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Living with her stepfather in the south of France, penniless orphan Myrtile runs away when her stepfather tries to marry her off. While fleeing she encounters two English gentlemen; the handsome playboy Gerald Dombay, and young lawyer Christopher Dent. An inevitable love-triangle forms, but there is more the Myrtile than meets the eye. Packed full of mystery and romance, this is an entertaining tale from author E. Phillip Oppenheim. E. Phillips Oppenheim (1866-1946) was a hugely prolific and highly popular British author of novels and short stories. Born in Tottenham, London, Oppenheim left school as a teenager and worked for his leather-merchant father for 20 years prior to launching his literary career. Oppenheim published five novels under the pseudonym ‘Anthony Partridge’ before establishing his reputation as a writer under his own name. An internationally successful author, Oppenheim’s stories revolved mainly around glamourous characters, luxurious settings, and themes of espionage, suspense, and crime. He is widely regarded as one of the earliest pioneers of the thriller and spy-fiction genre as it is recognised today. Oppenheim’s incredible literary success meant that his own life soon began to mirror that of his opulent characters. He held lavish, Gatsby-style parties at his French Villa and was rumoured to have had frequent love affairs aboard his luxury yacht. Oppenheim’s success earned him the cover of Time magazine in 1927. Some of his most well-known novels include ‘The Great Impersonation’, ‘The Long Arm of Mannister’ and ‘The Moving Finger’.
The Shore Road Mystery, written by Franklin W. Dixon, is a thrilling addition to the iconic Hardy Boys series. This classic mystery novel takes readers on a suspenseful journey filled with twists and turns, as the Hardy brothers strive to unravel the truth behind a mysterious plot. Set in the small town of Bayport, the story follows Frank and Joe Hardy, teenage amateur detectives who are known for their sleuthing skills. When a wealthy man named Mr. Morse hires the brothers to investigate a series of strange occurrences on Shore Road, the Hardy boys are eager to take on the challenge. As they delve deeper into the case, the Hardy brothers discover that there is more to Shore Road than meets the eye. From a missing yacht and a suspicious mansion to a secret underground tunnel, the boys encounter a web of deceit and danger that puts their detective skills to the test. With the help of their trusty friends, Chet Morton and Biff Hooper, and their detective father, Fenton Hardy, the brothers uncover a sinister plot involving stolen jewels and a notorious gang of criminals. As they race against time to solve the mystery, the Hardy boys must use all their wits and courage to outsmart their adversaries and bring the criminals to justice. One of the most captivating aspects of The Shore Road Mystery is the vivid and detailed descriptions of the setting. Franklin W. Dixon masterfully paints a picture of Bayport, allowing readers to immerse themselves in the small town atmosphere and feel as though they are right there with the characters, experiencing the mystery firsthand. Moreover, the characters in the novel are well-developed and relatable, making it easy for readers to connect with them. From the witty and daring Hardy boys to the loyal and supportive Chet and Biff, each character brings a unique element to the story and plays an integral role in solving the mystery. The Shore Road Mystery also touches upon important themes such as loyalty, friendship, and perseverance. Through the trials and challenges that the Hardy boys face, readers are reminded of the value of true friendship and the importance of never giving up, even in the face of adversity. The Shore Road Mystery is a captivating and suspenseful read that will keep readers on the edge of their seats. With its engaging plot, well-developed characters, and thought-provoking themes, this book is not only entertaining but also educational. Young readers will be inspired by the Hardy brothers' determination and resourcefulness, while also learning important lessons about courage, trust, and teamwork. A must-read for fans of mystery and adventure, The Shore Road Mystery is a timeless classic that continues to thrill readers of all ages.
When a mysterious masked man moves into the house next door, ten-year-old Casey and her friends, Cats and Benny, are determined to find out more about him.
