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The Music Master is a novel based on a theatrical play written by Charles Klein. It follows the life of Anton Von Barwig, the successful conductor of the Leipzig Philharmonic Orchestra. Life it seems couldn't be going better for him. That is until his wife runs off with her American lover, taking their daughter Hellene with them. Von Barwig sets off to New York on a quest to find them. But as the years go by, his hope of finding them fades away...
In The Music Teacher, a penetrating and richly entertaining look into the heart and mind of a woman who has failed both as an artist and as a wife, Barbara Hall, award-winning creator and writer of such hit television series as Judging Amy and Joan of Arcadia, tells the story of a violinist who has accepted the limitations of her talent and looks for the casual satisfaction of trying to instill her passion for music in others. She gets more than she bargains for, however, when a young girl named Hallie enters her life. For here at last is the real thing: someone with the talent and potential to be truly great. In her drive to shape this young girl into the artist the teacher could never be, she makes one terrible mistake. As a result she is forced to reevaluate her whole life and come to terms with her future. Hall has crafted a thoroughly engrossing novel that examines the pitfalls of failure and holds up a mirror to the face of a culture that places success and achievement above all else.
What more fitting place for the last man on Earth to live in than a museum? Now if only he could avoid becoming an exhibit himself!
In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues. Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.
'The Third Degree' is a mystery novel by Charles Klein. Howard Jeffries Jr. had squandered a great many opportunities in life. Having been admitted to Yale, he soon turned to hard drinking and gambling, something his father, a wealthy banker utterly disdained. And when he elopes with a woman from a disreputable family, he is completely cut off financially. As he wanders the streets of New York searching for work, he meets an old college mate who has an interesting business proposition. But when he visits another friend to borrow the money he needs, he becomes implicated in his murder. Now Howard must prove his innocence in court...
The field of research dedicated to the design, creation, use, and evaluation of new sound and music technologies supporting health and well-being is rapidly growing. This research is often conducted in multidisciplinary contexts, with teams working at the intersection of health, psychology, computer science, musical communication and multimodal interaction. As such, the work bridges areas such as universal design, accessibility, music therapy, music technology, Sonic Interaction Design (SID), and Human Computer Interaction (HCI). This Research Topic explores such intersections within music technology research aimed at promoting health and well-being, investigating how new methods, technologies, interfaces, and applications can enable everyone to enjoy the positive benefits of music.
Music was an essential aspect of life in eighteenth-century Britain and plays a crucial role in the literary strategies of Georgian novels. This book is the first to investigate the literary representation of music in these works and explores the structural, dramatic and metaphorical roles of music in novels by authors ranging from Richardson to Austen. Pierre Dubois explores the meaning of 'musical scenes' by framing them within contemporary cultural issues, such as the critique of Italian opera or the theoretical shift from mimesis to the alleged autonomy and mystery of music. Focusing upon both eighteenth-century theories of music, and the way specific musical instruments were perceived in the collective imagination, Dubois suggests new interpretative perspectives for a whole range of novels of the Georgian era. This book will be of interest to a wide readership interested not only in literature, but also in music and cultural history at large.