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For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation only. Includes FREE downloadable companion audio files.
The music of Renaissance lutenist/composer John Dowland made easy for solo classical guitar. Notated in standard notation and tablature. Includes: Air Clear or Cloudy Come Again, Sweet Love Flow, My Tears Flow Not So Fast, Ye Fountains If My Complaints Could Passions Move Mrs. White's Nothing The Round Battle Galliard Tarleton's Resurrection Time's Eldest Son, Old Age White As Lilies Was Her Face"
For guitar players who want to expand their repertoire: This collection provides a fantastic introduction to the works of John Dowland, containing the easiest of his compositions, arranged in their order of difficulty. Dowland ranks among the outstanding figures in the history of 16th- and 17th-century European lute music. Martin Hegel arranged the works originally composed for lute so that they can now be played on the guitar at an intermediate level. The edition is suited for both teaching and playing in one's spare time. Dowland for Guitar is part of the Schott Guitar Classic series. The editor Martin Hegel is dedicated to expanding the guitar repertoire in a varied and sensible way and making popular works of music history accessible even to guitar players at an intermediate level. His transcriptions, ranging from easy to intermediate, are perfectly adapted to the characteristics of the guitar. They present an opportunity to guitar players to experience classics and masterpieces on their own instrument: be it contrapuntal masterpieces by Johann Sebastian Bach and symphonic music by Mozart – or be it lute music from the Renaissance era.
Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.
This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.
(Guitar Solo). 31 of the Beatles' best arranged for solo classical guitar in standard notation and tablature. Includes: Across the Universe * Blackbird * Eleanor Rigby * The Fool on the Hill * Hey Jude * Michelle * Norwegian Wood * Something * Yesterday * and more.
For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation with TAB. Includes FREE downloadable companion audio files.
Affordable, handsomely engraved edition contains 45 songs by foremost lute player of the early 17th century, transcribed for voice and guitar. Includes three airs from A Musicall Banquet.
The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.
A collection of articles and music transcribed for solo classical guitar gathered from ten years of the popular series in the journal Soundboard. Each of the music scores is accompanied by an article describing the process of transcription for the guitar, the history of the music and composer, and performance suggestions. All pieces are fully fingered and suitable for intermediate to advanced players.