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Award-winning musical dramatist and teacher David Spencer provides a guide-to-the-game that helps you negotiate aspects of the musical theatre business and more.
This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.
Addressing the questions central to any playwright's career and identity, Jon Klein offers you a glimpse into a career writing for the theatre. As well as an account of the day-to-day life of a writer, he also discusses what an aspiring playwright should expect as they navigate the industry and how to make yourself stand out from the crowd. Furthermore, the book looks at situations that the emerging playwright is likely to encounter, including: handling rehearsals, workshops, castings, re-writing, venues, reviews, successes and failure. The book concludes with seventeen interviews with other USA-based playwrights, representing a wide range of experience, from writers just starting to make a name for themselves to seasoned, award-winning veterans such as Sheila Callaghan, Steven Dietz, Keith Glover, Lauren Gunderson, John Pielmeier and Jen Silverman. Author Jon Klein has a wealth of experience with over 30 of his plays produced in the USA and over 100 productions, including include T Bone N Weasel, Dimly Perceived Threats to the System, Betty the Yeti, and his most recent play, Resolving Hedda. Klein draws upon the lessons he has learned from his associations with numerous established theatre folk, many from the start of their careers. These include figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.clude figures such as Bob Falls, Gregory Hines, Jon Jory, Kenny Leon, Dan Sullivan, and August Wilson.
Junie B. Jones is back and better than ever with a must-have Survival Guide! Hello, school children! Hello! Hello! It’s me . . . Junie B., First Grader! I have been going to school for over one-and-a-half entire years now. And I have learned a jillion things that will help you survive at that place. And guess what? Now I am going to pass this information on to y-o-u!!! I wrote it all down in my brand-new book! Here is some of the stuff I wrote about: Bus rules, carpools, how to stay out of trouble (possibly), homework, fun work, water fountains, friends (plus children you may not actually care for). All the helpful hints and drawings are done by me, Junie B. Jones! Plus also, there are stickers and pages for you to write in! This thing is a hoot, I tell you!
(Limelight). The lyricist/librettist of The Fantasticks , the longest-running show in the history of the American theater, takes on a new role as your guide through the magical world of the stage musical.
Veteran screenwriter Max Adams takes readers through the steps to selling a screenplay in Hollywood and getting a movie produced. Filled with practical advice, sample letters, forms, contracts and format pages, this book covers topics essential to a screenwriter's life.
The Stage Manager’s Toolkit provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. The book identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success. This book was written for Stage Management courses in Theatre programs and for the working professional.
Success assured -- for every show YOLI direct or produce! Written from 37 years of drama teaching experience, this book provides detailed, step-by-step information, examples and suggestions about how to direct a school drama program without mistakes, trouble or delay. The nineteen chapters cover everything: play selection, tryouts, rehearsals, costuming, props, lighting, publicity and final performance. To further clarify each step, examples are provided with illustrations, photos and proven ideas. Reproducible handouts and forms are also included together with a list of many additional resources. Whether you are a seasoned drama director or a beginner, you will find this book to be an invaluable aid. It will banish your stress and guarantee your success!
Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. With a theater degree in hand, she was determined, she was confident, she was ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she'd imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, struggle, rejection and doubt. If only she'd had a handbook for the aspiring actor. Or, better yet, someone to show her the way—an established actor who could educate her about the business, manage her expectations, and reassure her in those moments of despair. Jenna wants to be that person for you. With amusing candor and wit, Fischer spells out the nuts and bolts of getting established in the profession, based on her own memorable and hilarious experiences. She tells you how to get the right headshot, what to look for in representation, and the importance of joining forces with other like-minded artists and creating your own work—invaluable advice personally acquired from her many years of struggle. She provides helpful hints on how to be gutsy and take risks, the tricks to good auditioning and callbacks, and how not to fall for certain scams (auditions in a guy's apartment are probably not legit—or at least not for the kind of part you're looking for!). Her inspiring, helpful guidance feels like a trusted friend who's made the journey, and has now returned to walk beside you, pointing out the pitfalls as you blaze your own path towards the life of a professional actor.
The Most Infamous Studio Session Ever Documented In the summer of 2002, I began to chronicle my Daily events on a Major Label recording session with a bidding-war band, an infamous producer, and a seemingly limitless budget. Every night, after a long session with these crazy characters, I posted up the day's events. The results were spectacular. As Metro reporter Gina Arnold put it, "Mixerman is supposed to be writing about recording techniques, but somehow, through that prism, he has hit upon a gripping story." That's right, it was even mentioned in random newspapers at the time.When I began posting my story, I had an audience of 200. By week 4 that grew to 25,000. And by the last entry, I was posting to the delight of over 150,000 music business professionals around the world. There were discussion threads all over the internet, debating every decision we made along the way. The story went viral before viral was even really a thing. Most people find them sidesplittingly hilarious. Others find them reprehensible, but that too is rather hilarious. The Daily Adventures are also available as an audiobook, which has been produced like an old radio show, with music, foley, sound ƒx, and characters performed by some of the most well-known record producers and engineers of all time.