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Bowden looks at what voice is in its various permutations, exploring where it comes from and exposing some of the key assumptions about writing and language.
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers? Elizabeth Lesser believes that if women’s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories—stories that value caretaking, champion compassion, and elevate communication over vengeance and violence. Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human. Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate. Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted. Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.
"How did 'voice' become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. Ultimately, Peritz argues that music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects"--
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
The desire to voice the artistic revelation of the truth of a precarious, multi-faceted, yet integrated self lies behind much of Szymanowski's work. This self is projected through the voices of deities who speak languages of love. The unifying figure is Eros, who may be embodied as Dionysus, Christ, Narcissus or Orpheus, and the gospel he proclaims tells of the resurrection and freedom of the desiring subject. This book examines Szymanowski's exploration of the relationship between the authorial voice, mythology and eroticism within the context of the crisis of the modern subject in Western culture. Stephen Downes analyses mythological and erotic aspects of selected songs from the composer's early career, moving to an interpretation of the voice of the homoerotic lover, embodied as a mad muezzin, in terms of heroic notions of Orphic elegy. Discussing the encounters of King Roger with the voices of Narcissus, the Siren and Dionysus, Downes shows how the composer uses the unifying Christ/Eros figure as a means of indicating that the King might be transformed from anguished despot to loving expressive subject. The book ends with an examination of Szymanowski's desire to fuse Slavonic and Middle-Eastern mythological inspirations in an attempt to fulfil a utopian vision of a pan-European culture bound together by the spirit of Eros.
The Mythology of Cherokee, Iroquois, Navajo, Siouan, and Zuñi represents an unparalleled compilation that celebrates the rich tapestry of Indigenous American folklore. Within its pages, the anthology envelops readers in a universe where the overarching themes of creation, transformation, and the symbiosis between nature and humanity are explored through a diverse array of narrative styles, from the oral tradition to written accounts. The collection stands as a significant cultural and literary corpus, offering an in-depth look into the spiritual and societal constructs that have shaped these communities, emphasizing works that have become keystones in the study of Native American mythologies. The contributing authors and editors, including notable figures such as Lewis Spence, James Owen Dorsey, and Erminnie A. Smith, bring with them a wealth of knowledge and experience that spans decades of research and scholarship. Their collective backgrounds, deeply ingrained in the study of ethnology and anthropology, provide a foundation that aligns with both historical and cultural movements of Indigenous peoples. This compendium reflects not only the diversity of Indigenous mythology but also showcases the unity in its thematic elements, weaving together a narrative that transcends geographical and cultural boundaries. This anthology is a must-read for anyone intrigued by mythology, anthropology, or the rich histories of the Cherokee, Iroquois, Navajo, Siouan, and Zuñi peoples. It offers readers a rare opportunity to dive into the depths of North American Indigenous cultures through the lens of their mythology, presented by some of the leading scholars in the field. Through engaging with these stories, readers are invited to explore a myriad of perspectives, understandings, and interpretations, encouraging a deeper appreciation and dialogue between the myriad voices that compose this essential collection.
The Mythology and History of Witchcraft serves as an unparalleled compendium that traverses the labyrinth of cultural, historical, and literary perspectives surrounding the enigma of witchcraft. Through a meticulously curated selection spanning essays, historical analyses, folklore studies, and biographical sketches, this anthology unveils the multifaceted phenomena of witchcraft as understood across different epochs and societies. The range of literary styles, from the narrative to the scholarly, not only highlights the diversity within the discourse of witchcraft but also sheds light on seminal works that have significantly shaped or challenged the understanding of witchcraft, without centering on a single authorial voice yet underscoring the collective importance of the contributors. The contributing authors and editors, a veritable whos who of the nineteenth and early twentieth centuries intellectual landscape, bring to the table a plethora of backgrounds in literature, history, folklore, and theology. Such a rich array of perspectives aligns with various historical and cultural movements, ranging from the Enlightenment's rational inquiry into superstition to the Romantic fascination with the Gothic and the arcane. In their collective endeavor, these authors not only navigate the complex narrative of witchcraft's history but also contribute to a deeper understanding of the sociopolitical and cultural contexts that have historically vilified or mystified the concept of witchcraft. This anthology is a must-read for scholars, students, and enthusiasts of history, folklore, and literary criticism, offering a unique opportunity to engage with the discourse of witchcraft through a multi-disciplinary lens. It invites readers to explore the convergence of different narrative styles, themes, and perspectives, providing a comprehensive and nuanced understanding of witchcrafts historical and cultural significance. The Mythology and History of Witchcraft stands as a testament to the richness of collaborative scholarly work, encouraging continued dialogue and exploration into the complex tapestry of human belief and the literary imagination.
This meticulously edited collection on witchcraft is formatted for your eReader with a functional and detailed table of contents: Introduction to Witchcraft: The Superstitions of Witchcraft by Howard Williams The Devil in Britain and America by John Ashton Witchcraft in Europe: History of Magic and Witchcraft: Magic and Witchcraft Lives of the Necromancers Witch, Warlock, and Magician Practitioners of Magic & Witchcraft and Clairvoyance Mary Schweidler, the Amber Witch Sidonia, the Sorceress La Sorcière: The Witch of the Middle Ages Tales & Legends: Witchcraft & Second Sight in the Highlands & Islands of Scotland Witch Stories Studies: The Witch Mania Witchcraft and Superstitious Record in the South-Western District of Scotland Modern Magic Witchcraft in America: The Wonders of the Invisible World Salem Witchcraft Salem Witchcraft and Cotton Mather A History of the Salem Village Witchcraft Trials An Account of the Witchcraft Delusion at Salem in 1682 House of John Procter, Witchcraft Martyr, 1692 Studies: The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism by Samuel Roberts Wells The Witchcraft Delusion in Colonial Connecticut (1647-1697) by John M. Taylor Witchcraft of New England Explained by Modern Spiritualism by Allen Putnam On Witchcraft: Glimpses of the Supernatural – Witchcraft and Necromancy by Frederick George Lee Letters On Demonology And Witchcraft by Sir Walter Scott
This collection of more than one hundred tribal tales, culled from the oral tradition of the Indians of Washington and Oregon, presents the Indians' own stories, told for generations around their fires, of the mountains, lakes, and rivers, and of the creation of the world and the heavens above. Each group of stories is prefaced by a brief factual account of Indian beliefs and of storytelling customs. Indian Legends of the Pacific Northwest is a treasure, still in print after fifty years.