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This book celebrates the power of music, dance, and oral narrative to create identities by imaginatively connecting performers and audiences with ethnic and political groupings, global and sacred landscapes, histories and heroes, spirits and gods.Three distinct cultural eras of Mongolian society are represented. Many Mongolsare now performing publicly the diverse traditions of Old Mongolia that they practised in private following the communist revolution of 1921; some are perpetuating the Soviet transformations of those traditions introduced prior to 1990; and yet others are dipping their curly-toed boots into new performance arts as they revel in musical encounters on the global stage. By highlighting the sheer variety ofrepertories, this book illustrates the rich diversity of Mongolia's peoples andperformance arts.An accompanying compact disc contains musical examples linked to the text.Carole Pegg is ethnomusicology editor for the New Grove Dictionary of Musicand Musicians and associate lecturer in social anthropology at the University of Cambridge, England. As an ethno-musicologist and musician she has been working with nomadic groups in remote areas of Mongolia and Inner Mongolia, China, and with urban Mongols in both countries since 1987. She has also toured with Mongol musicians in England and Hong Kong.
The Mongols’ Middle East: Continuity and Transformation in Ilkhanid Iran offers a collection of academic articles that investigate different aspects of Mongol rule in 13th- and 14th-century Iran. Sometimes treated only as part of the larger Mongol Empire, the volume focuses on the Ilkhanate (1258-1335) with particular reference to its relations with its immediate neighbours. It is divided into four parts, looking at the establishment, the internal and external dynamics of the realm, and its end. The different chapters, covering several topics that have received little attention before, aim to contribute to a better understanding of Mongol rule in the Middle East and its role in the broader medieval Eurasian world and its links with China. With contributions by: Reuven Amitai, Michal Biran, Bayarsaikhan Dashdondog, Bruno De Nicola, Florence Hodous, Boris James, Aptin Khanbaghi, Judith Kolbas, George Lane, Timothy May, Charles Melville, Esther Ravalde, Karin Rührdanz
This fresh translation of one of the only surviving Mongol sources about the Mongol empire, brings out the excitement of this epic with its wide-ranging commentaries on military and social conditions, religion and philosophy, while remaining faithful to the original text.
Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
"Genghis Khan and the Mongol Horde" is a book by Harold Lamb about the rise of one of the greatest empires in history. It is a well written book with plenty of details. It is also informative and covers the subject well. Genghis Khan was one of the most successful rulers in history. His empire stretched from the Pacific Coast of China to Russia and the Middle East. Yet he started as a humble nomad moving from place to place in the icy steppe. Genghis Khan and the Mongol Horde covers all the fine points of the ruler's reign. It names all of his top advisers and his worst enemies. It gives details of military tactics and even the clothing of the period. It taught me new things about Asia and increased my knowledge of Genghis Khan. This book is a nonfiction book that is written like a novel. The writing is smooth, well put together, and engaging. It helps you imagine what life was like in the Mongol era.
Works on accompanying sound disc include rare field recordings of herders from different ethnic groups in remote areas of Mongolia
In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.
In this unforgettable book, Waley brings together a number of articles, poems and translations. Included are pieces on the poet Ts’ên Shên and the great Chinese prose writer, Han Yü, but the most compelling is ‘The Secret History of the Mongols’, with fantastic tales of epic battles; betrayal and love; tyrants and prisoners.