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Saraswati Ramans interest and dedication to Sahaja Yoga and its meditation led her to explore a course in medicine, leading to an MD in alternative medicine from the Indian Board for Alternative Sciences, Kolkata, and started off on her journey in music too by learning, just to discover the treatments of various diseases through music and Sahaja Yoga meditation. A lady full of positive vibes and approach toward every aspect of life; ever smiling, her journey to explore the culture of our country and its tradition has taken this form of a beautiful compilation of this literature. We are proud to have her as one of the gems of Sahaja yogis that are blooming on this earth. Jai Shri Mataji. With lots of love. Pramila Rao, Krez Kreations, real estate, AdFilms and media During the course of her growth in Sahaja Yoga, she met her music teacher Dr. Arun Apte, who greatly influenced her in music, which was also instrumental in bringing a profound change in her health. She continues to practice singing out of love for music, and its impact on the energy centers. I am sure readers of this book will be greatly benefited. Prabha Narayanan
A collection of folk tales, stories, poems, and songs each illustrated by a different artist. For grade 4.
Musician, sound healer and researcher Jonas Malvik, also known under the artist name Sono Lumin, shares all the most important information on healing with sound and the real truth about music tuned to 432 hz, including; - The real 432 hz temperament- All the magic frequencies- The magic frequencies in ancient civilisations - Busting myths about 432 hz tuning- The Yoga of sound- Much moreWether you are a beginner or an experienced musician, sound healer, therapist or just curious this book is guaranteed to take you several steps further in your game. Kept short and to the point, this book is simply a must have for those interested in this field!
Stardust Monuments spotlights the enduring efforts to memorialize and canonize the history and meaning of Hollywood and American film culture. In this engaging analysis, Alison Trope explores the tensions between art and commerce as they intersect in a range of nonprofit and for-profit institutions and products. An insightful tour of Hollywood's past, present, and future, Stardust Monuments examines the establishment of film libraries and museums beginning in the mid 1930s, the many failed attempts to open a Hollywood museum ranging from the 1960s to today, and the more successful recent corporate efforts to use Hollywood's past in theme restaurants and parks, classic movie channels, and DVD boxed sets. This fascinating narrative details the ongoing struggle to champion and codify Hollywood's legacy, a struggle engaged in by Hollywood stars and corporate executives, as well as memorabilia collectors and users of IMDb.
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! It's a dark and stormy morning at Camp Dakota, but that won't keep Braelin from investigating the whispers coming from the lake. What else could it be, but ghosts? The campers try to record and amplify the sounds, but suddenly the eerie voices go mute. Braelin and Megan won't give up, even when their ghost hunt leads them deep into the woods. Can they use their sound smarts to get back safe? Look in the back of the book for experiments and more to help you become a science detective too!
-Scooby-Doo and the gang learn about the science of sound and solve a mystery about a zombie---
The New York Times bestselling author of the Tradd Street novels explores a Southern family’s buried history, which will change the life of the woman who unearths it, secret by shattering secret. Two years after the death of her husband, Merritt Heyward receives unexpected news—Cal’s family home in Beaufort, South Carolina, bequeathed by his reclusive grandmother, now belongs to Merritt. In Beaufort, the secrets of Cal’s unspoken-of past reside among the pluff mud and jasmine of the ancestral Heyward home on the Bluff. This unknown legacy, now Merritt’s, will change and define her as she navigates her new life—a life complicated by the arrival of her too young stepmother and ten-year-old half brother. Soon, in this house of strangers, Merritt is forced into unraveling the Heyward family past as she faces her own fears and finds the healing she needs in the salt air of the Lowcountry.
This study of the subtlety, complexity, and variety of modes of hearing maps out a “sonorous archipelago”—a heterogeneous set of shifting sonic territories shaped by the vicissitudes of desire and discourse. Profoundly intimate yet immediately giving onto distant spaces, both an “organ of fear” and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In The Order of Sounds, François J. Bonnet makes a compelling case for the irreducible heterogeneity of “sound,” navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the “soundscape” and “reduced listening” demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound “itself,” nor an “ocean of sound” in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Focusing on techniques of spiritual development and awareness of the presence of spirit in ordinary life, Robbins challenges the reader to move beyond spiritual blockages and obstacles and raise the vibrational frequencies that bring us to greater enlightenment. This reduces negative emotions such as despair, meaninglessness, and unhappiness. Robbins wants to help us increase our pro-social activity thereby contributing to a more open-minded service towards others. In this book he shows how to use effective techniques for practical and spiritual change while following a path of heart.
‘Beckh ventures into provinces that I have not had the opportunity of investigating myself…’ – Rudolf Steiner Lost for decades, the manuscript of Hermann Beckh’s final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the ‘Mystery background’ uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh’s essay ‘The Mystery of the Night in Wagner and Novalis’; reminiscences of Beckh by August Pauli and Harro Rückner; Donald Francis Tovey’s ‘Wagnerian harmony and the evolution of the Tristan-chord’, and several contemporaneous reviews of Beckh’s published works.