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When the treasure of the ancient MacGorilla clan is stolen from their castle, it seems that one or more of the soft toys gathered there must surely be the culprit. Trapped in the castle by an unexpected snow storm, one small bear, with the aid of an even smaller pig and an easily distracted ape, must discover where the treasure is and who took it.
The "genre" of the modern Gnostic novel encompasses an especially eclectic range of works. With this book-a fantasy by turns dark, absurd, comic, frantic, and lyrical-David Bentley Hart joins a company that includes figures as diverse as Georges Bernanos, Anatole France, David Lindsay, Philip K. Dick, Patrick White, Umberto Eco, William Gaddis, Harold Bloom, Jorge Luis Borges, Vladimir Nabokov, John Crowley, and Philip Pullman. In Kenogaia, a clockwork universe, an oppressive global society of ever-present surveillance, and the coming of age of its protagonist, Michael Ambrosius, are all disrupted by the arrival of a mysterious child from beyond the stars. Modeled on the Gnostic Hymn of the Pearl, Hart's tale is an imaginative exploration of the relation between good and evil, the difference between reality and illusion, the struggle to live life in truth, and the nature of spiritual existence. In these pages, Hart emerges as a master of mythopoesis even while spinning out a rollicking full-on adventure about friendship, loyalty, and the rescue of true goodness from a universe darkened by delusion.
As everyone knows, the bond between homo sapiens sapiens and canis lupus familiaris has traversed the ages. But few could have anticipated the remarkable exchange here recounted between David Bentley Hart and a noble beast named Roland. Roland in Moonlight breaks new ground within Hart's already astonishingly wide-ranging body of work. Eschewing the rigidity of the human either/or, Roland's diagonal approach offers secret illuminations and hidden affinities, as all and sundry come into his purview: paganism, dreams, language, myth, politics, American Christianity, Indian metaphysics, Japanese aesthetics... But perhaps most of all, the book is a kaleidoscopic exploration of the nature of mind and consciousness. Woven through all this is a candid memoir, a story of loss and recovery, of personal trials and tribulations, with Roland "leading the way through the darkened rooms and the sporadic shafts of icy moonlight, his mottled coat a constantly fluctuating counterpoint of shadow and light"-a strange and sure balm for the soul. Roland in Moonlight is a wholly unforgettable reading experience-a journey into the possible upon the wings of a heavenly discourse between man and beast, and the singular-indeed, blessed-rapport that guides their lives. It is impossible not to be swept along as Roland takes flight.
Angelico Press is pleased to publish this highly personal one-of-a-kind manuscript from the hand of a literary giant. Left unpublished at the time of the author's death more than 20 years ago, this work was known only to a few until recently. A Priest and His Dog The Tale of Tati is a rare jewel, and a testament, not only to Fr. Malachi Martin's genius as a storyteller, but above all to his eminence as a sacerdotal servant of Christ. Not intended for readers imbued with "worldly wisdom," it calls for the openness of a child before the mysteries of God. We may take it that the author looked upon his little Cairn terrier not indeed as an "animal" in the usual sense but simply as a "creature of God." This "pet" story breaks new ground, for charming and touching as it is, its true message is spiritual, having to do with the mystery of the animal soul and the possibility of its participation in that supreme blessedness termed "life eternal." The great question is whether that summum bonum is attainable for the likes of Tati, as our hearts would wish. While not declaring himself on this issue in explicitly metaphysical or theological terms, it appears that Malachi Martin is in fact weighing in heavily on this long-disputed conundrum: on the side, that is, of his canine friend.
