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The poetry of Patrick Kavanagh offers an affirmation not only of the human condition, but of the natural world and of God's presence in the majestic and mundane facets of daily life. In this study of the great Monaghan sage, Una Agnew situates Kavanagh's
Antoinette Quinn's acclaimed biography of Patrick Kavanagh, the most important Irish poet between the death of W.B. Yeats and the rise of Seamus Heaney, tells the triumphant story of his journey from homespun balladry through early journal and poetry publications to his eventual coronation as one of the most influential figures in Irish poetry. Kavanagh (1904–1967) was born in County Monaghan, the son of a cobbler-cum-small farmer. He left school at thirteen to work the land but continued to educate himself, reading and writing poetry in his spare time. In 1929 he began contributing verses to the Irish Statesman and was soon publishing in Irish and English journals. His first collection, Ploughman and Other Poems, appeared in 1936 and was followed by an autobiography, The Green Fool, in 1938. In 1939 he moved to Dublin where he spent the rest of his life as a freelance writer and as part of the social and literary scene, keeping company with a gifted generation of writers, among them Flann O'Brien and Brendan Behan. He gained recognition as an important literary voice with his long poem 'The Great Hunger' in 1942. Further collections and the novel Tarry Flynn appeared in the following decades to growing critical acclaim. Published to widespread praise, Patrick Kavanagh, A Biography traces Kavanagh's publishing history as well as revealing what he was writing in the long interval between his books. This engaging, well-researched account of his daily professional life as a writer, his revisions and redraftings, his negotiations with publishers and editors, dispels the view that he was an untutored, gormless genius visited by an occasional flash of inspiration. Patrick Kavanagh, A Biography is the definitive account of Patrick Kavanagh's life and work and should be the standard for years to come. Patrick Kavanagh, A Biography: Table of Contents Introduction - No Genealogic Rosary (1850–1910) - Childhood (1904–1918) - Serving his Time (1918–1927) - Dabbling in Verse (1916–1930) - Farmer-Poet (1929–1936) - Towards The Green Fool (1936–1937) - The Green Fool and its Aftermath (1937–1939) - I Had a Future (1939–1941) - Bell-lettres (1940–1942) - The Great Hunger (1941–1942) - Pilgrim Poet (1940–1942) - Marriage and Money? (1942–1944) - The Enchanted Way (1944–1947) - Film Critic (1946–1949) - Tarry Flynn (1947–1949) - From Ballyrush to Baggot Street (1948–1951) - King of the Kids (1949–1951) - Bluster and Beggary (1952–1953) - Trial and Error (1954) - The Cut Worm (1954–1955) - The American Dream (1955–1957) - Noo Pomes (1957–1958) - Come Dance with Kitty Stobling (1959–1960) - Roots of Love (1960–1964) - Sixty-Year-Old Public Man (1964–1965) - Four Funerals and a Wedding (1965–1967) - 'So long'
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Features:• Wide chronological coverage of English literature, especially texts found in the Norton, Oxford, Blackwell and other standard anthologies• Short, punchy essays that engage with the texts, the critics, and literary and social issues• Background and survey articles• Glossaries of Bible themes, images and narratives• Annotated bibliography and questions for class discussion or personal reflection• Scholarly yet accessible, jargon-free approach – ideal for school and university students, book groups and general readersCreated for readers who may be unfamiliar with the Bible, church history or theological development, it offers an understanding of Christianity’s key concepts, themes, images and characters as they relate to English literature up to the present day.
The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. While looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
'I have lived in important places, times When great events were decided . . .' By turns comical, grouchy and exalted, and including his tragic masterpiece 'The Great Hunger', some of the key poems by the writer who transformed Anglo-Irish verse. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.