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After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.
This book is an exploration of the process and consequences of the campaigns of Alexander the Great of Macedon (who reigned from 336 to 323 BC), focusing on the effect of his monarchy upon the world of his day. A detailed running narrative of the actual campaigns from the Danube to the Indus is complemented and enlarged upon by thematic studies on the reaction in Greece to Macedonian suzerainty, the administration of the empire, the evolution of the Macedonian army and its role as the instrument of conquest, and on the origins of the ruler cult.
In this volume, Ian Watt examines the myths of Faust, Don Quixote, Don Juan and Robinson Crusoe, as the distinctive products of modern society. He traces the way the original versions of Faust, Don Quixote and Don Juan - all written within a forty-year period during the Counter Reformation - presented unflattering portrayals of the three figures, while the Romantic period two centuries later recreated them as admirable and even heroic. The twentieth century retained their prestige as mythical figures, but with a new note of criticism. Robinson Crusoe came much later than the other three, but his fate can be seen as representative of the new religious, economic and social attitudes which succeeded the Counter-Reformation. The four figures help to reveal problems of individualism in the modern period: solitude, narcissism, and the claims of the self versus the claims of society. They all pursue their own view of what they should be, raising strong questions about their heroes' character and the societies whose ideals they reflect.
The Faustus myth, before being identified as a myth, was the folktale of a man named Faustus who lived in Germany. Underneath the popularity of this myth lies the basic human instinct to trespass the limits of traditional knowledge in pursuit of self-definition, authentic knowledge and power. This search and transgression also involve the desire to exercise the right of making free authentic choices. Faustus represents universal issues that are relevant for all human beings, which explains the reason why he has acquired mythic stature. Indeed, a most persistent myth has evolved, the appeal of which has led one writer after the other to reshape it. After his story became popular, he reappeared, even in contemporary culture, in different art forms such as literature, both high-brow and popular, including comics, the ballet and the opera. The real historical Faustus came onto the scene as a scholar and persistently reappeared in literature assuming different identities which, however, shared basically the same qualities. This book demonstrates and offers different perspectives to versions of the Faustus myth in literature: Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus, Goethe’s Faust and John Fowles’ The Magus. The Faustus Myth is a cycle which starts and ends in tragic circumstances in Christopher Marlowe’s Renaissance Faustus, in salvation in Johann Wolfgang von Goethe’s Faust, and in meaninglessness, ambiguous collapses in John Fowles’ existentialist Nicholas Urfe.
The Magus were the protectors of magic, armed with a magic caster's power and a warrior's strength. They were able to summon magical weapons from specialized caches they wore as armored pauldrons known as the Armory of Attlain. The Magus were legendary among the people of Attlain until a few decided they should lead the people instead of protecting them. The rebellion ended quickly from within their ranks, but the damage was done. The Magus were feared and outlawed except for those few who remained loyal to the crown and lived as adventurers. For generations, they had all but disappeared from the world. Marcus Gideon awoke at the crossroads outside the border town of Armändis. Lost, with no memory of his past life, he was stabbed through the heart and left for dead. His life was saved by a blacksmith's kindness who replaced his damaged heart with a mechanical, magical miracle-a clockwork heart. The gears clicked, the motor spun, and his heart started beating again, powered by his own magical energy. Gideon was alive, but his savior was no ordinary blacksmith. Henry Botàn was a Magus, hiding out in Armändis to protect the weapons within his magical armory. The swords, spears, and other-worldly artifacts were potent, some cursed and even forbidden to wield. His responsibility was to protect these weapons from falling into the wrong hands, but he was old and past his prime. He needed an apprentice, and Marcus Gideon may be the one he waited for. As Gideon searches for clues to his past, he looks toward his future and his fate in Attlain as THE LAST MAGUS.
Over twenty years in the writing, the three books in The Legend of The Secret Saga series evolved to be an fascinating magical story unlike any other, as they poetically weave together a strange epic tale. THE AUTHOR, Estee Shoesmyth, is a tangible figment of her own unbridled paradoxical imagination and the fantasy fiction pseudonym of eclectic American artist, Suzanne T. Dietz. The Legend Of The Secret Saga is the complete epic trilogy in one colorful volume. There is no other story like it in The Real World! The fantastical epic tale opens in Book One, which is When Begin Began. Celestial Scribe, Angel Daria pens the following words: "To Whom It May Concern: When this immense historical accounting commenced, I surely did not anticipate that the nature of this story would ever veer off the straight and narrow path. Instead, it proceeded to travel along the strangest winding ways. And so, I followed it most dutifully — with my pen in hand. Once upon a time, an anonymous philosopher on The Ultimate Earth aptly intellectualized, 'There are always three sides to every story: your side, the other side, and the truth.' The story presented to you here may seem like nothing more than a collection of my own fantastical delusions. Surely, it could not be that which I, myself, have ever witnessed! In that case, it would certainly not make it to be truth. However, it is ... by my best accounting ... the strange but true enough telling of a deliberately long-lost story from somewhere far out on the other side of Who-Knows-Where." That's just the beginning! In Book Two, The Murky Middle, the story dims to very, very dark with the introduction of a terribly wicked magician's sorcery. Through magic, he enters into a spirit world and adamantly decided to stay there. From that secret domain he meets another and the two, in cahoots, do some deliberately evil damage that stretches out from that invisible place right into the unsuspecting folks who live day to day in The Real World. Those folks do not stand a chance to escape being affected by the magician's insidious determination to capture them all. Eventually, Adam and Eve are reincarnated into The Real World on a specific mission, years beyond the peak of that magician's vicious reign. By then, the worse had evidently devolved into the worst that ultimately leads through to Book Three, The End Of The End. This story is utterly fascinating. Its twisting and turning through that which may be somewhat recognizable is more tangled up into the fantastical that is addictive to read onward to find out what happens next. All throughout there is mystery, magic, love, hate, obsessiveness, rejection, maliciousness, brilliance, stupidity, sickness, healing, forgiveness, revenge, romance, weirdness, wonderment, heavy heartedness, humor, life, death, and reincarnation. All along, there is that concept of eternity being a time lasting for Forever. Which, according to all reports in The Real World, Forever is a long, long time. The Legend Of The Secret Saga is the complete epic trilogy in one colorful volume. There is no other story like it in The Real World. Not from When Begin Began, throughout The Murky Middle, and all the way to The End Of The End. It is a story that is a Fairytale and a Fantasy. Magical and Mythical. Poetic and Artistic. The Legend Of The Secret Saga is fantastical and not as expected it might be!