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Students of philosophy, psychology, sociology, and literature will welcome this collection of original essays on self-deception and related phenomena such as wishful thinking, bad faith, and false consciousness. The book has six sections, each exploring self-deception and related phenomena from a different perspective.
Preliminary Material /F. Ernest Stoeffler -- Introduction /F. Ernest Stoeffler -- Pietism among the English Puritans /F. Ernest Stoeffler -- The Origin of Reformed Pietism on the European Continent /F. Ernest Stoeffler -- The Advent of Lutheran Pietism /F. Ernest Stoeffler -- Selective Bibliography /F. Ernest Stoeffler -- Index /F. Ernest Stoeffler.
A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
This book is the first history in English of the Lutheran Church in Germany and Scandinavia in the eighteenth and nineteenth centuries. A period of fundamental and lasting change in the political landscape with the separation of the old twin monarchies of Sweden-Finland and Denmark-Norway inScandinavia (1808, 1814), and the unification of Germany (1866-71), this was also a time of particular unease and upheaval for the church. Attempts to emulate the spiritual community of the early church, reform of the church establishment, and steps taken to enlighten parishioners were almost alwaysheld back by the anomalous structural legacy of the Reformation, tradition, and parish habit, sacred and profane. However, the birth of the modern nation-state and its market economy posed a fundamental challenge to the structure and ethos of the Reformation churches, as it did to the CatholicChurch. The First World War deepened the crisis further: German Protestants (and the Scandinavians were not immune either, although they remained neutral), who bracketed modernity with crisis and religion with national renewal, and who saw national loyalty as a higher value than the faith,fellowship, and moral order of the church, were swept up into the maw of a modern national war machine which threatened to wipe out Protestantism altogether.
This book systematically explores the moral issues surrounding self-deception. While many articles and books have been written on the concept of self-deception in recent years, Martin's gives much greater emphasis to self-deception as a significant topic for both ethical theory and applied ethics. "Self-deception is . . . perplexing from a moral point of view. It seems tailor-made to camouflage and foster immorality. . . . Does all self-deception involve some guilt, and is it among the most abhorrent evils. as some moralists and theologians have charged? Or is it only wrong sometimes, such as when it has bad consequences? Could it on occasion be permissible or even desirable to deceive ourselves, just as we are sometimes justified in deceiving other people? Are self-deceivers perhaps more like innocent victims than perpetrators of deceit, and as such deserving of compassion and help? Or, paradoxically, are they best viewed with ambivalence: culpable as deceivers and simultaneously innocent as victims of deception?" (from the introduction) Martin develops a conception of self-deception as the purposeful evasion of acknowledging to oneself truths or one's view of truth. He details a systematic framework for understanding the main moral perspectives and traditions concerning self-deception that have emerged in western philosophy. In so doing, he clarifies related concepts like sincerity, authenticity, honesty, hypocrisy, weakness of will, and self-understanding. Ranging across traditions both philosophical (Kant, Kierkegaard, and Sartre) and non-philosophical (Freud, Eugene O'Neill, and Henrik Ibsen), Martin shows why self-deception is as morally complex as any other major form of behavior. The appeal of this book is broad. The volume will challenge professional philosophers and psychologists, yet it is organized and written to be accessible to students in courses on ethics, philosophy of mind, and philosophy of literature. Martin's numerous literary examples should also interest literary critics.
This year including a special section on "Shakespeare and Montaigne Revisited," The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Canada, Sweden, Japan and Australia. This issue includes an interview with veteran American actor Alvin Epstein during his recent acclaimed performance of King Lear for the Actors' Shakespeare project in Boston.
"Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character"--Provided by publisher.