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As well as holding some of the world's most prized cultural treasures, the British Library is the repository of the nation's collective memory. Owing its origin to the generosity and far-sightedness of a handful of 18th-century scholars and booklovers, and built up over 250 years, the Library's very extensive collections--of books, manuscripts, maps, music, newspapers, photographs, sound recordings, stamps, and digital media--offer keys to the understanding of human achievement in literature, art, music, politics, journalism, exploration, and much else, from ancient times to the present day. In this highly illustrated book, Michael Leapman tells the Library's story, highlighting the most significant and beautiful items in its care, as well as exploring some of the lesser known, more surprising artifacts housed in its iconic building in the heart of London.
In this highly-illustrated account, Nicolas Barker reveals the history of the British Library's treasure house of books and manuscripts. The Library's holdings cover collections spanning almost three millennia, from the establishment of the British Museum, which brought together the libraries of Sir Hans Sloane, Sir Robert Cotton and Robert Harley, first Earl of Oxford, to the foundation of the British Library in 1973 and to some outstanding acquisitions of the present day.
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
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