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Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.
Adorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
This book is a guide to Berg's second opera, Lulu, written in non-technical language and intended for those students and music lovers wishing to become familiar with one of the masterpieces of twentieth-century music. Jarman presents a clear and concise introduction to the musical language and to the intricate musical and dramatic structure of Berg's opera. The volume also examines the literary background, the genesis, composition, and tortuous posthumous career of the work. The final chapters survey the performance history and suggest a possible interpretation of this complex and challenging composition. An important feature of the book is the inclusion of source documents and critical responses to the opera. Illustrated with photographs from the premiere and from recent productions, the volume also includes a synopsis, bibliography, and discography.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
The world of Alban Berg is full of paradoxes, secrets and allusions, but he was able to handle emotional and moral issues at a distance and with profound sympathy. His unhurried, almost aristocratic attitude to life and his extreme self-criticism in professional matters resulted in an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. All of Berg's substantial works are discussed in this Companion which brings together a team of experts who write from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and recontextualising it against the broader twentieth-century interplay of fashions, aesthetics and ideas.
Alban Berg: A Research and Information Guide, Third Edition is an annotated bibliography highlighting both the nature of primary sources related to the composer and the scope and significance of the secondary sources that deal with Berg, his compositions, and his influence as a composer. It is a reliable, complete, and useful resource and a starting point for anyone--performer, teacher, student, or scholar--wanting to learn about Berg's life, works, and cultural milieu. The third edition has 162 additional citations since the publication of the second edition, many arising after the expiration of copyright of Berg's musical and archival works 2005. Many important new, primary sources of information have appeared, most notably the letter exchanges with his wife, recently published in a three-volume critical edition (in German), as well as letter exchanges with Alma Mahler and Erich Kleiber, and later correspondences with Anton Webern. There has also been a notable increase in the availability of commercial video recordings of Berg's operas, Wozzeck and Lulu.
For Alban Berg, personal experience was the indispensable condition of the creative process. His instrumental works are thus lived music, and most of his vocal compositions, too, are in a larger sense autobiographic: the Four Songs op. 2, the Altenberg Songs op. 4, Wozzeck and the concert aria Der Wein (Wine).