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" ... is an informative, yet entertaining collection of interviews with notable collectors and repairmen, among them, George Gruhn, the Mandolin Brothers, and Mugwumps Magazine publisher Mike Holmes. The primary focus is on the art of collecting guitars and banjos, even though other instruments such as violins and basses are mentioned. The 121-page compilation is a good cross-section of what collecting is all about and is chock-full of interesting anecdotes and opinions ."-Guitar Player Magazine
Using everyday items, a melodious collection of strings, winds, drums & more. Illus.
Designed for collectors of antique brass musical instruments made before 1920, this book features more than 100 original line drawings from instrument catalogs as well as interesting new information. Also includes a helpful value guide, a glossary of terms, bibliography and several appendices, along with a current price guide.
This insightful appreciation of musical instruments features more than one hundred extraordinary pieces from the Metropolitan Museum’s collection. Whether created to entertain a royal court, provide personal solace, or aid in rites and rituals, these instruments fully demonstrate music’s universal resonance and the ingenuity various cultures have deployed for musical expression. The results are astoundingly diverse: from Bronze Age cymbals and sistra to violins made by Stradivari, monumental slit drums from Oceania, and iconic twentieth-century American guitars. Stunning new photographs and a lively text reveal these objects to be works of both musical and visual art, as well as marvels of technology and masterpieces of design. Depictions of instruments and music making—paintings, statues, and pottery—further illuminate the narrative, providing a vivid counterpoint to these remarkable objects.
For everyone who's read the Bible and wondered what David's harp, or Nebuchadnezzar's sackbut and cornett really were, Jeremy Montagu, retired curator of Oxford's Bate Collection of Historical Instruments, has composed an astoundingly thorough investigation and explanation of the musical instruments that pepper the pages of Western Civilization's most holy book. This is a detailed study of all the musical instruments mentioned in the Bible, using the resources of linguistics, organology, and ethnomusicology to identify and describe them. Every reference to an instrument is noted and all the misconceptions of translation are corrected. The Bible, as we know it in English, is a translation, and the history of biblical translations into Aramaic, Greek, Latin and other languages is one of guesswork. The substitution of the musical instruments from the translator's era for those of the original author is as common as it is overlooked. Jubal did not have an organ, nor David a harp. This book uses all the resources available to establish what each instrument really was, what it looked like, and how it was played and is arranged in the same order as the King James Bible, with explanation where this differs from other versions in English. As well as a full bibliography, there are three indexes. The first is of Biblical Citations so that readers may check every mention in the Bible from its chapter and verse. The second is a quadrilingual parallel citation in Hebrew, Greek, Latin, and English, so that each reference can be crosschecked. The third is a general index. The four biblical languages, Hebrew, Aramaic, Greek, and Latin, are used to the full, and the original texts are cited frequently. There are 18 illustrations, some of which are archeological remains, some ethnographic parallels, and one is of the sole biblical instrument still in regular use: the ram's horn which brought down the walls of Jericho. Musical Instruments of the Bible is perfect for university theology and comparative religion depa
"The rhythmic, onomatopoeic text dances across exuberant watercolors with lots of movement. This celebration of a child’s agency in choosing a means of artistic expression strikes just the right note." --Kirkus "A delightful offering for reading aloud, especially during music-themed storytimes." --School Library Journal From New York Times bestselling author Chris Barton and new illustrator Louis Thomas comes a fun, rhythmic picture book about finding the music that is perfect for you! A boy who loves to make noise gets to pick only one instrument (at his parents urging) in a music store, but there is too much to choose from! There’s triangles and sousaphones! There’s guitars and harpsichords! Bagpipes and cellos and trombones! How can he find the one that is just right for him out of all those options?
This text has plans for 50 musical instruments, including over 100 drawings and photographs. It teaches the reader how to build their own musical instruments, using knowledge of a variety of diverse cultures from around the world. It includes instruments such as: oil drum gongs, thumb pianos, cowbells, tube drums and willow whistles. All necessary materials can either be purchased or found in nature or a junkyard.
TheGuardian's 2008 'How to Write' supplements were a huge success with wordsmiths of all stripes. Covering fiction, poetry, comedy, screenwriting, biography and journalism, they offered invaluable advice and bags of encouragement from a range of leading professionals, includingCatherine Tateon writing memorable comedy characters,Robert Harrison penning bestelling fiction andMichael Rosenon constructing stories that will appeal to young people. This book draws together the material from those supplements and includes a full directory of useful addresses, from publishers and agents to professional societies and providers of bursaries. Whether you're looking to polish up your writing skills or you want to ensure that your manuscript finds its way into the right hands,How to Writewill prove essential reading.
This book first appeared in 1967. In the years since then, it has spawned the new academic sub-discipline of musical iconology, which belongs equally to the histories of art and of music. Emmanuel Winternitz, who was for thirty-one years Curator of Musical Collections at the Metropolitan Museum of Art, is one of the world's leading authorities on the history of musical instruments. He is also an erudite historian of art. Combining these two interests he has for many years studied the innumerable representations of musical instruments in Western art. In this collection of closely related articles, he examines what these pictures tell of the design and construction of instruments, of their performance, practice, and of the often subtle symbolic use to which artists put them. Kithara and cittern, lute and lyre, bagpipe and hurdy-gurdy, and the ubiquitous lira da braccio, all of these figured largely in the art of the Middle Ages or the Renaissance, together with a clutch of shwms, zinks, and crumhorns, and a variety of fantastic instruments that existed only in the imagination of the artists. In more than 200 photographs and many drawings, Winternizt illustrates instruments that range from an Egytptian wall-painting of a harp to a musette in a Watteau F te champ tre. He draws from the works of Titian, Raphael, D rer, and Bruegel, and also from medieval manuscripts and sculpture. Winternitz discusses these diverse elements with a combination of formidable learning, wit, and keen insight that makes this book at once a seminal work for scholars and a delight for lovers of art and music.