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The delight of Christmas shoppers at the unveiling of a London department store’s famous window display turns to horror when one of the mannequins is discovered to be a dead body...
Myth and reality clash when a catastrophic earthquake hits the Pacific Northwest and creatures from legends are released. Finally free, they hunger for flesh, for souls, for life.Now, the people who call the Northwest home fight to survive the ravages of a shifting earth and the horrors it disgorged.Curtis Jonason, a scientist, had nothing but his work for company and nothing to fear but his imagination -- until the quake strikes.Anya Lindgren, devastated by personal loss, chose to isolate herself and grieve - until the quake strikes.Sharon Driscoll, middle-aged and angry, seeks death on her terms - until the quake strikes. And Ethan Reynolds, an environmental science teacher, picked a bad day to take high school students on a hike.Now on paths far different than anticipated, they struggle through the ravaged forest to outlive the ancient hunt. Not all will survive. And no one will escape unscathed.
First published by Collins in 1928, this was the first of 22 mystery novels by Vernon Loder, one of the most popular British mystery-thriller writers of his generation.
I asked her to marry me to save my company, I never thought I would fall in love with her. Ryan: My company, my life's work, everything I've accomplished is on the line. I need to get married and fast. It will be easy to consider it a business arrangement. One that will be lucrative for both my assistant, Mika, and myself. I won't think about how this takes away the whole problem of dating an employee. But it doesn't take away my desire to make her mine. Mika: My career was all that mattered to me and getting ahead. When Ryan gives me an opportunity of a lifetime, I can't say no. But that was before I became his wife. That was before I moved in with him. That was before I started to fall in love with him. Now I want to find a way to stay with him forever. The Billionaire's Fake Marriage is a stand-alone billionaire office fake romance set in New York City with plenty of heat with a guaranteed HEA and no cliffhangers!
When a guest at Stowe House is found dead, killed by a lethal dart, suspicion naturally falls on the resident collector of poisoned weapons from tribes in South America. With the entire house party as potential suspects, what part did the woman explorer play in this sinister tragedy? The local police are baffled, and call on the help of an amateur, whose recent assignment working with bushmen in Africa brings new insight into an increasingly unconventional investigation.
Oft-referenced and frequently set to music, Psalm 137 - which begins "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion" - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: "Happy shall he be, that taketh and dasheth thy little ones against the stones." Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.
Singlehanded achievement by Ralph Edwards of wresting a farm homestead from the wilderness in British Columbia. A condensed version appeared in "Reader's digest."
Essays explore the reasons for the popularity of murder mysteries and discuss the literary techniques and social aspects of detective novels.
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier
Jeff Resnick is out of his element when he and Maggie take a working vacation at a quaint Vermont inn. But when Jeff crosses the threshold, his 6th sense warns him someone will meet a violent death. His anxiety intensifies when he travels on one of the local roads and is overwhelmed by feelings of impending doom. With their own lives at stake, Jeff must use all his wits and skill to bring a ruthless killer to justice.