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The most significant contribution of the Sufi poets of the Punjab is their rising above the narrow and parochial concepts of religion and laying emphasis on the love of God alone. They believe that the love of God can be attained through the love of man. Sain Bulleh Shah is the most important voice among them. The rational and socialistic content of his verse, more importantly his sympathy with the have-nots and the downtrodden speaks volumes for his forward-looking vision. His romantic defiance of both Hindu and Muslim bigotry and ritualism is particularly telling. Bulleh Shah fostered communal amity and understanding which is the primary need of our times ridden with blind fundamentalism and petty political considerations. It is a pity that no authentic version of Sain Bulleh Shah’s work is obtaining. All that has travelled to us is from mouth to mouth. It, therefore, varies from Persian script to Gurumukhi, script, from Pakistan to India. This may, at times, be evident from the text covered in these pages. The English translation is based on Gurumukhi script prevalent in India while the text in Persian script is that available in Pakistan.
Destiny, karma, and fateare they predetermined, or is it we who control our own lives? In The Mystic Muse, a young man survives a tsunami and then has his own life upended by a girl he met who gives him an incredible gift. As he searches for survival and meaning in his life, Karan Kaspar confronts a crazed soldier and romances a sweet-voiced singer while chasing an unlikely fortune in the stock market. He asks for help from the gods, but he needs to find it within himself to overcome the storms that threaten to wreck his life.
Patricia Rae's study, while accepting Rorty's view that there is philosophical solidarity between pragmatism and modernism, rejects his interpretation of both as forms of dogmatic skepticism. If pragmatism and modernism coincide, Rae argues, the case of these three writers suggests that the intersection lies not in a rejection of "truthfulness to experience" but in a cautious respect for it.
Angelo Poliziano (1454–1494) was one of the great scholar-poets of the Renaissance and a leading figure in the circle of Lorenzo de’Medici, “il Magnifico,” in Florence. His “Silvae” are poetical introductions to his courses in literature at the University of Florence, written in Latin hexameters. They not only contain some of the finest Latin poetry of the Renaissance, but also afford unique insight into the poetical credo of a brilliant scholar as he considers the works of his Greek and Latin predecessors as well as of his contemporaries writing in Italian.
Psychoanalysts have long been fascinated with creative artists, but have paid far less attention to the men and women who motivate, stimulate, and captivate them. The Muse counters this trend with nine original contributions from distinguished psychoanalysts, art historians, and literary scholars—one for each of the nine muses of classical mythology—that explore the muses of disparate artists, from Nicholas Poussin to Alison Bechdel. The Muse breaks new ground, pushing the traditional conceptualization of muses by considering the roles of spouse, friend, rival, patron, therapist—even a late psychoanalytic theorist—in facilitating creativity. Moreover, they do so not only by providing inspiration, but also by offering the artist needed material and emotional support; tolerating competitive aggression; promoting reflection and insight; and eliciting awe, anxiety and gratitude. Integrating art history and literary criticism with a wide spectrum of contemporary psychoanalytic perspectives, The Muse is essential reading for psychoanalysts and psychotherapists interested in the relationships that enhance and support creative work. Fully interdisciplinary, it is also accessible to readers in the fields of art, art history, literature, memoir, and film. The Muse sheds new light on that most mysterious dyad, the artist and muse—and thus on the creative process itself.
To Study Rabindranath Tagore Is To Be Christened With The Excellence Of Inward¬Ness. An Ardent Apostle Of The Endless Excellence Of Man, Tagore Is More Aware Of Emphasizing The Inner Potentialities In Man Than In Mere Exercise Of Informatics In The Name Of Education A Perilous Parrott Training, Indeed!The Mystico-Aesthetic Poignance Of Perfec¬Tion In Tagore S Song Offerings And The Beyonding Of Consciousness Through Partner¬Ship With Beauty Might Direct Towards Thrilling Avenues Of Creative Appreciation.Tagore S Poetic Vision In Convalescences (Arogya) With Wonderful Imageries, Poignant Symbolism And Mystic Vision, And The World Of His Folk Songs, A World Of Maner Manusk Beckoning Us To Sing With An Ektara Are Enchanting Dimensions In Tagorean Criti¬Cism.The Fusion Of Education And Society And The Concept Of Man Lost In The Ukase Of Modernity Might Be Re-Shuffled In The Tagorean Viewpoints Of Man Par Excellence.A Comparative Study Of Rabindranath Tagore And Sri Aurobindo As Mystic Vision¬Aries Might Invite Esteemed Readers To Muse In The Marvels Of Mystic Beyondings.Evot Now And Encouraging As Tagore Is To The Global Man Anywhere And Every¬Where, Rabindranath Tagore : Diverse Dimensions Might Open Out Significant Avenues In Tagoreana.
‘Eternal Echoes’ is an anthology of poems penned by Sadhguru. Expertly expressing love, devotion, longing, struggle, seeking and bliss – Sadhguru’s poems are a true portrayal of the many facets of the master. Each poem is illustrated by a carefully chosen picture of the master himself, accentuating the mood of the poem.