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"A family counselor speaks frankly about extramarital affairs and offers both preventive and healing measures"--Jacket subtitle.
Strong, sassy women and hard-luck, hard-headed men, all searching for the middle ground between Native American tradition and the modern world, perform an elaborate dance of approach and avoidance in this magical, rollicking tale by award-winning author Thomas King. Alberta, Eli, Lionel and others are coming to the Blackfoot reservation for the Sun Dance. There they will encounter four Indian elders and their companion, the trickster Coyote—and nothing in the small town of Blossom will be the same again. . . .
Death, divorce, and scandal send an American socialite to Kenya for a journey of discovery in this historical novel by a New York Times–bestselling author. Paris, 1923 The daughter of a scandalous mother, Delilah Drummond is already notorious, even among Paris society. But her latest scandal is big enough to make even her oft-married mother blanch. Delilah is exiled to Kenya and her favorite stepfather's savanna manor house until gossip subsides. Fairlight is the crumbling, sun-bleached skeleton of a faded African dream, a world where dissolute expats are bolstered by gin and jazz records, cigarettes and safaris. As mistress of this wasted estate, Delilah falls into the decadent pleasures of society. Against the frivolity of her peers, Ryder White stands in sharp contrast. As foreign to Delilah as Africa, Ryder becomes her guide to the complex beauty of this unknown world. Giraffes, buffalo, lions and elephants roam the shores of Lake Wanyama amid swirls of red dust. Here, life is lush and teeming—yet fleeting and often cheap. Amidst the wonders—and dangers—of Africa, Delilah awakes to a land out of all proportion: extremes of heat, darkness, beauty and joy that cut to her very heart. Only when this sacred place is profaned by bloodshed does Delilah discover what is truly worth fighting for—and what she can no longer live without. Praise for A Spear of Summer Grass “An exotic journey of redemption.” —Kirkus Reviews “Rayburn’s breezy, straightforward style is a nice counterpoint to the complexity of her heroine.” —Publishers Weekly
A young girl discovers a portal to a land filled with centaurs and unicorns in Seanan McGuire's Across the Green Grass Fields, a standalone tale in the Hugo and Nebula Award-winning Wayward Children series. “Welcome to the Hooflands. We’re happy to have you, even if you being here means something’s coming.” Regan loves, and is loved, though her school-friend situation has become complicated, of late. When she suddenly finds herself thrust through a doorway that asks her to "Be Sure" before swallowing her whole, Regan must learn to live in a world filled with centaurs, kelpies, and other magical equines—a world that expects its human visitors to step up and be heroes. But after embracing her time with the herd, Regan discovers that not all forms of heroism are equal, and not all quests are as they seem... A standalone Wayward Children story containing all-new characters, and a great jumping-on point for new readers. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus embodied in the general framework of historically and socially determined cultural traditions. Traditions, however, result from selective forms of perception; they are as much inventions as they are based on exclusion. Intertextuality leads to a constant reinforcement of tradition, while, at the same time, intertextual relations between the new literatures and other English-language literatures are all too obvious. Despite the inevitable impact of tradition, the new literatures tend to employ a dynamic reading of culture which fosters social process and transition, thus promoting transcultural rather than intercultural modes of communication. Writing and reading across borders becomes a dialogue which reveals both differences and similarities. More than a decolonizing form of deconstruction, intertextuality is a strategy for communicating meaning across cultural boundaries.