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This wonderfully unique collaboration brings together two masters of their fields, joining original words by spiritual teacher Eckhart Tolle with delightful illustrations by Patrick McDonnell, the creator of the acclaimed comic strip MUTTS. Every heartwarming page provokes thought, insight, and smiling reverence for all beings and each moment. More than a collection of witty and charming drawings, the marriage of Patrick McDonnell's art and Eckhart Tolle's words conveys a profound love of nature, of animals, of humans, of all life-forms. Guardians of Being celebrates and reminds us of not only the oneness of all life but also the wonder and joy to be found in the present moment, amid the beauty we sometimes forget to notice all around us.
The sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more. FEATURING… • American Splendor • Archie • The Avengers • Kyle Baker • Batman • C. C. Beck • Black Panther • Captain America • Roz Chast • Walt Disney • Will Eisner • Neil Gaiman • Bill Gaines • Bill Griffith • Harley Quinn • Jack Kirby • Denis Kitchen • Krazy Kat • Harvey Kurtzman • Stan Lee • Little Orphan Annie • Maus • Frank Miller • Alan Moore • Mutt and Jeff • Gary Panter • Peanuts • Dav Pilkey • Gail Simone • Spider-Man • Superman • Dick Tracy • Wonder Wart-Hog • Wonder Woman • The Yellow Kid • Zap Comix … AND MANY MORE OF YOUR FAVORITES!
Shoe is cartooning at its best. The strip captures issues and ideas that speak to a wide and diverse audience. It conveys volumes through its humor and simple lines. The First 27 Years of Shoe: World Ends at Ten, Details at Eleven exhibits that clarity and cartooning essence in frame after frame, strip after strip. The first Shoe collection of Jeff MacNelly and company's works since 1994, this book is a delight from Dave Barry's foreword to Mike Peters's "backward."Edited by Chris Cassatt and Susie MacNelly, who along with Gary Brookins keep Shoe as lively, vital, and vibrant as Jeff did until his death in June 2000, The First 27 Years of Shoe contains hundreds of cartoons from 1977 to the present. Plenty of MacNelly extras pepper the book, including actual (and critical, of course) notes from Jeff's teachers, as well as photos and warm remembrances of the creative genius who won three Pulitzer Prizes for his editorial cartooning and two Reubens, cartooning's highest award, for Shoe.Best of all, though, The First 27 Years of Shoe includes just that: year after year of Shoe, Perfesser Cosmo Fishhawk, Skyler, and Roz-along with Senator Batson D. Belfry, Irving Seagull, Wiz, Loon, and more-squawking, diving, and flying hard through life's ups and downs. Through the decades Shoe has proven both successful and memorable, a tribute sure to be shared by this MacNelly collection.
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
Contributions by Thomas Andrae, Martin Barker, Bart Beaty, John Benson, David Carrier, Hillary Chute, Peter Coogan, Annalisa Di Liddo, Ariel Dorfman, Thierry Groensteen, Robert C. Harvey, Charles Hatfield, M. Thomas Inge, Gene Kannenberg Jr., David Kasakove, Adam L. Kern, David Kunzle, Pascal Lefèvre, John A. Lent, W. J. T. Mitchell, Amy Kiste Nyberg, Fusami Ogi, Robert S. Petersen, Anne Rubenstein, Roger Sabin, Gilbert Seldes, Art Spiegelman, Fredric Wertham, and Joseph Witek A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use.
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
"Most of the artwork and stories in this book are by Otto Messmer. Don Oriolo has identified [several] pages as being by Joe Oriolo"--Colophon.
«You could find no better guide to the fascinating heritage and contemporary dynamism of strips, comics, graphic novels and even manga from Sweden than Fredrik Stromberg. His passionate curiosity and in-depth research make this a hugely enjoyable voyage of discovery.» Paul Gravett, author of Manga - Sixty Years of Japanese Comics and Great British Comics - A Century Of Ripping Yarns & Wizard Wheezes --
From the rough streets of Auburn, Washington, to the amateur circuit, the bars of Alaska, to the professional ranks, and the championship level, Greg Haugen has excelled in pugilism. For the first time, hear his own words about his boxing career. Anyone who has ever known Greg has respected him immensely as a boxer, even those who hate him. Read the testimonies of Hall of Famers Jeff Fenech, Al Bernstein, Kathy Duva, Don King, and Pernell Whitaker. Opponents Jeff Bumpus, Freddie Roach, Chris Calvin, Edwin Curet, Tony The Tiger Lopez, and Jimmy Paul, all give their stories of what it was like to fight against Greg. Tough Man: The Greg Haugen Story, peel the intriguing onion of the man they called, 'Mutt," boxings career.