Hollywood legend Charlotte Graham visits China to sample Buddhist sculpture, ancient art, and a thoroughly intellectual murder in this contemporary cozy mystery After four decades as a Hollywood and Broadway icon, Charlotte Graham is itching for a new adventure. So when a fortune-telling friend predicts that Charlotte is about to go on an exotic voyage—one which will challenge her as no trip ever has—and Charlotte’s stepdaughter invites her on an expedition to a remote oasis in northwest China, the legendary leading lady leaps at the chance to explore the unknown. But on reaching Dunhuang, Charlotte will be confronted with something she knows far too well: cold-blooded murder. Forbidding and mysterious, Dunhuang is a hotbed of academic research, where archaeologists, paleontologists, and scholars of all stripes rub elbows and butt heads. When a scientist is found dead just after making a historic find, Charlotte doesn’t need the I Ching to know it’s up to her to find the killer. Fans of Jessica Fletcher and Murder She Wrote will recognize Charlotte Graham as one of that special breed of amateur sleuth: a woman who wouldn’t dream of retirement and will never let a killer go free. Glamorous, elegant, and always entertaining, the Charlotte Graham series is truly one of a kind. Murder on the Silk Road is the 4th book in the Charlotte Graham Mysteries, but you may enjoy reading the series in any order.
#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • ONE OF GQ's TOP 50 BOOKS OF LITERARY JOURNALISM IN THE 21st CENTURY • The heartrending story of a midcentury American family with twelve children, six of them diagnosed with schizophrenia, that became science's great hope in the quest to understand the disease. "Reads like a medical detective journey and sheds light on a topic so many of us face: mental illness." —Oprah Winfrey Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the Air Force brought them to Colorado, where their twelve children perfectly spanned the baby boom: the oldest born in 1945, the youngest in 1965. In those years, there was an established script for a family like the Galvins--aspiration, hard work, upward mobility, domestic harmony--and they worked hard to play their parts. But behind the scenes was a different story: psychological breakdown, sudden shocking violence, hidden abuse. By the mid-1970s, six of the ten Galvin boys, one after another, were diagnosed as schizophrenic. How could all this happen to one family? What took place inside the house on Hidden Valley Road was so extraordinary that the Galvins became one of the first families to be studied by the National Institute of Mental Health. Their story offers a shadow history of the science of schizophrenia, from the era of institutionalization, lobotomy, and the schizophrenogenic mother to the search for genetic markers for the disease, always amid profound disagreements about the nature of the illness itself. And unbeknownst to the Galvins, samples of their DNA informed decades of genetic research that continues today, offering paths to treatment, prediction, and even eradication of the disease for future generations. With clarity and compassion, bestselling and award-winning author Robert Kolker uncovers one family's unforgettable legacy of suffering, love, and hope.
Werner Herzog came to fame in the 1970s as the European new wave explored new cinematic ideas. With films like Signs of Life (1968); Aguirre, the Wrath of God (1972); The Enigma of Kaspar Hauser (1974); and Fitzcarraldo (1982), Herzog became the subject of public debate, particularly due to his larger than life characters, often played by the wild Klaus Kinski. After the success of his documentary Grizzly Man (2005), Herzog became a leading force in a new form of hybrid documentary, and his tough attitude toward life and film made him a director’s director for a new generation of aspiring filmmakers. Kristoffer Hegnsvad’s award-winning book guides the reader through films depicting gangster priests, bear whisperers, shoe eating, revolutionary filmmakers . . . and a penguin. It is full of rare insights from Herzog’s otherwise secretive Rogue Film School, and features interviews with Herzog.
"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The Guardian One of The Washington Post's 50 best nonfiction books of 2021 | A Publishers Weekly best book of 2021 The Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture. Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer. Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself. Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery. Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success. By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.
Two friends were kidnapped on the road to Sintra by three masked men and taken to a mysterious house. In the house there is a corpse. The usual questions arise: who was he? How did he die? Was it a natural death or a murder? Who was the perpetrator or the instigator of the crime? The two friends are the two narrators - Eca de Queiroz and Ramalho Ortigao - whose story was published in the form of letters to the editor recounting what happened to them."
The book reads the Gothic characteristics of Australian cinema within their national, cultural context. The book relates the key motifs and concerns of Gothic literature to the styles, narratives and significance of Australian films. The book places examples of Australian Gothic film within the Australian filmmaking and film criticism, and relates these to the wider trends of international horror film.