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Johnny Rivers seemingly became an "overnight" success when music lovers discovered his popular shows His rise to fame resulted in a #2 hit with "Memphis. Many more followed, including his #1, "Poor Side of Town" and #3 "Secret Agent Man".The Music of Johnny Rivers tells the story of how young John Ramistella of Baton Rouge, Louisiana pursued his dream to follow in the footsteps of Fats Domino and Elvis Presley and make a career in music. But, success did not come easy, nor did it come quickly. A name change by legendary disc jockey Alan Freed began Johnny's journey to stardom. Not simply an entertainer, Rivers sang, wrote and produced hit records, and formed his own record company. He traveled to Vietnam to entertain the troops and he won a Grammy for producing a 5th Dimension #1 hit. Among Johnny's other major hits are: "Mountain of Love", "Rockin' Pneumonia", "Slow Dancin'", "Baby I Need Your Lovin'. RIvers placed 17 records in the Top 40, and sixteen LPs in the top album charts.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (music and lyrics not included). Pages: 31. Chapters: Baby I Need Your Loving, Baby What You Want Me to Do, Blue Suede Shoes, Brown Eyed Handsome Man, By the Time I Get to Phoenix, Cast Your Fate to the Wind, Catch the Wind, Fire and Rain, Help Me, Rhonda, I Washed My Hands In Muddy Water, Johnny B. Goode, Maybellene, Memphis, Tennessee (song), Midnight Special (song), Mountain of Love, Poor Side of Town (Johnny Rivers song), Run for Your Life, Sea Cruise, Secret Agent Man (song), Six Days on the Road, Susie Q (song), The Seventh Son (song), The Tracks of My Tears, Um, Um, Um, Um, Um, Um, Where Have All the Flowers Gone?, Whole Lotta Shakin' Goin' On, Willie and the Hand Jive. Excerpt: "Blue Suede Shoes" is a rock and roll standard written and first recorded by Carl Perkins in 1955 and is considered one of the first rockabilly (rock and roll) records and incorporated elements of blues, country and pop music of the time. Perkins original version of the song was on the Cashbox Best Selling Singles list for 16 weeks, and spent 2 weeks in the No. 2 position. Elvis Presley performed his version of the song three different times on national television. It was also recorded by Buddy Holly and Eddie Cochran among many others. Shoes in Elvis exhibit similar to those that inspired the songJohnny Cash planted the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley, and other Louisiana Hayride acts toured throughout the South. Cash told Perkins of a black airman whom he had met when serving in the military in Germany. He had referred to his military regulation air shoes as "blue suede shoes." Cash suggested that Carl write a song about the shoes. Carl replied, "I don't know anything about shoes. How can I write a song about shoes?" When Perkins played a dance on December 4, 1955, he noticed a couple dancing near...
Seleção das melhores canções gravadas pela cantora Eydie Gormé.
Huey "Piano" Smith's musical legacy stands alongside that of fellow New Orleans legends Dr. John, Fats Domino, Ernie K-Doe, and Allen Toussaint. His 1957 classic, "Rocking Pneumonia and the Boogie Woogie Flu," made Billboard's top R&B singles chart, and hundreds of artists including Aerosmith, the Grateful Dead, the Beach Boys, Johnny Rivers, and Chubby Checker have recorded his songs. The first biography of the artist responsible for hits "Don't You Just Know It," "High Blood Pressure," and "Sea Cruise," Huey "Piano" Smith and the Rocking Pneumonia Blues follows the musician's extraordinary life from his Depression-era childhood to his teen years as a pianist for blues star Guitar Slim to his mainstream success in the 1950s and '60s. Drawing from extensive interviews and court records, author and journalist John Wirt also provides new insights on Smith's professional disappointments and financial struggles in the 1980s and '90s as he battled over royalties from his most successful and profitable work. An enigmatic and guarded personality in a profession of extroverted performers, Smith made farreaching contributions to the New Orleans music scene as a songwriter, pianist, and producer. Wirt reveals that Smith's numerous collaborations with other artists -- including the Clowns, the Pitter Pats, the Hueys, and Shindig Smith and the Soul Shakers -- served as vehicles for his creative vision rather than simply as an anonymous backup for a leading front man. Throughout this intimate account, Wirt details Smith's significant impact on rock and roll history and underscores both the longevity of his music -- which has entertained and inspired for over five decades -- and the musician's personal endurance in the face of hardship and opposition.
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
The field of Popular Music Studies is growing, but still lacks some basic reference materials. The Chronology of American Popular Music, 1899-2000 fills this gap by offering a comprehensive overview of the field. It will be a must-own for libraries and individuals interested in this growing field of research.
Provides lists of hit songs by date with information on the artist, songwriter, producer, label, and offering interviews with popular artists.
(Book). If Howard Kaylan had sung only one song, the Turtles' 1967 No. 1 smash hit "Happy Together," his place in rock-and-roll history would still be secure. But that recording, named in 1999 by BMI as one of the top 50 songs of the 20th century, with over five million radio plays, is only the tip of a rather eye-opening iceberg. For nearly five decades, Howard Kaylan has been a player in the rock-and-roll revolution. In addition to his years with the Turtles, Kaylan was a core member of Frank Zappa's Mothers of Invention and the dynamic duo Flo and Eddie, and part of glam rock history with Marc Bolan and T. Rex. He's also given street cred and harmonies to everyone from John Lennon, Bruce Springsteen and Alice Cooper to the Ramones and Duran Duran, to name just a few. Howard Kaylan's life has been a dangerous ride that he is only too happy to report on, naming names and shedding shocking tales of sex, drugs, and creative excess. Shell Shocked will stand alone as not only one of the best-told music-biz memoirs, but one with a truly candid and unmatchable story of rock-and-roll insanity and success from a man who glories in it all.