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'The Secret Museum' is a treasure trove of the most intriguing artifacts hidden away in museum archives from all over the world - curated, brought to light, and brought to life by Molly Oldfield in an illustrated collection.
Although erotica has always existed, "pornography" is a recent phenomenon: as late as the eighteenth century the word did not exist. From the secret museums to the pornography trials of Madame Bovary and Lady Chatterly's Lover, to Mapplethorpe, cable TV, and the Internet, Walter Kendrick explores how conceptions of pornography relate to issues of freedom of expression and censorship. He provides, too, a fascinating portrait gallery of the jurists, artists, guardians of public morality, sleaze merchants, and civil libertarians who have played roles in the changing definitions of pornography.
People, children especially, have been baffled, bewildered, and even outraged by the fact that Pluto is no longer called a planet. Through whimsical artwork and an entertaining dialogue format, Pluto’s Secret explains the true story of this distant world. Providing a history of the small, icy world from its discovery and naming to its recent reclassification, this book presents a fascinating look at how scientists organize and classify our solar system as they gain new insights into how it works and what types of things exist within it. The book includes a glossary and bibliography. Praise for Pluto's Secret "Pairing a lighthearted narrative in a hand-lettered†“style typeface with informally drawn cartoon illustrations, this lively tale of astronomical revelations begins with the search for Planet X.†? —Kirkus Reviews "This picture book offers a fresh, positive perspective on Pluto, showing that its change of status is not a demotion but a correction." —Booklist "Light-hearted imagining of a gregarious Pluto.†? —Bulletin of the Center for Children's Books "Fun reading... The book provides a factual history of our faraway 'dwarf,' and on its companion icy worlds, and on the discovery of Kuiper-like bands around other stars." —School Library Journal Award New York Public Library’s annual Children’s Books list: 100 Titles for Reading and Sharing 2013
Take an exclusive backstage tour of the world's most exciting museums and discover their hidden treasures. This behind-the-scenes guide showcases a huge range of incredible artefacts from history and reveals the hard work, care, and effort that goes into collecting, preserving, and storing them. Ever wondered what happens to an astronaut's space suit after it's been worn on the Moon? Or how the world's most valuable diamond is looked after? Find out all about how museums work and the people that make it happen - from how historians preserve and care for Anne Frank's diary to what it takes for an archaeologist and curator to excavate and exhibit an enormous wooly mammoth skeleton. You'll even find out about the bugs and pests that museum workers have to guard against to protect the future of history's most precious artefacts. Behind the Scenes at the Museum gives the reader exclusive access to hidden objects that aren't normally on public display. It lets you into a world of animal specimens pickled and preserved in jars, priceless gems and jewellery too valuable to be on display, and fragile documents and fabrics that must be kept in carefully controlled conditions. Along the way, you'll learn about the techniques and processes that keep these objects in good condition, preserved and safe for future generations. Filled with incredible images, step-by-step explanations of exciting techniques, and job profiles of the people that make it happen, Behind the Scenes at the Museum offers unique, behind-the-curtain access to the secret delights of the world's most interesting museums.
“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.
When Tom Scatterhorn's eccentric father disappears to the Far East in search of rare beetles, closely followed by his mother, Tom is left to spend Christmas with his uncle and aunt, keepers of the weird and wonderful Scatterhorn Museum. But don’t get too excited – because it's a dusty, dingy place, full of tatty stuffed animals and rickety cases of junk. Nobody really wants to visit it anymore, and it looks as if its days are numbered. But when Tom comes to live there, he finds more to the museum than meets the eye. The animals may be ragged and moth-eaten but they have an incredible secret – a secret that originated when the stuffed animals were first made, a hundred years earlier. And then Tom discovers he can go right back to the time of their making. . . . In an exciting adventure that threads in and out of time, from an Edwardian ice fair to the wastes of Mongolia to the jungles of India, Tom discovers that there is far more at stake than the fate of the museum. . . .
Hidden in a portfolio among Auguste Rodin's inventory of more than 7,000 drawings donated to the state after his death in 1917 was a collection of figure drawings and watercolors labeled Secret Museum. Scandalous at the time of their creation, and illustrated in a loose, gestural style, they depict 110 graphic nudes of women alone or with female partners displaying their most private selves. Available now for the first time, this body of work is displayed in its entirety with in-depth analysis of the role of eroticism in Rodin's art, how the work was received during the artists lifetime and what we know about the models. Startling in their modernity, the artworks provide a valuable addition to the study of this influential artist and to the history of modern art as a whole.
Discover a new side of Paris, hidden in plain sight, with this beautifully illustrated guide to the city's smaller collections and best-kept secrets, from artists' studios to scientific museums. A visit to Paris can often seem like a highlight reel -- the Louvre, the Musee d'Orsay, the Eiffel Tower. But Paris isn't only about the big attractions; in fact, some might say it's the offbeat destinations that hold the greatest treasures. The Little(r) Museums of Paris takes a whimsical journey through these smaller destinations, from the fantastical to the bizarre, offering both a guide to the city and inspiration for armchair travelers. Rather than traveling by neighborhood, this charming guide explores the different types of institutions nestled within Paris, from time capsules like the Musee Nissim de Camondo to explorations of the world beyond the city limits, including the Institute of the Arab World. Readers will peek behind the curtains of artists' apartments and into the microscopes of collections of scientific oddities. Each entry opens up a new world of adventure, with a description of the museum's collection, as well as a short history, watercolor illustrations, and a miniature map. For residents and visitors alike, the captivating illustrations and deeply-researched yet approachable writing will encourage greater appreciation of the cultural diversity, history, and colorful characters that give Paris that je ne sais quoi.
'Dry Store Room No. 1' is an intimate biography of the Natural History Museum, celebrating the eccentric personalities who have peopled it and capturing the wonders of scientific endeavour, academic rigour and imagination. 'This book is a kind of museum of the mind. It is my own collection, a personal archive, designed to explain what goes on behind the polished doors in the Natural History Museum. The lustre of a museum does not depend only on the artefacts or objects it contains - the people who work out of sight are what keeps a museum alive...I want to bring those invisible people into the sunlight.' Behind the public façade of any great museum there lies a secret domain: one of unseen galleries, locked doors, priceless specimens and hidden lives. Through the stories of the numerous eccentric individuals whose long careers have left their mark on the study of evolutionary science, Richard Fortey, former senior paleaontologist at London's Natural History Museum, celebrates the pioneering work of the Museum from its inception to the present day. He delves into the feuds, affairs, scandals and skulduggery that have punctuated its long history, and formed a backdrop to extraordinary scientific endeavour. He explores the staying power and adaptability of the Museum as it responds to changes wrought by advances in technology and molecular biology - 'spare' bones from an extinct giant bird suddenly become cutting-edge science with the new knowledge that DNA can be extracted from them, and ancient fish are tested with the latest equipment that is able to measure rises in pollution. 'Dry Store Room No. 1' is a fascinating and affectionate account of a hidden world of untold treasures, where every fragment tells a story about time past, by a scientist who combines rigorous professional learning with a gift for prose that sparkles with wit and literary sensibility.