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More than 400 memorable quotes about the world of music, from Fred Allen to Oscar Wilde, from Friedrich Nietzsche to Florian Zabach. Wonderful for public speakers or just browsing.
A collection of quotations relating to music by composers, performers, writers, critics and fans, covering a wide range of musical genres and time periods.
This unique devotional is written expressly with the musically inclined in mind. Each of the fifty-two devotions is titled with a musical term, such as "Allegro" or "D. S. Al Fine," using that term to form the content. After a definition of the term, author Jack Coleman offers an insightful devotional lesson readers can learn from. Each devotion includes Scripture quotations and musical settings that illustrate the musical terms. Musicians, students of music, and anyone who enjoys music and wants to learn more about how God uses it to inspire and instruct us will love this one-of-a-kind devotional. Includes a foreword by Cliff Barrows, music and program director for the Billy Graham Evangelistic Association, and endorsements from Michael W. Smith, Kurt Kaiser, and Don Moen.
Writing about music-about what it is and what it means-is akin to describing the act of love. Somehow, the reduction of the experience to an unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im agery that is banal, vulgar, inane, obscure, pretentious, and almost always insufferably romantic. To achieve good and accurate writing about music is as rare an accomplishment as expert wine-tasting, lion-taming, diamond-cut ting, truffie-finding and (if one just happens to be an unconverted Mohican brave) deer-tracking. Only the intuitive, the pure, the sensual, and the intrepid need apply. Professional musicians often evidence a fixed tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the particular vanity of a conductor, or the wage scales for overtime recording sessions are judged worthy only of contempt or-at the most-patronizing tolerance. "Music means itself," insists one of the contributors to the collection that follows, and many practitioners of the art of organ ized sound would prefer to leave it at that.
With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
Neil Young took on the music industry so that fans could hear his music—all music—the way it was meant to be heard. Today, most of the music we hear is com-pressed to a fraction of its original sound,while analog masterpieces are turning to dustin record company vaults. As these record-ings disappear, music fans aren't just losing acollection of notes. We're losing spaciousness,breadth of the sound field, and the ability tohear and feel a ping of a triangle or a pluckof a guitar string, each with its own reso-nance and harmonics that slowly trail off intosilence. The result is music that is robbed of its original quality—muddy and flat in sound compared to the rich, warm sound artists hear in the studio. It doesn't have to be this way, but the record and technology companies have incorrectly assumed that most listeners are satisfied with these low-quality tracks. Neil Young is challenging the assault on audio quality—and working to free music lovers from the flat and lifeless status quo. To Feel the Music is the true story of his questto bring high-quality audio back to musiclovers—the most important undertaking ofhis career. It's an unprecedented look insidethe successes and setbacks of creating thePono player, the fights and negotiationswith record companies to preserve master-pieces for the future, and Neil's unrelentingdetermination to make musical art availableto everyone. It's a story that shows how muchmore there is to music than meets the ear. Neil's efforts to bring quality audio to his fans garnered media attention when his Kickstarter campaign for his Pono player—a revolutionary music player that would combine the highest quality possible with the portability, simplicity and affordability modern listeners crave—became the third-most successful Kickstarter campaign in the website's history. It had raised more than $6M in pledges in 40 days. Encouraged by the enthusiastic response, Neil still had a long road ahead, and his Pono music player would not have the commercial success he'd imagined. But he remained committed to his mission, and faced with the rise of streaming services that used even lower quality audio, he was determined to rise to the challenge. An eye-opening read for all fans of Neil Young and all fans of great music, as well as readers interesting in going behind the scenes of product creation, To Feel the Music has an inspiring story at its heart: One determined artist with a groundbreaking vision and the absolute refusal to give up, despite setbacks, naysayers, and skeptics.
88+ Ways is filled with over 150 inspirational stories & quotes from musicians, music educators and music lovers from all over the world. Included are a number of stories from Grammy winning and Platinum selling artists & composers. Recording artist and songwriting contributors include Bobby Kimball (Toto), Simon Kirke (Bad Company), Vanessa Carlton, Siedah Garrett (Michael Jackson), Rick Wakeman (Yes), Rob Parissi (Wild Cherry/Play That Funky Music), Rob Hyman & Eric Bazilian (The Hooters), Billy Steinberg (Madonna), Bill Champlin (Chicago), Mark King (Level 42), Bobby Hart (Monkees), Ciaran Gribbin (INXS), Rose Kingsley (Metropolitan Opera Singer & Ballerina) & Grammy winning Children's artist The Battersby Duo. Film and TV actresses contributing stories include Audrey Landers (Dallas), and Darcy Donavan (Anchorman, My Name is Earl). TV/Film/DVD producers & composers contributing include Fred Mollin (Friday the 13th, Hard Copy, Beyond Reality), Michel Rubini (Nemisis, The Hitchhiker, Tales from the Crypt), Jay Gruska (Cocoon-Movie, Supernatural-TV, Charmed-TV), Sara Flatow (Grey's Anatomy, Desperate Housewives, Scandal) 50% of the proceeds from all book & ebook sales will be donated to foundations providing music instruments and lessons to schools and communities in need.
Everyone remembers their first NOW! Each edition of the NOW That's What I Call Musicseries captures the essence of the pop charts at that precise moment in music history, striking a chord with music fans since 1983. Charting the story of NOWthrough album covers, detailed track listings and interesting trivia about each album all the way up to NOW 91, The NOW That's What I Call Music Bookis the perfect nostalgic gift for music lovers!
Whether you're a regular Rolling Stone or bananas about Beethoven, this cacophony of quips and quotes will have your ears ringing with laughter. Perfect for when you've hit too many bum notes and need a little harmony.