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Bonded Leather binding
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Mary Noailles Murfree (January 24, 1850 - July 31, 1922) Was an American fiction writer of novels and short stories who wrote under the pen name Charles Egbert Craddock. She is considered by many to be Appalachia's first significant female writer and her work a necessity for the study of Appalachian literature, although a number of characters in her work reinforce negative stereotypes about the region. She has been favorably compared to Bret Harte and Sarah Orne Jewett, creating post-Civil War American local-color literature. The town of Murfreesboro, Tennessee, is named after Murfree's great-grandfather Colonel Hardy Murfree, who fought in the Revolutionary War.Murfree was born on her family's cotton plantation, Grantland, near Murfreesboro, Tennessee, a location later celebrated in her novel, Where the Battle was Fought and in the town named after her great-grandfather, Colonel Hardy Murfree. Her father was a successful lawyer of Nashville, and her youth was spent in both Murfreesboro and Nashville. From 1867 to 1869 she attended the Chegary Institute, a finishing school in Philadelphia.[citation needed] Murfree would spend her summers in Beersheba Springs. For a number of years after the Civil War the Murfree family lived in St. Louis, returning in 1890 to Murfreesboro, where she lived until her death.
"The Mystery of Witch-Face Mountain, and Other Stories" authored by Mary Noailles Murfree presents a collection of captivating short stories. With an emphasis on mystery and intrigue, Murfree weaves tales that explore the complexities of human nature and the supernatural. Her skillful blending of suspense and atmosphere draws readers into the enigmatic worlds she creates, leaving them eagerly anticipating each turn of events.
In this volume of picturesque stories Miss Murfree keeps well in the path she laid for herself in her first work. It is always safe to expect good work of its kind when she writes, and the kind is better than the general average of successful fiction.
The beetling crags that hang here and there above the gorge hold in their rugged rock sculpture no facial similitudes, no suggestions. The jagged outlines of shelving bluffs delineate no gigantic profile against the sky beyond. One might seek far and near, and scan the vast slope with alert and expectant gaze, and view naught of the semblance that from time immemorial has given the mountain its name. Yet the imagination needs but scant aid when suddenly the elusive simulacrum is revealed to the eye. In a certain slant of the diurnal light, even on bright nights at the full of the moon, sometimes in the uncanny electric flicker smitten from a storm-cloud, a gigantic peaked sinister face is limned on the bare, sandy slope, so definite, with such fixity of lineament, that one is amazed that the perception of it came no earlier, and is startled when it disappears.
The Mystery of Witch-Face Mountain