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Critically acclaimed experimental, literary fiction by the famous Croatian exile author.
The Museum of Unconditional Surrender -- by the renowned Yugoslavian writer Dubravka Ugresic--begins in the Berlin Zoo, with the contents of Roland the Walrus's stomach displayed beside his pool (Roland died in August, 1961). These objects--a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.--like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.
An unusual beautifully written East European novel in the tradition of Kundera and Borges. This is a deeply East European novel in flavour reminiscent of Kundera and Borges. Through weaving together fragments, stories and diaries Dubravka Ugresic, a prize winning novelist in the former Yugoslavia, captures the world group of characters living in Berlin and Lisbon. Even though this is a novel with little plot, there is something extremely compelling and memorable about Ugresic's beautifully crafted writing. She convincingly brings to life a world and characters preoccupied by questions of exile, Nationalism, angels, parables, the Berlin zoo, the layers of meaning in one's past and future frozen by the camera. Underpinned by a calm note of tragedy, The museum of Unconditional surrender is a beautifully written novel, both bitter and funny in tone.
'Unconditional Surrender' is a satire on the English class system. The writer takes a dig at the way the ruling class and their sense of entitlement, even when the country is in a global conflict, can plan through the bureaucracy to make their way into the far less dangerous and more comfortable theatres of war.
A funny and cynical collection of essays, observations, and sketches denouncing the perversions of political and cultural life in Croatia.
Baba Yaga is an old hag who lives in a house built on chicken legs and kidnaps small children. She is one of the most pervasive and powerful creatures in all mythology. She appears in many forms: as Pupa, a tricksy, cantankerous old woman who keeps her legs tucked into a huge furry boot; as a trio of mischievous elderly women who embark on the trip of a lifetime to a hotel spa; and as a villainous flock of ravens, black hens and magpies infected with the H5N1 virus. But what story does Baba Yaga have to tell us today? This is a quizzical tale about one of the most pervasive and powerful creatures in all mythology, and an extraordinary yarn of identity, secrets, storytelling and love.
"Splendidly ambitious . . . A brilliant, enthralling spread of story-telling and high-velocity reflections. In her indignation and in her sorrow Ugresic speaks for many people, many experiences. She is a writer to follow. A writer to be cherished." Susan Sontag"
A new look at the drama that lay behind the end of the war in the Pacific Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender that formally ended the war in the Pacific brought to a close one of the most cataclysmic engagements in history. Behind it lay a debate that had been raging for some weeks prior among American military and political leaders. The surrender fulfilled the commitment that Franklin Roosevelt had made in 1943 at the Casablanca conference that it be "unconditional." Though readily accepted as policy at the time, after Roosevelt's death in April 1945 support for unconditional surrender wavered, particularly among Republicans in Congress, when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. Germany's unconditional surrender in May 1945 had been one thing; the war in the pacific was another. Many conservatives favored a negotiated surrender. Though this was the last time American forces would impose surrender unconditionally, questions surrounding it continued through the 1950s and 1960s--with the Korean and Vietnam Wars--when liberal and conservative views reversed, including over the definition of "peace with honor." The subject was revived during the ceremonies surrounding the 50th anniversary in 1995, and the Gulf and Iraq Wars, when the subjects of exit strategies and "accomplished missions" were debated. Marc Gallicchio reveals how and why the surrender in Tokyo Bay unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur. The latter would effectively become the leader of Japan and his tenure, and indeed the very nature of the American occupation, was shaped by the nature of the surrender. Most importantly, Gallicchio reveals how the policy of unconditional surrender has shaped our memory and our understanding of World War II.
Witness the end of World War II in Europe like never before with this insightful account filled with images taken by Gen. Dwight D. Eisenhower's wartime photographer, Al Meserlin, and analysis from one of the war's foremost scholars. Paul E. Zigo, a thirty-year Army veteran who retired as a colonel and the founder and director of the World War II Era Studies Institute, takes readers to the schoolhouse turned Allied headquarters in Rheims, France, where Nazi Germany unconditionally surrendered May 7, 1945. Nothing less than unconditional surrender was acceptable to the Allies, which U.S. President Franklin D. Roosevelt first proclaimed at a press conference in January 1943 following an Anglo-American summit meeting in Casablanca, French Morocco. Roosevelt and British Prime Minister Winston Churchill vowed to never accept any armistice like that which led to the signing of the failed Versailles Peace Treaty after World War I-- and Soviet Union Premier Joseph Stalin agreed in absentia. Despite defeat after defeat, Nazi Germany leader Adolf Hitler insisted on fighting, and others continued to resist even after his suicide April 30, 1945. Discover how Nazi Germany finally surrendered with this narrative filled with powerful images that put history in context.ered with this narrative filled with powerful images that put history in context.
In her long career, Ugresic has published several novels (e.g., The Ministry of Pain), but she made her name with her essay collections, which have caused controversy and earned her the admiration of writers and critics abroad. In these latest musings, written over the course of several years, Ugresic leaves no stone unturned and no thought contained, doing what she does best: writing about the human condition through her own experience. Refusing to establish a central theme, she touches upon a wide range of topics: the paradox of multiculturalism, metaphors as our "defense against nightmares," the eerie similarities between capitalism and communism, and ways in which we try to rise hopelessly above our less-than-perfect existence. Along the way, she pays homage to the works of literature that have influenced her own creative process, in an effort to pay "a symbolic literary tax on narcissim" because "writing is not the humblest of vocations." Perhaps not, but Ugresic certainly knows how to balance being a critic with being criticized. Recommended for all libraries collecting cultural criticism.--Mirela Roncevic, Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.