a discussion of material, techniques and aspects of manufacture.
Getz-Gentle (an independent scholar) has seen many of the examples that exist in the course of her career studying Cycladic sculpture. She presents in this volume a catalog of Cycladic sculpture which she has organized into stylistic categories based on formal analysis. The methods she used to arrive at her conclusions, as well as her theory of how the sculptures were produced are discussed at length. Annotation copyrighted by Book News Inc., Portland, OR
First published in 1985, this ground-breaking book surveys the development of Cycladic sculpture produced by unidentified artists who worked in the Aegean islands forty-five hundred years ago. Illustrated with numerous objects from American collections—with particular emphasis on some two dozen pieces in the Getty Museum—this volume surveys the typological development of Early Cycladic sculpture and identifies, where possible, the work of individual sculptors. Newly revised and updated, this book is a concise introduction to the field.
"At the dawn of European history, in the third millennium BC, the small Greek islands in the southern Aegean known as the Cyclades were home to a remarkable and distinctive culture. Among its most characteristic products were vessels and sculpted figures fashioned from the local marble, and today these Cycladic figurines are admired around the world. This concise introduction to Cycladic art puts the figurines and other objects into the context provided by current knowledge of early life in the islands."--Jacket.
Keros is a small, mountainous, and now-deserted island situated between Naxos, Amorgos, and Ios in the southeast Cyclades. Keros became widely known after a series of extensive and clandestine excavations in the 1950s and early 1960s, which concentrated on a particularly rich deposit of material at the site of Kavos, situated at its barren western extremity. These major lootings resulted in the illegal export from Greece of a large number of Early Cycladic objects - mostly fragmentary marble figurines - that flooded the international antiquities market under the general name the Keros Hoard. The cache was said to have included at least 350 Cycladic objects and is now widely dispersed. This study features a review of the archaeological investigations on Keros; a discussion of the so-called Keros Hoard; an extensive account of the various aspects of Cycladic figurines; and a catalogue of the objects identified as coming from the Hoard. Also included are an analysis of the data derived form the Hoard, the results of the study comparing the fragments in the Museum of Cycladic Art with those discovered at Kavos during official archaeological investigations; an interpretation of the Ho
The volume brings together the nineteen papers delivered at the 1992 colloquium in Athens that convened the world's scholars and scientists to discuss the authenticity of the controversial Kouros acquired by the J. Paul Getty Museum in 1985. Contributors provide the first balanced discussion of the sculpture's authenticity. These essays will be of interest to antiquities specialists and to those who want to learn about the latest findings and opinions of the international scholars who have studied the Getty Kouros.