In the two thousand years that have elapsed since the time of Christ, Christians have been as much divided by their faith as united, as much at odds as in communion. And the contents of Christian confession have developed with astonishing energy. How can believers claim a faith that has been passed down through the ages while recognizing the real historical contingencies that have shaped both their doctrines and their divisions? In this carefully argued essay, David Bentley Hart critiques the concept of "tradition" that has become dominant in Christian thought as fundamentally incoherent. He puts forth a convincing new explanation of Christian tradition, one that is obedient to the nature of Christianity not only as a "revealed" creed embodied in historical events but as the "apocalyptic" revelation of a history that is largely identical with the eternal truth it supposedly discloses. Hart shows that Christian tradition is sustained not simply by its preservation of the past, but more essentially by its anticipation of the future. He offers a compelling portrayal of a living tradition held together by apocalyptic expectation--the promised transformation of all things in God.
As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.
The new novel from Salley Vickers, Sunday Times bestselling author of The Librarian and Grandmothers Artist, Hassie Days, and her sister, Margot, buy a run down Jacobean house in Hope Wenlock on the Welsh Marches. While Margot continues her London life in high finance, Hassie is left alone to work the large, long-neglected garden. She is befriended by eccentric, sharp-tongued, Miss Foot, who recommends, Murat, an Albanian migrant, made to feel out of place among the locals, to help Hassie in the garden. As she works the garden in Murat's peaceful company, Hassie ruminates on her past life: the sibling rivalry that tainted her childhood and the love affair that left her with painful, unanswered questions. But as she begins to explore the history of the house and the mysterious nearby wood, old hurts begin to fade as she experiences the healing power of nature and discovers other worlds. In her haunting new novel, Salley Vickers, the bestselling author of The Librarian and The Cleaner of Chartres, writes with the profound psychological insight and sense of the numinous power of place that is the hallmark of all her novels. 'Salley Vickers sees with a clear eye and writes with a light hand. She's a presence worth cherishing' Philip Pullman 'The Gardener is a novel of regrowth & regeneration, of sisters overcoming a toxic parental legacy & of the healing power of seed packets' Patrick Gale 'Steeped in a sense of the redemptive power of place, Sally Vickers's 11th novel is a paean to green-fingered regeneration that is both rigorous and charming' Observer 'Profoundly moving, healing and wise, this is the perfect antidote to our urban anxiety' Joanne Harris, author of Chocolat
“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century
Publishers Weekly Best Book in Religion 2020 Foreword Review's INDIES Book of the Year Award, Religion In Theological Territories, David Bentley Hart, one of America's most eminent contemporary writers on religion, reflects on the state of theology "at the borders" of other fields of discourse—metaphysics, philosophy of mind, science, the arts, ethics, and biblical hermeneutics in particular. The book advances many of Hart's larger theological projects, developing and deepening numerous dimensions of his previous work. Theological Territories constitutes something of a manifesto regarding the manner in which theology should engage other fields of concern and scholarship. The essays are divided into five sections on the nature of theology, the relations between theology and science, the connections between gospel and culture, literary representations of and engagements with transcendence, and the New Testament. Hart responds to influential books, theologians, philosophers, and poets, including Rowan Williams, Jean-Luc Marion, Tomáš Halík, Sergei Bulgakov, Jennifer Newsome Martin, and David Jones, among others. The twenty-six chapters are drawn from live addresses delivered in various settings. Most of the material has never been printed before, and those parts that have appear here in expanded form. Throughout, these essays show how Hart's mind works with the academic veneer of more formal pieces stripped away. The book will appeal to both academic and non-academic readers interested in the place of theology in the modern world.
Incisive essays from a master wordsmith Why has Don Juan become so passé of late? What’s the trouble with Ayn Rand? How did the Doge of Venice come to venerate the counterfeit remains of Siddhartha Gautama? Why does the Bentley family’s collection of ancestral relics include a bronzed human thumb? And what, exactly, is the story behind Great Uncle Aloysius, who was born a Quaker but died a pagan? This collection of occasional essays brings us David Bentley Hart at his finest: startlingly clear and deliciously abstruse, coolly wise and burningly witty, fresh and timeless, mystical and concrete — often all at once. Hart’s incisive blend of philosophy, moral theology, and cultural criticism, together with his flair for both the well-told story and the well-turned phrase, is sure to delight.