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Johnny Rivers seemingly became an "overnight" success when music lovers discovered his popular shows His rise to fame resulted in a #2 hit with "Memphis. Many more followed, including his #1, "Poor Side of Town" and #3 "Secret Agent Man".The Music of Johnny Rivers tells the story of how young John Ramistella of Baton Rouge, Louisiana pursued his dream to follow in the footsteps of Fats Domino and Elvis Presley and make a career in music. But, success did not come easy, nor did it come quickly. A name change by legendary disc jockey Alan Freed began Johnny's journey to stardom. Not simply an entertainer, Rivers sang, wrote and produced hit records, and formed his own record company. He traveled to Vietnam to entertain the troops and he won a Grammy for producing a 5th Dimension #1 hit. Among Johnny's other major hits are: "Mountain of Love", "Rockin' Pneumonia", "Slow Dancin'", "Baby I Need Your Lovin'. RIvers placed 17 records in the Top 40, and sixteen LPs in the top album charts.
Huey "Piano" Smith's musical legacy stands alongside that of fellow New Orleans legends Dr. John, Fats Domino, Ernie K-Doe, and Allen Toussaint. His 1957 classic, "Rocking Pneumonia and the Boogie Woogie Flu," made Billboard's top R&B singles chart, and hundreds of artists including Aerosmith, the Grateful Dead, the Beach Boys, Johnny Rivers, and Chubby Checker have recorded his songs. The first biography of the artist responsible for hits "Don't You Just Know It," "High Blood Pressure," and "Sea Cruise," Huey "Piano" Smith and the Rocking Pneumonia Blues follows the musician's extraordinary life from his Depression-era childhood to his teen years as a pianist for blues star Guitar Slim to his mainstream success in the 1950s and '60s. Drawing from extensive interviews and court records, author and journalist John Wirt also provides new insights on Smith's professional disappointments and financial struggles in the 1980s and '90s as he battled over royalties from his most successful and profitable work. An enigmatic and guarded personality in a profession of extroverted performers, Smith made farreaching contributions to the New Orleans music scene as a songwriter, pianist, and producer. Wirt reveals that Smith's numerous collaborations with other artists -- including the Clowns, the Pitter Pats, the Hueys, and Shindig Smith and the Soul Shakers -- served as vehicles for his creative vision rather than simply as an anonymous backup for a leading front man. Throughout this intimate account, Wirt details Smith's significant impact on rock and roll history and underscores both the longevity of his music -- which has entertained and inspired for over five decades -- and the musician's personal endurance in the face of hardship and opposition.
(Book). If Howard Kaylan had sung only one song, the Turtles' 1967 No. 1 smash hit "Happy Together," his place in rock-and-roll history would still be secure. But that recording, named in 1999 by BMI as one of the top 50 songs of the 20th century, with over five million radio plays, is only the tip of a rather eye-opening iceberg. For nearly five decades, Howard Kaylan has been a player in the rock-and-roll revolution. In addition to his years with the Turtles, Kaylan was a core member of Frank Zappa's Mothers of Invention and the dynamic duo Flo and Eddie, and part of glam rock history with Marc Bolan and T. Rex. He's also given street cred and harmonies to everyone from John Lennon, Bruce Springsteen and Alice Cooper to the Ramones and Duran Duran, to name just a few. Howard Kaylan's life has been a dangerous ride that he is only too happy to report on, naming names and shedding shocking tales of sex, drugs, and creative excess. Shell Shocked will stand alone as not only one of the best-told music-biz memoirs, but one with a truly candid and unmatchable story of rock-and-roll insanity and success from a man who glories in it all.
In this series of books, based on the hit podcast A History of Rock Music in 500 Songs, Andrew Hickey analyses the history of rock and roll music, from its origins in swing, Western swing, boogie woogie, and gospel, through to the 1990s, grunge, and Britpop. Looking at five hundred representative songs, he tells the story of the musicians who made those records, the society that produced them, and the music they were making. Volume one looks at fifty songs from the origins of rock and roll, starting in 1938 with Charlie Christian's first recording session, and ending in 1956. Along the way, it looks at Louis Jordan, LaVern Baker, the Ink Spots, Fats Domino, Sister Rosetta Tharpe, Jackie Brenston, Bill Haley, Chuck Berry, Elvis Presley, Little Richard, and many more of the progenitors of rock and roll.
An in-depth history of rock and roll's Louisiana roots. Taking the position that rock and roll started in New Orleans in 1947 when Roy Brown recorded "Good Rockin' Tonight," Aswell provides an expansive history of this beloved American music form. By looking at the Louisianan influences of swamp pop, Cajun, zydeco, R&B, rockabilly, country, and blues music, the author explores the way these musical forms gave birth to rock and roll as we know it today.
Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.
Looks at the complex history of Jefferson Airplane, chronicling the band's origins in 1965 San Francisco and their influential role in 1960s and 1970s rock music that paved the way for other Bay Area music greats.
Today is a day I've been dreading for a long time. Sitting here watching the Cincinnati Bengals and the Houston Oilers playoff game out of the corner of my eye, I realize that I cannot procrastinate the starting of this book any longer. My goal has been to write this book for at least the last fifteen years, but I wanted someone else to do the dirty work. That is just not going to happen. I'm stuck with this mess and it's up to me and me alone. I lived in the rock-and-roll world for more than twenty years as the drummer for some of the most famous people in the business. I've also had the pleasure of sitting in, backing up, and knowing some of the all-time greats. However, I've seen these people from a little different angle than anyone else . . . from center stage, looking at you, the audience. I used to joke and say, "I've seen the back of some of the most famous heads in the world. That's a fact. My musical career started as the drummer with a young singer from Dallas, Texas by the name of Trini Lopez. We were together for almost eight years. That collaboration took me to Los Angeles, California. My recordings with Trini include eight albums, starting with Trini Lopez "LIVE" at PJ'S. It was in L.A. that I hooked up with an Italian kid from Baton Rouge, Louisiana. His name was John Ramistella, better known as Johnny Rivers. During my time with Johnny, I had the incredible opportunity of spending time in Viet Nam in 1966 with Ann-Margret. We are still friends today. Eat your heart out! After the stint with Johnny came perhaps the ultimate musical challenge. I became the drummer with the legendary kid from Hibbing, Minnesota, the spokesman for the world of folk music, Bob Dylan and the group that started out as The Hawks and later became known as The Band. At a recent speaking engagement for a Bob Dylan convention in Manchester, England, I was introduced as the drummer on the greatest rock-and-roll tour in history.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.