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Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
A narrative history of the music of African-Americans with emphasis on the folk music genres.
This book, a milestone in American music scholarship, is the first to take a close look at an important and little-studied component of African American music, one that has roots in Europe, but was adapted by African American congregations and went on to have a profound influence on music of all kinds—from gospel to soul to jazz. "Lining out," also called Dr. Watts hymn singing, refers to hymns sung to a limited selection of familiar tunes, intoned a line at a time by a leader and taken up in turn by the congregation. From its origins in seventeenth-century England to the current practice of lining out among some Baptist congregations in the American South today, William Dargan’s study illuminates a unique American music genre in a richly textured narrative that stretches from Isaac Watts to Aretha Franklin and Ornette Coleman. Lining Out the Word traces the history of lining out from the time of slavery, when African American slaves adapted the practice for their own uses, blending it with other music, such as work songs. Dargan explores the role of lining out in worship and pursues the cultural implications of this practice far beyond the limits of the church, showing how African Americans wove African and European elements together to produce a powerful and unique cultural idiom. Drawing from an extraordinary range of sources—including his own fieldwork and oral sources—Dargan offers a compelling new perspective on the emergence of African American music in the United States. Copub: Center for Black Music Research
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
"Documented with great care and affection, this book is filled with revelations about the intermingling of peoples, styles of music, business interests, night-life pleasures, and the strange ways lived experience shaped black music as America's music in California." —Charles Keil, co-author of Music Grooves
African American Music provides an introduction to all of the richness and diversity of African American musical styles, focusing on the distinct characte4istics and development of each genre. This book is divided into four parts: folk traditions; the jazz aesthetic; black popular styles since 1940; and black theatrical and classical music. Using brief musical examples, the author illustrates and explains the basic concepts that unite all African American styles before discussing each style individually. Among the many types of music explored in individual chapters are spirituals, blues, gospel, ragtime, jazz, pop and classical. Biographical portraits of major musicians and composers, as well as detailed stylistic analyses of each musical genre, make this book not only required reading for any introduction to the field, but a pleasure to read for anyone interested in all of the different styles that comprise African American music. Includes information on Louis Armstrong, Count Basie, bebop, Chuck Berry, blues, boogie woogie, James Brown, call and response, classical music, classic jazz, Sam Cooke, cool jazz, William Levi Dawson, doo wop, Antonin Dvorak, Duke Ellington, free jazz, gospel music, Isaac Hayes, jazz, James Weldon Johnson, Motown Records, Charlie Parker, rags and ragtime, rap music, rhythm and blues, soul music, spirituals, swing, etc. [Publisher description]
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Mark Anthony Neal reads the story of black communities through the black tradition in popular music. His history challenges the view that hip-hop was the first black cultural movement to speak truth to power.
This lavishly illustrated book brings together for the first time a significant body of imagery devoted to the traditional culture of the African-American slave.